DrownSoda

DrownSoda

Art and Culture enthusiast. Critic of all that opposes free-thought and intellectual integrity. Special interests in Philosophy, Sexuality, Politics, Film, Literature, History

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    American Psycho: Political Rhetoric

    I started reading American Psycho by Bret Easton Ellis during the final debate, and finished the novel shortly after the election. At the start of the novel, there is a particular quote that, I think, mimes the political rhetoric used during election season (well used frequently, but only recognized by a wider audience during election season). While watching a Milo Yiannopoulos talk (shameful–I know), a member of the audience referenced the same quote; which he refers to as the speech given during "the restaurant scene" in the film. The audience member argued that the monologue, performed by anti-hero, Patrick Bateman, mimics some of the language Clinton used during the campaign. I found it very interesting, especially since Bateman is obviously obsessed with Trump throughout the entire novel. While the novel was published in 1991, and the Clinton’s weren’t yet a household name, I found it very funny that both the audience member and I made that association (despite the fact that I found Bateman’s speech to be a satirical monologue that could be applied to Clinton, Trump, and media’s impression on the common person’s understanding of politics). I want to share this quote, let me know what you think:

    "We have to stop people from abusing the welfare system. We have to provide food and shelter for the homeless and oppose racial discrimination and promote civil rights while also promoting equal rights for women but change the abortion laws to protect the right to life yet still somehow maintain women’s freedom of choice. We also have to control the influx of illegal immigrants. We have to encourage a return to traditional moral values and curb graphic sex and violence on TV, in movies, in popular music, everywhere. Most importantly we have to promote general social concern and less materialism in young people."

    Ellis, Bret Easton, author. American Psycho : a Novel. New York :Vintage Books, a division of Random House, Inc., 1991. p.15. Print.

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      Latest Comments

      DrownSoda

      Riccio–amazing article! I do share Blephen75’s critique of the statement: “Thus, for Nietzsche, these scientific revelations proved his belief in life as meaningless.” As you explain that these truth systems are human creations to validate human existence, in reference to religion (and more specifically Christianity), I think it would also help to delve into the distinction between scientific fact and the invention of human logic. Perhaps rephrasing this statement into something like: “Thus, for Nietzsche, these scientific inquiries corroborated his analysis of the futility of human existence.” And then from there perhaps discuss the paradox of scientific revelations as it pertains to human truths and the human invention of logic. I love the concept of fate and free will that you focus on towards the end of the article. Your conclusion was very cohesive and compelling. As a fellow Nietzsche enthusiast, I’m particularly found of his seminal work “Thus Spoke Zarathustra” and the quote “shatter the tablets” (in reference to Moses, and of course translated differently among several scholars). I think that quote is especially relevant to this article.

      The Death of a Purposeful Man
      DrownSoda

      I’ll admit, this is the first article I’ve read about the Nintendo Switch (though I did watch the trailer recently). I think the voice chat feature could definitely be a make or break situation for the upcoming system. I, for one, am very much looking forward to its ability to be used as a handheld console. Perhaps I am an outlier, but I much prefer the physicality of a handheld device (as an avid user of the DS) over touch screen games. Regardless, I can’t wait to test all the features on the Switch!

      The Nintendo Switch: What It Needs To Succeed
      DrownSoda

      It’s great to see that someone else can articulate the thought-provoking effects that can arise from the social commentary represented in South Park. This season takes on a vast amount of social issues in a profoundly satirical way. Black Lives Matter, Kaepernick, PC Culture, and of course the election (douche and turd again!) are all subjects of critique and observation. One thing that particularly draws me, and many others like me, into South Park is it’s emphasis on humor as an effective means to analyze our modern culture. And perhaps it is true that the vehement disapproval others have for the show merely reinforces the cult following and overall love of its satire.

      South Park: Respect Their Commentarah