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The Sequel Syndrome

With most major franchises releasing timelines of sequels, prequels, and spinoffs years in advance, it has become increasingly obvious that sequels are a fast way to create interest and reap box office revenue. However, it has also become increasingly obvious that many movie-goers are tired of this industry tactic, and have called for a return to original content. Discuss the relationship between a sequel being successful, and of it being necessary/wanted by the public.

  • Sequels aren't inherently bad, but they can be abused. It really comes down to loyalty and attachment. Does the Star Wars prequel and sequel trilogies need to exist? No, but because so many people are invested in the universe and the characters, they'll keep making Star Wars movies. The same can be applied to any successful movie franchise. The only ways a sequel won't get made is if the movie does awful or the creative team makes a bold decision not to make another one, even if it means losing out on profits. – MarkSole 7 years ago
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  • This topic would benefit from market analysis, though I imagine your quality of "being necessary/wanted" will be hard to quantify if that's not tied to box office revenue. – Kevin 7 years ago
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  • Star Wars, Lord of the Rings, X-Men, and the list goes on. There is no way that any of these movies would have the same impact without their sequels. I can definitely see your point, that some sequels are just cash tactics, but the great many seem to make sense to the story. – MikeySheff 7 years ago
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  • One interesting angle you might pursue: Who determines which movies get a sequel, and who should be determining that? For example, Hollywood decided Despicable Me should get two sequels plus a Minions movie, but did the original movie warrant it? What makes content good enough for we as consumers to say, "I want more?" And why (besides the almighty dollar) does the media refuse to listen to what consumers want? – Stephanie M. 7 years ago
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