Debs

When most people think of the mockumentary sitcom series known as The Office, they probably think of the version from either the United States or the United Kingdom. However, The Office is a multinational phenomenon, with at least eight or ten countries having their own home-grown adaptations of it, which they use to make fun of their own work cultures. What are some highlights from these international adaptations? How do they differ from their more famous English-language counterparts? Are there any adaptations that, in your opinion, do not receive the attention they deserve?

The TV series "BoJack Horseman" is a surreal dark comedy that takes place in a world in which some of the characters (including the title character) seem to be talking animals. BoJack himself openly suffers from several mental illnesses, including depression and anxiety, but could he also have a psychotic disorder, like schizophrenia or bipolar disorder? Psychotic disorders interfere with people’s perception of reality, which might explain some of the more surreal aspects of the series. It might even explain the talking animals, since psychotic illnesses can include a delusion that one is an animal. So, what is the evidence for or against BoJack suffering from psychosis? If he does have a psychotic disorder, what kind does he have?

It’s relatively rare to find fictional children who act like real children. More often than not, fictional children talk and act like miniature adults. Oftentimes, this is a deliberate artistic choice, which may either be played for laughs (as in Rugrats, The Simpsons, or South Park, for example), or used to show that there is something seriously wrong with the child in question (as in The Umbrella Academy, and many anime series). On the other hand, some creators seem genuinely unable to fathom how children think and behave, and so write them behaving like adults by default.

What are some examples of stories that portray children this way? What, if any, differences are there between stories that portray children acting like adults for artistic reasons, and those whose writers simply don’t know any better? What effects, if any, do fictional portrayals of unrealistically-mature children have on how people view children in the real world?

A biographical film, or biopic, attempts to document the life of a real person or organization on film. Some examples of famous biopics include Schindler’s List (for Oskar Schindler), A Beautiful Mind (for John Nash) and Selma (for the American civil rights movement, including Martin Luther King, Jr). Who are some examples of people, living or dead, that would make good biopic material? What is it about them that suits the biopic format? If a biopic were to be made of them, what details would need to be included?

In some stories, the main character’s love interest seems designed to be an almost perfect mirror image of themselves. These characters’ lovers share their same personalities, tastes, and motivations, and might even look something like them. "The Umbrella Academy" is one notable show that does this. So far both seasons feature a central character falling in love with someone who is almost exactly like themselves (Vanya in Season 1 and Diego in Season 2). What are some other examples of this trope? How popular is this phenomenon in fiction and what factors contribute to it?

It seems as though, when comic books (Japanese or Western) get adapted into movies or TV series, they become less over-the-top and stylized. The visuals may be toned down, for instance, and some of the characters may talk, act, or even look more like real people would in their situations. For instance, many of the characters in the "Deadman Wonderland" anime talk and act much more realistically than their manga counterparts did. The Netflix adaptation of "The Umbrella Academy" is also supposed to be more realistic and restrained than the original comics, and makes more of an effort to flesh out the characters’ personalities and motivations. Are most comic book adaptations like this, or does it depend on the individual adaptation? If indeed it is a trend, what are some of the factors driving it? For instance, do characters simply have to become more realistic once a real person is charged with bringing them to life?

It’s often been said that a character’s design is supposed to tell the audience something about them and complement their personality and role in the story in some way. Non-human characters provide unique challenges and opportunities for animators because they possess features that no human could ever have. The popular kids’ movie Monsters, Inc. does a great job of designing characters to perfectly fit their roles in the story. For instance, the main character, Sully, is huge and strong but also fluffy and colorful; his timid but loyal sidekick Mike is small and has a very large and expressive eye and mouth; and the villain Randall is a slippery and surly-looking lizard voiced by Steve Buscemi. What are some other examples of non-human characters with particularly appropriate or memorable character designs? What is it about their designs that provides insight into their characters more broadly?

Throughout history, many stories have featured characters who are depicted as being "too good for this sinful earth" and therefore dying young. Charles Dickens, for instance, wrote many such characters into his stories; and Uncle Tom’s Cabin also depicts its most famous characters in this way. Such an idea, of course, has explicitly religious connotations, with the idea being that the character is so pure that they belong in heaven and not on earth. Do such characters still exist in modern, secular media? If so, what are some examples? How can a story that lacks a religious bent portray a character as too good for the world (if indeed it’s possible)?