Speculative Fiction is an umbrella genre for stories that are other-worldly. For example, fantasy, science-fiction, dystopian fiction, paranormal fantasy and more. I think it would be interesting to discuss the genre as a whole, in terms of story dynamics. A lot of speculative fiction has one foot in reality and another in a fantasy-like setting. Often speculative fiction has a lot to tell us about our reality, whether this is reflecting our reality or subverting reality to reveal new truths about the world. It would be great to look at the varying degrees to which this occurs in speculative fiction.
Good topic! The author might want to consider the main elements of speculative fiction, and discuss and give examples. You bring up the mesh of reality and fantasy, so there's a good start. I personally think the best example of speculative fiction is Black Mirror. Maybe the author could even use Black Mirror as the article focus, then break down how it is, in fact, speculative fiction from there. – Christina Legler3 years ago
An interesting topic: another contentious element of speculative fiction is its exact definition. I briefly remember Margaret Atwood and Ursula K. Le Guin (very respectfully) contesting each other's definitions of speculative fiction, and what they considered science fiction and by extension fantasy. The lines are blurry and constantly redrawn, so perhaps that is something you might want to address. – Matchbox3 years ago
In short, what Le Guin means by “science fiction” is what I mean by
“speculative fiction,” and what she means by “fantasy” would include some
of what I mean by “science fiction.” So that clears all up, more or less. When it comes to genres, the borders are increasingly undefined, and things slip
back and forth across them with insouciance." This is the exact quote. You might want to investigate further. – Matchbox3 years ago
Looking forward to reading an article about this. – Stephanie M.3 years ago
Sounds like a great topic - I would consider the differences between speculative genre and other genres.We use the realist genre to reflect our reality in a 'believable' way. However, speculative fiction can often offer a depth to this reflection that simply isn't possible in realism; speculative fiction is valuable in its capacity to reveal truths about society in 'unbelievable' scenarios. – louisemiolin3 years ago
Author Orson Scott Card said "Science Fiction has rivets, fantasy has trees," implying that the two genres are effectively the same, only the set dressing is different. There are many tropes the two genres share, many stories in both genres that follow Joseph Campbell’s archetypical "hero’s journey," and a lot of elements that are near identical in nature but dressed differently to fit the setting.
But is Card’s statement true? Are there elements of one that define it, other than the setting? Are there fantasy stories that would not work as sci-fi without fundamental changes to the story and outcome, and vice-versa? If there is a defining line between the two, where is it?
A term that is frequently used (especially in recent years, and especially to do with Star Wars) is "space fantasy," in lieu of the traditional label of "science fiction." The two are distinguished by how integral "science" is to explaining the fantastical elements of the story and its world. Because Star War is a narrative very much centred around the existence of magic (i.e. the Force), it is considered generically different from something like Firefly, whose fantasticism is explained wholly by science (i.e. terraforming and advance vehicular technology). This distinction is especially important to consider with regards to "rivets and trees," as it blurs the lines of this dichotomy. Furthermore, another important consideration is Arthur C.Clarke's Third Law of Scientific Prediction: "Any sufficiently advanced technology is indistinguishable from magic." This is often paraphrased as, "Magic is just science that we don't understand yet." The film Thor (2011) dealt with this matter extensively, attempting to justify the historicity of Norse mythology by intersecting it with the Ancient Alien Theory. This theory suggests that all mytho-historical accounts of divine beings were really extraterrestrials, misunderstood by ancient humans as being deities due to their lacking the proper critical vocabulary to describe what they had witnessed. Though this line of thinking is typically dismissed as pseudoscience - which has not been helped by a History Channel series jumping to its defense, not surprisingly - it is interesting to think about nonetheless, and makes for some fascinating speculative fiction. – ProtoCanon4 years ago
Here is a link which may help define the terms which is something I think you should do before the article is approved. http://www.nownovel.com/blog/difference-fantasy-science-fiction/ – Munjeera4 years ago