My most recent Artifice article was about the feminine spirit in Holocaust-centered YA literature, and I enjoyed every minute of prepping and writing it. I also enjoy Holocaust-based fiction (in small doses) because it so often focuses on heroism and brutality in real, thought-provoking ways. The stakes are already built in and a lot of times, couldn’t be better.
But then I had a thought. Lilac Girls, The Guernsey Potato Peel and Literary Society, Lost Roses, The Girl in the Blue Coat, Flight Girls…there is a LOT of WWII women’s fiction around these days, not all Holocaust-based. And I wonder, what is it about this sub-category that is or has become so compelling? Are other women in other time periods as compelling, and what could authors explore to give them their due? Have writers overused this category or are there more stories to be explored?
Wonder Woman 2017 is one other, though not the same time period but definitely a precursor in that regard. (And I suppose, Linda Hamilton in the hypothetical.) – L:Freire2 years ago
I think it's because women became more independent during this time. They took over men's jobs in the factories, joined the army as pilots, and even acted as spies or saboteurs. There is a wealth of possible stories just from this period.
I don't think it's overused yet. It's close, but not quite. However, World War I women could also be explored, particularly those in the Red Cross, as well as the 1920s. (These periods particularly interest me.) – OkaNaimo08192 years ago
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