From reams of fairytale retellings, to Pride and Prejudice and Zombies, from Meg and Jo to Circe, the literary world bursts with retellings of classic novels. The smorgasbord of material grows every day, giving rise to multifaceted questions. What sets one retelling of a classic apart from another (why, for instance, might someone choose the Little Women retelling So Many Beginnings over Meg and Jo, and its companion novel, Beth and Amy)? Do some classics lend themselves to retellings better than others? Perhaps most intriguing of all, what is the benefit, for writers and readers, of retelling classics and/or reshaping them for a current audience? Once these classics are reshaped or retold, are they classics any longer? Discuss.
This is a really interesting topic and very timely to our current media- and book-scape. I think it would be helpful to think about the designation "classic." Of course, that's always a sticky topic, but it might be necessary to think about what it means to re-tell a classic. – JaniceElaine7 months ago
Yes, I should've clarified, that should be the first thing the writer does if they choose this topic. However, they would have to be careful that the article didn't become a full discussion of what a "classic" is. – Stephanie M.7 months ago
This is a great topic and the topic of one of my articles. Should classics continue to be remade? In our day and age is the moral of the classics even applicable? If the classics are remade and remade are they considered classics anymore? – scampbell6 months ago
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