Lolita, when it was published in 1955 (after much delay) was received by a hostile combination of abhorrent dismay and critical acclaim. Similarly, Salman Rushdie’s The Satanic Verses upon release in 1988 received both popular and critical praise but enraged a considerable portion of the Islamic community that resulted in a fatwa being placed on the author. More recently, the Netflix film Cuties was met with a #CancelNetflix response while the efficacy of the film’s intentions are still hotly debated. NITRAM, a film that explores the worst gun massacre in Australia’s history, has also faced significant objection.
These works are a small example of art that attempts to discuss problematic issues in the public domain. In varying degrees, they all portray uncomfortable representations of social problems. Where does the line lie with the representation of problematic themes in works of art? Does a work of art with the platform of Netflix have more of a responsibility to stay within the confines of non-controversy? Or, conversely, because of its platform, should this be the very arena that tackles problematic social issues?
An interesting angle for this article could be the role of cancel culture within the discussion. Do responses such as #CancelNetlfix inhibit the willingness of artists to attempt to tackle problematic issues and what is the consequence of this in broader social discourse?
Another example that jumps to mind is Jean-Jacques Annaud's 1992 film 'The Lover,' starring Tony Leung and Jane March. In the book, the unnamed female lead character, played by Jane March is 15. March turned 18 shortly after shooting began and (apparently) Annaud delayed shooting the sex scenes until after March's birthday. – Amyus4 weeks ago
My article investigates touchable art and introduces artists who recover in their practices the bodily needs for physical contact. Amongst the restrictions imposed by COVID-19 are ‘no touch’ policies and the closing of art institutions for unlimited periods of time.
But our crave for touch grows with the passing of time, and so does our need for seeing new, beautiful things.
My article suggests different ways in which the public can soothe their desire for physical contact by experiencing art in the virtual space. It engages with the works of British artist Lucy Clout, Berlin-based Americans Claire Tolan and Holly Herndon and American artist Julie Weitz. Most recently, Australian artist Michelle Vine was awarded a residency with Museum of Brisbane for which she produced work that brought together touchable art and participatory art forms.
Very intriguing and topical idea! You seem to already have artists and/or touchable artworks in mind, though. Perhaps you could mention them in the topic already, to guide the reflection? – Gavroche7 months ago
A query, Crisia. Is this a topic suggestion, i.e. for other writers to consider writing about, or are you announcing your intention to write about this subject? – Amyus7 months ago
Thank you for your notes!I'm announcing my intention to write about this subject :) – Crisia7 months ago
Earlier this year, Hachette Book Group came under significant criticism for picking up the rights to publish writer-director-actor Woody Allen’s memoir. Much of the criticism was centred on the seeming hypocrisy of the same firm that published Ronan Farrow’s "Catch and Kill," a definitive account of the #MeToo era. This was just the latest in a string of filmmakers, writers, actors and other artists being "cancelled" by the court of public opinion. I propose an article that will address, in a balanced and sensitive fashion, the extent to which people should separate the public work of these artists from their alleged private misdeeds.
Ohh this is interesting! I feel like the other big one these days is the harry potter/jk rowling's latent transphobia issues (and how deeply and quietly a lot of her prejudices or ignorance managed to work their way into books that seem to argue exactly against them) – Claire5 months ago
The simplest definition of ‘art’ is "the expression or application of human creative skill and imagination, typically in a visual form." Given this definition, could fashion be labelled an art form? We dismiss clothing as an everyday aspect of life, but it may actually be inherently artistic.
An article on this topic could look at designers, both big and small. Look at the creative process and discuss how clothing is designed. Think of what needs to be considered, colour, shape, material. These are also considered in other art forms, like sculptures or paintings.
The article could also look to how people choose to dress. Is this, in and of itself, a kind of art? Is it a type of artistic expression?
Painters or photographers create websites and Instagram pages to show off their creations. People in fashion also do the same. This is a niche you could explore when highlighting parallels between fashion and other art forms.
The fast fashion industry is often criticised for ripping off other brands or designers. This might suggest a personal aspect to the creation of fashion. Just like you would not copy someone else’s painting for profit, should designers not be copying other people’s fashion designs?
Finally, as with art, in the fashion industry there is a hierarchy of what is considered ‘good’ and ‘bad’. Like art, fashion is constantly subjectively judged. This is another parallel which can be explored.
Ultimately an article on this topic should draw a conclusion, is fashion an art form or is it not? It should provide evidence throughout to support which conclusion is drawn. There are a plethora of angles this topic could explore.
As a source for whoever writes this topic, the book "Beauty: A Short Introduction" by Roger Scruton is an amazing source for defining beauty and looking at the different forms of art in a philosophical/historical context to encourage questions like these. – Abie Dee6 months ago
I find this topic interesting. I think it can be, especially if you connect it with other art forms, like cinema. Look at Edith Head's work, or Adrian's with the film stars of the 1930s and 1940s. Givenchy with Audrey Hepburn in the 1950s.
I would also like to hear more about the journey made from the sketch to the finished product, worn by someone. I also think that fast fashion is something terrible for our lives and our planet and should not be considered art, even in copy form. – danivilu6 months ago
What is the effect of social media stalking, chatting, and posting on budding modern-day romances? Is there a difference between chatting over text or sending a snap to a potential partner? Examine how anxiety and mistrust flourish under the social media spotlight and how our methods of romantic communication have changed over the years from verbal contact to the sharing of images. Also perhaps consider the kinds of images shared and the effect they have on our psyche.
That's an interesting topic to look at, especially the creation of online personae. There are a couple of art projects undertaken on social media which act as a comment and critique on the severly mediatised societies we live in today. Maybe choose some case studies and let the writers analyse their effects in more depth.
– Kaya11 months ago
Great topic! Or maybe topics? I think the topic can be narrowed down. – JamesBKelley11 months ago
Interesting topic. Perhaps make it a little more concise. I think the last topic would be a good topic anxiety and how social media has changed romantic communication over the years. – birdienumnum179 months ago
Often, major historical events are retrospectively represented by a single photograph. Some examples that come to mind are Tank Man at Tiananmen Square, the numerous and harrowing photos that arose from the Vietnam War, or the photograph of the symbolic gesture of Australian Prime Minister Gough Whitlam pouring a handful of red dirt into Indigenous Australian man Vincent Lingiari’s hand.
These photos, arguably, sum up the historical events from which they arose, despite only depicting one split second of them. An article on this could explore many factors. Why is it photographs specifically that garner the most attention? Is it due to an artistic preference, over that of reading, or is photography a better medium to depict history? Then, with the specific photographs in discussion, why them? What do they represent about each event that is so important? Is there a problem with using a single photograph to represent an entire event? For example, does it exclude details? Are they framed in a way that is self-serving for a party that is involved? If they are posed, rather than candid, does this further complicate them as historically accurate?
Or, conversely, is the use of photography in this way a good thing? Does it allow important and poignant moments in history to be recognisable and remembered?
When considering the recent exposure of several low-ranking 'celebrities' and 'news' personalities who have been caught posing for photo opportunities amongst the post-riot clean-ups in American cities, this is an apt topic suggestion. A photograph may well speak a thousand words, but it may equally reveal a thousand lies. – Amyus7 months ago
I think this topic could also be expanded to discuss journalist photographers, who are often risking their lives to document these historic moments, and the effects the photos have had on careers, such as the rebuke from the public for stopping to take a photo rather than stopping an injustice before them (such as people being beaten by officers, a starving child being hunted by a vulture - both are real photos) – jkrawlings7 months ago
You might add the Zaprunder film, not a photo, but as significant. In the case of the death of George Floyd, without a picture to accompany his situation, how much reaction would there be? There is a situation that took place, perhaps a year ago, in Mississippi County, Missouri. No pictures accompany the death of this black man, but it is now being investigated again with some comments that there are similarities to the Floyd situation. The power of a photo can be seen when there is none. How a photo can mobilize and which ones lead to change and which ones did not, could be examined in an essay on this topic. – Joseph Cernik7 months ago
Musical theater is a huge and well-loved medium, and in recent years has given us some cutting-edge hits (Legally Blonde, Wicked, Dear Evan Hansen, Hamilton, etc.) Yet there are some accepted "rules" of theater culture that still feel like stereotypes or "boxing in" actors. For instance: sopranos get the leads; mezzos and altos play "witches and britches." Tenors play romantic leads; basses play villains. Actresses past the age of 30 can expect to play mothers and grandmothers, but not love interests for their own sake. If you are a white male, you cannot convincingly play a male or female of any color (although I have conversely seen white women tapped to play WOCs). Actors with disabilities can only really expect casting in disabled roles.
Most theater aficionados will tell you there are solid reasons behind this thinking, even truth. Then again, in 2019, should conventional theater change more to suit the needs and desires of actors? Could or should a musical be written to give an ingenue role to an alto or a hero role to a bass? Is it pushing the envelope to allow actors of certain orientations to play outside of them, or for a white actor to play a POC (outside of a historical context)? In short, what would and should truly "diverse," "inclusive" theater look like?
I think that, in some respects, it's easier for theatre to accommodate diversity than other media because, moreso than in any other medium, any actor who's qualified can take a particular role regardless of race, gender, or background. This is especially true of school performances, which have to work with the available students. I've seen a rendition of one of Shakespeare's history plays that featured Black actors, for example; and on YouTube I've found versions of Little Shop of Horrors where Seymour was biracial and the dentist was Asian. I've even found a theatrical version of the Screwtape Letters where Screwtape was played (really expertly, I might add) by a woman. – Debs1 year ago
Hi, Debs,That sounds really cool. I'm glad your theater experience was more inclusive than mine. My schools (high and college) had GREAT theater programs I so wanted to be a part of. But, esp. in the case of my high school director, I was not given that chance and I think it was because of cerebral palsy (couldn't prove it, and if I'd said something it would've been, "Oh, you just think everybody's picking on you.") But the truth was, even after calling my acting phenomenal on more than one occasion, that director in particular would only assign me chorus or walk-on roles. The justification was, "Well, the leads have to dance," but chorus lines are basically there to *dance*, at least in my productions. There were other examples of non-diversity there too, such as the lead *always* went to a first soprano--and the year it went to a mezzo, of course, I wasn't in the running. But, this director was *also* willing to cast a white girl as a Hispanic lead (but not a girl of color as a white lead) ??????Anyway, it's only been recently that I realized the full lack of inclusivity and diversity in the world at large and the theater world, so...there you go. Again, we need more stories like yours. – Stephanie M.1 year ago
We are living in difficult times, and many of us are dealing with the five stages of grief. The initial excitement of change, the political reassurances, the cancellations, and finally what could mean an 18 month quarantine. No matter your living situation you are allowed to grieve. And should this continue, we all need to learn how to be alone. Museum and library connections are available online, universities are offering free classes, gardening and cooking all the things you never had time for are here. If you’re anything like me, this quarantine is a blessing and a curse, for as much as I miss my friends, my mental illness was severely effecting my stress levels back home- not one to quit I refused to give up, so to me it feels like the universe sent me home. I’m doing better than ever and graduate next week, what are your quarantine journeys?
I will definitely revise this to include a broader and not so personal narrative guide to handling isolation – chloedubisch8 months ago
This is a great topic, but I would agree to make it a little less personal and more broad Perhaps navigating the quarantine: drawbacks and strengths? Or you could focus on resources or activities that are blossoming during quarantine. – birdienumnum178 months ago
I personally like the idea of making it a personal topic. I would used the sentence, "No matter your living situation you are allowed to grieve" as the title and create a series of stories around it. – amberflynn938 months ago