Lydia Gore-Jones

I'm an academic, and a lover of literature.

Junior Contributor I

  • Articles
  • Featured
  • Comments
  • Ext. Comments
  • Processed
  • Revisions
  • Topics
  • Topics Taken
  • Notes
  • Topics Proc.
  • Topics Rev.
  • Points
  • Rank
  • Score
    Sorry, no posts matched your criteria.

    Latest Topics


    17th century poetry - the Metaphysicals

    The Metaphysicals refer to a loose collective of poets such as John Donne, George Herbert, Andrew Marvell, Abraham Cowley, Richard Crashaw and Henry Vaughan, who represent some of the highest achievements of the 17th-century English literature. A most conspicuous feature of their style can be described as using images concrete and tangible, richly appealing to human senses and emotions. The label, “Metaphysical,” was attached to them by later generations. “Metaphysical,” as a style label, refers to the so-called “figures of thought” marked by the use of conceits, witticism and paradoxes. But the term still fails to capture the ‘physical’ side of the Metaphysicals – that is, the corporeality, even fleshiness, in their using concrete images and metaphors on the one hand, and expressing sensational feelings and emotions on the other. How, then, do the ‘physical’ and the ‘metaphysical’ meet in 17th century Renaissance poetry? What makes the Metaphysicals ‘metaphysical’? This topic can be explored either by studies of common characteristics of these poets’ works or by close criticism of individual poets.

      Sorry, no tides are available. Please update the filter.

      Latest Comments

      I think it might be misleading to think Fantasy-as a literary genre-existed in ancient times. It’s actually something very modern, a label, invented to revive the sense of wonder and fantastical in a one-dimensional modern world. Rather than seeing classical myth as ancient Fantasy, I’d say modern fantasy authors want to create myth of their own.

      Fantasy Writing and Classical Antiquity

      It’s often thought that the play is about jealousy and its destructive power, and Othello is the byword for jealousy. But-as your character analysis shows- it is Iago, not Othello, that is the demon of jealousy personified. Jealousy also becomes the central theme around which the plot unfolds.

      Iago - The Perfect Villain

      Newspapers regularly feature works of cartoonists and columnists, so why not also poets? There can be interesting things written in the poetic form to appeal to a wide range of tastes.

      Should Modern Newspapers Publish Poetry?