Mob Psycho 100 is a series from the creators of One Punch Man. Focusing on the title character of Shigeo "Mob" Kageyama. Mob is a esper, he learns as a child that his powers are link to his emotional state. As a result he is emotionally muted and appears with a blank expression. He has no friends (in the beginning) and is social awkward. In contrast, the character of Reigen is the opposite of Mob.
Reigen is the boss and master of Mob. He is a con man, whom, uses the power of his words to manipulate his clients into believing he is helping them with their problems. A common theme that is brought up in the series is the idea that Mob’s psychic powers are one aspect of him and he is no better than other’s. Reigen believes that his powers are really no different from someone who can sing, dance or play a sport. Basically, everyone has something special about them.
Explore the theme from the series, that we all are special in different ways. Question what the difference between being ordinary and extraordinary is. Explore how the various characters, specifically, Mob and Reigen display the theme.
Yes, so much yes. The idea of "being the protagonist of your own story" is a great theme to delve into, as well as the emotional lessons of the story. I would also touch on additional characters and how they negotiate having powers, i.e. being special, with their level of emotional maturity. Ristu, Serizawa, Sho, Hanazawa, and Toichiro all cope with being "special" in healthy and unhealthy ways. I'd be very excited to read a piece about this. – Eden8 months ago
Fan fiction seems to be a bit like Marmite: fans of original fiction either love it or hate it.
When I took my ‘first foray’ into the realms of fan fiction, I was surprised to encounter a wider range of sub-genres, tropes and terminology than I had realised…
Sequels and prequels to other authors’ narratives, along with spin-off texts, new characters and ‘non cannon’ rewrites can prove contentious–especially when fans feel that the new text undermines or distorts aspects of the original work.
Yet, for some people, it extends the enjoyment gained from the original text and adds dimensions to the fictional universe in question. It can prove satisfying to read (or write) a character’s backstory or find out what happens next–even if these events and characters were created by someone else and/or not generally considered to be ‘cannon.’
In some cases, prequels, sequels and rewrites by different writers–without the approval or authorisation of the original author-have become published or otherwise firmly established in mainstream culture. Examples include Jean Rhys’s ‘Wide Sargasso Sea’ (a prequel to Charlotte Bronte’s ‘Jane Eyre’), and Andrew Lloyd Webber’s stage adaption (and rewrite) of Gaston Leroux’s ‘Phantom of the Opera’ and a sequel, ‘Love Never Dies.’
In the case of the latter, Lloyd Webber’s narrative is arguably better known than the story it was based on.
Does this mean that, what essentially began as a form of fan fiction has now entered the literary/cultural ‘cannon’? If so, at what point does this happen and how do we decide which ‘fan fictions’ become ‘cannon’?
I’d love to hear other people’s thoughts on the topic of fan fiction, particularly with regards to ‘intertextuality’ and Barthes’ theories on ‘The Death of the Author.’
I love the subject matter being explored here, and I think it would make a great article. Another random "fan fiction" of sorts that was adopted into the literary cannon would be John Gardner's Grendel from 1971 that built on the story of Beowulf from the antagonist's perspective. I hope someone picks this up! – Aaron8 months ago
The mind is a entity that knows no bounds. More often than not we see people through a third eye, imagining what they would do if they were faced by different circumstances. We need to live and let live, let people create their own worlds. – MsLinguista8 months ago
I gave up writing fan fiction years ago after three of my sub-plots for Star Trek Voyager mysteriously appeared in the next season. I wrote a novelette titled 'Thursday's Child' in which Ensign Kim assumed the (temporary) captaincy of Voyager and a member of the crew became pregnant, later giving birth to Voyager's first baby. Both ideas were roundly slammed by other fans, stating that they would never happen - but they did, in the very next season. A scene I wrote had Torres and Paris stuck on a desert planet, trying to survive long enough for Voyager to find them. A very similar scene, only set on a frozen planet, which even had very, very, similar dialogue between the two appeared in a later Voyager episode. Now I'm not accusing anyone of plagiarism (I can't afford the legal fees! LOL), but I began to wonder if the writers for Voyager (and other shows) occasionally scanned fan fiction for ideas they could use? Why not? It's cheaper than hiring a new writer. – Amyus2 days ago
Analyse what makes a silent protagonist work and what doesn’t: when does a game benefit from having one? When does it not? What are some instances where a silent protagonist could have been better as a speaking one, or vice versa?
Or maybe, what warrants the use of a silent protagonist, particularly in plot-heavy, character-driven series’ like Persona? How are they characterised, if at all, and why?
Could look at Link in The Legend of Zelda as well! – Sean Gadus5 months ago
There's also the case where silent protagonists stop becoming silent in the series, such as Jak in Jak and Daxter. – Emily Deibler5 months ago
One could consider the role of the silent protagonist’s “silence” as it pertains to immersive purposes. Some silent characters are not only mute—they have no explicit Idiosyncrasies or traits to establish themselves as full characters. Others, like Link in “The Wind Waker,” have more a sense of character through facial expressions and other complex reactive behaviors to story and gameplay elements. Exploring this dichotomy can prove useful in answering the question of the benefit of a silent protagonist. – James Polk3 months ago
Analyse the history and evolution of the Mills and Boon romance novels. How the content and cover art changed throughout the years.
Mills and Boon romance novels have been around for so many years, maybe like 50 or 100. You can analyze how they evolved over the years in terms of their covers (illustrations on the covers) as well as the stories themselves. For example, more recent versions have more explicit language. – nsafwat5 days ago
Obviously, COVID-19 has seemed to stop everyone in their tracks, even postponing blockbusters including No Time to Die (James Bond) and Black Widow. What does this mean for the theatres? Will the pushing back of highly desired films start the habit of staying at home and opting for an online streaming service (ex. Netflix/Hulu)? Will movie theatres be an item of the past? How have movie theatre sales been affected by past trauma?
The 2008 neo-noir movie puts to light a conflict over different types of ethics; deontological and consequentialist wherein Patrick has to choose between doing the right thing by convention (returning the child to the mother) as opposed to ensuring the child’s welfare by allowing the benevolent kidnapper to keep the child. An examination of this moral dilemma in terms of ethics and philosophy would make for interesting reading.
Do notions of right, truth and mercy matter? If so, How do they matter in relation to "Just Mercy (2019) ? How do legal terms such as beyond a reasonable doubt and burden of proof work in a society where disguising the truth is evident and inevitable?
I like the concept of your article, but I would think that you ought to clarify what you mean by these terms as well as what "modern world people" mean in particular. As a philosophy buff , I'm interested in how this goes. – RedFlame20001 week ago
Religion is an important orienting concept for societies so it is not surprising that anime has often dealt with it in many different forms. An article examining religion in Attack n Titan, Fullmetal Alchemist and D Gray Man would help provide for exciting reading. One could look at either the depiction of the organisation or religious themes within them.
That would be an interesting article. Especially in how Christianity is portrayed (or referenced). – OkaNaimo08194 days ago
Last week, Archive of Our Own (AO3), a major fanfiction archive and network, won the Hugo award for Best Related Work, an award never before given to a website or unpublished fan work. Fan fiction is the genre that comprises unpublished, written fan works based on other media, such as comics, television, film, and books. Perhaps because it is written by "amateurs" or because it is unpublished, fan fiction has often been scoffed at as unprofessional or self-indulgent. But for fans, fan fiction can be a way of reshaping popular media to reflect their identities. Members of the LGBT community in particular often criticize popular media for lacking compelling narratives surrounding LGBT themes, and when left unsatisfied, many fans turn to fanfiction to see themselves in the media they otherwise enjoy.
How does fanfiction fill a void in representation for LGBT fans? What role does fanfiction serve in building and maintaining a fanbase, if any? And what happens when any particular piece of media garners a notable LGBT fan fiction fanbase? What transformative properties do LGBT fan works enact upon media, and what are the positive & negative consequences?
Fanfiction has always been a form of escape and wish-fulfillment. For some people, that may be making slight changes to stories; for others, it could be as large as changing a character's identity. Either way, it is a safe space to gather with a community of writers similar to you, and, if you already feel alienated because you are a part of a marginalized community, it can provide a support system you may not be able to find as easily elsewhere.This is a very interesting topic and one I hope someone will pick up. It is very complex and not something I can explain readily in a comment, but definitely one worth exploring. – fhlloyd7 months ago
Fanfiction is amazing. It gives both writers and readers the catharsis of a world in which they/their OC can interact with beloved people and characters. It's also a nice way of making oneself into someone they wish to be. I agree both with your "reshaping popular media" comment, as well as fhlloyd's comment regarding alienation and support systems. Despite being borne of one person's fantasies, others may find content relatable and enjoyable. – SmileQueenCross7 months ago
It'd be great to address all the shame around writing and reading fan fiction. There's a lot of it – espadaccini5 days ago
The art and craft of storytelling isn’t something that is ‘known’ but something a writer becomes to learn, with practice. However, stories (as a whole) can be extremely subjective; not every story/narrative is going to be loved by every reader. So: what makes a story ‘great’? What elements of traditional storytelling constitute a good story? Are authors who attempt to undermine these traditions ‘good’ storytellers?
This is a good start! You really ought to find some examples of some 'great' stories and see what threads may exist between them. Likewise, you could also find some bad ones and see what common mistakes they made. – majorlariviere2 months ago
It's all subjective, in the end, I agree. Some 'great' stories may have similar characteristics, or what is generally accepted and praised by the readers. In some cases it may be the name attached to it, making it a 'classic' so, therefore, it's seen as great, but I think what makes a good story is a sense of perspective, environment, description, and a well thought out idea. No matter the genre, the story needs heart. – sarahjae2 months ago
Depending on the genre and demographic you are trying to reach. A "great" story includes a sense of authenticity and complexity within each character. This helps us as readers to understand their motives, relate to their actions and witness growth within the story itself. – Key5 days ago
Having recently finished watching Mythic Quest: Raven’s Banquet, I was struck by how my favourite episode was #5 Dark Quiet Death – a standalone episode that featured two completely separate characters. It got me thinking of other examples, like a similarly video-game focused episode of You’re the Worst, and countless others.
So thought it would be a great idea to accumulate these into an article, or perhaps even analyse why audiences respond to these episodes (as Dark Quiet Death is the highest-rated Mythic Quest episode on IMDB by far).
Another example that might fit: among the three best-rated episodes of Stargate SG-1 on Imbd, two of them can be considered as standalone episodes: Window of Opportunity and The Fifth Race. The monster-of-the-week episodes of The X-Files might also belong in such an analysis.
There might also be a difference between standalone episodes in more ‘procedural’ TV shows (such as SG-1 or X-Files), where standalone episodes are a regular format), and TV shows where, no matter how good they are, standalone episodes stay an exception. (I haven't watched Mythic Quest, so I don't know in which 'category' it would go.) Could that issue be discussed in the same article or would that fact call for two separate ones? – Gavroche1 week ago
Dustin Hoffman said it best: Movies are at their worst – and there is a reason for that. In this topic, we shall explore what those reasons are and why it continues to happen in the year 2020 in Hollywood, Bollywood and Tollywood.
Are there any specific 2020 releases you want to draw attention to in this topic? – Emily Deibler4 weeks ago
I don't think I agree with Hoffman's claim. I would need to see some clear definitions (what does "worst" even mean here? worst in what ways?) and solid evidence or examples. It's easy to make a super general claim. Explaining and backing up that claim is where the work starts. – JamesBKelley4 weeks ago
Whilst I applaud your desire to broaden readers' perspectives by considering film making outside of Hollywood, it would help your topic suggestion by providing some references and context for Hoffman's statement. Where and when did he make that statement and was there a particular film or films that caused him to comment such? How does the output of Hollywood compare to that of Bollywood, Tollywood and, for that matter, the recent interest in Korean cinema, following the success of 'Parasite?' Where, in your opinion, is Hollywood going wrong and where are non-American mainstream film makers getting it right? – Amyus3 weeks ago
Agreed with Amyus. I would actually argue the exact opposite. Movies used to be dominated by one demographic and now are actually so diverse. Perhaps what Hoffman means is that movies are at their worst for him. – Munjeera2 weeks ago
I'd suggest explaining a bit about the structure of basic screenwriting and based on what specifics you or anyone would consider a script to be "good" or "quality". I think Syd Field has several good books that might help – hazalse1 week ago
In its early days, comics were mainly for kids as a way for them to be intrested in the newspaper. Later it evolved as a nerdy activity, that evolved into a cultural phenomenon. Famous comic writers like the late Stan Lee became millionaires as big film companies adapted their comics as films. Now DC and Marvel have their own movie cinematic universe, and are making millions.
Examine how did this niche grew into what it is today.
Interesting topic! The French movie “The Intouchables” / “Untouchable” may be another example, as it tackles the relationship between two very different men, one of the differences between them being the fact that one is quadriplegic, while is other is able-bodied. – Gavroche2 weeks ago
I love this topic. There are also several series on Netflix based on other less-known comics. I think it'd be interesting to talk about the evolution of the comic medium and how it might impact the popularity of on-paper comics since they have been adapted. Do the comics now attract more readers? – hazalse1 week ago
There are so many sources available to you regarding this topic— and so many viewpoints to take about where the rise started and where it is globally! – espadaccini5 days ago
Analyze and compare the various stories of creation through various parts of the world. The stories examined will include Genesis, Aztec Mythology , Norse Mythology, Greek Mythology, Eastern Mythology, African Mythologies, et cetera. Specifically how are they similar? How do they differ? What sort of message do they impart?
Analyse how films such as The Avengers, Harry Potter, and A Wrinkle in Time help motivate youth and adults alike and different.
I meant positive motivators such as improving one's life for the better, not giving up easily, etc. – Yvonne T.10 months ago
Yes, SaraiMW, I meant in very similar films' plots can help youth and adults. – Yvonne T.10 months ago
I'd say such films help kids and adults feel more motivated to be brave. They also motivate both kids and adults to get more into reading and watching movies. They also motivate adults more so than they do kids to get in touch with their inner child from their childhood days. They motivate kids to greatly appreciate the childhood they have now of reading and watching movies and adventure. I think that they motivate both kids and adults alike to enjoy good storytelling in books and in films. They motivate kids probably more so than adults to exercise and use their imaginations. These are some of the ways that I think such films as The Avengers, Harry Potter, and A Wrinkle in Time help motivate youth and adults in ways that are alike and different. – autenarocks10 months ago
I think that these types of movies create new worlds for people to lose themselves in. There are endless possibilities for people to see and perhaps want to create in. It allows for creativity to be passed down to new generations. Also, the characters can create new interests for viewers, and who they want to be in the future. – BookieRheaWookie3 months ago
Hi there! I'm Mike Muller
So interesting website – mikemuller74011 week ago
I have always thought the reality is more the other way around, where any given work resonates with someone because they see themselves and their desires reflected in it somehow. Simply put, people who want to feel or act a certain way look to their favorite media for inspiration, and their interpretations are colored by what they already want to see. – Debs1 week ago
Though I’m French, an overwhelming majority of the movies (and TV shows) I’ve watched are American, or, at least, from anglophone countries. So, I wondered… a few things!
Pell-mell: How are foreign movies seen in the US? And/Or in the English-speaking world? And/Or across the world?
Is there foreign movies (or TV show) – French ones, for instance – that are strongly rooted in the American culture, or in any other culture that differs from where the movie is originally from? And if so, why have those movies made such an impact?
Are there biases depending on a movie (or TV show) origin?
And, finally, to what extent platform like Netflix may or may not have changed this tendency and these biases?
I also think moving this to TV would be really fruitful with Money Heist and lots of Scandi dramas infiltrating the mainstream too. – Marcus Dean1 week ago
I watch non American shows like Elite (Spanish teen series) and other Turkish and Arabic television series. One of my favorite Turkish series that streams on Netflix is called "Fi", which is a psychological thriller. – nsafwat7 days ago
As you mentioned, it is essential to talk about the importance of Netflix. The company, unlike other streaming services, has built quite a strong reputation bringing, producing and distributing quality foreign series and movies to North American viewers.I think it is also fair to talk about the recent popularity of movies such as Parasite, Roma or I lost my body. – kpfong837 days ago
Paranormal television encompasses the genre of "reality" television that focuses on ghosts and other spooky phenomena. Analyze the history and relevance of "ghost hunting" television shows and address a few reasons why the genre’s popularity persists. How do these shows mesh reality television with history, travel, and detective/crime genres?
Good topic! You might also explore the way paranormal phenomena and hauntings are presented in cultures across these shows. For example, there is a show called Amish Haunting. There're also shows featuring haunted places in different parts of America, where the ghosts and hauntings take different "shapes." For instance, New Orleans has voodoo and Marie Laveau; New England has Salem and the witch trials; the Southeast tends toward "Southern Gothic" and so forth. – Stephanie M.1 week ago
Analyse how female protagonists are represented as the hero in YA novels. It could be interesting to include an examination of the extent by which these female protagonists rely on the male characters and how they differ from male protagonists depicted as the hero in other novels.
An interesting take on this topic could also include how these female characters reflect the women of today.
Great topic. I'd be interested in reading essays on this topic, There are so many YA stories, of course, that it wouldn't be fair to pick just two -- one with a female protagonist, the other with a male protagonist -- and make overly general claims based on just that one examination. – JamesBKelley3 weeks ago
Great topic! I think JamesBKelley makes a great point, since there are *many* great YA female protagonists, and the YA genre is so large now. Maybe adding an additional specification would help focus the comparison -- perhaps comparing female protagonists in the top ten bestselling YA novels in your country, or comparing an older series with a newer one. – Eden2 weeks ago
Yeah, it could also be a chance to compare good and bad YA female leads. (Bella, anyone?) – OkaNaimo08192 weeks ago
Coronavirus disease (COVID-19) has become a huge public health topic that has affected many facets of human life this year. One of the entertainment industries most affected by the virus has been the video game industry, which is a global, interconnected industry. A variety of conferences (like E3 and GDC) have been cancelled or postponed, cancellations of major E-Sports events and even game delays (Virtuos Studios recently delayed the Switch Port of Outer Worlds) due to complications related to the virus. Other thoughts would be to explore how Coronavirus disease will impact the production release of Next Gen consoles that are currently on the horizon.
Great topic. If I were writing an essay on it, I don't think I'd be able to resist somehow bringing at least references to at least one video game about epidemics or infestations. – JamesBKelley2 weeks ago
Oh, so timely. Love it. I think it would also be interesting to see if there have been any other big events in recent history that have impacted the video game industry -- natural disasters, other crises, etc. I can't think of any off the top of my head, but it would be interesting to see if there's any point of comparison. Definitely want to read this! – Eden2 weeks ago
Scarlett O’Hara is a selfish, stereotypical Southern belle. Julianne Potter (My Best Friend’s Wedding) made multiple attempts to break up a happy relationship out of a belief her best friend "belonged" to her. Emma Woodhouse could be considered on the fence, because while she is charming and engaging, she does meddle in others’ lives constantly, and looks down on those she considers "beneath" her.
These are only a few examples of the unlikable female lead, in literature, film, and other mediums. These women are not inherently evil, but they are self-absorbed, gossipy, backstabbing, and at times downright narcissistic. Yet…a lot of people like them. Why? Is there a "happy medium" between perfect, Mary Sue women and evil women, and have these or other characters found it? Discuss this, as well as whether the unlikable female lead does female representation more harm than good overall.
As someone who studied the Mary Sue phenomenon in comparing why certain female characters are adored while others are ignored, I would like to share my findings.Female characters, like other characters are nothing more than projections of society's fantasies of what it means to be a "cool", "strong" and "powerful" woman. It may seem twisted, but if the female character is an extension of the male character, and is constantly influenced by feminist ideals, these are the type of women are portrayed.
– Amelia Arrows3 weeks ago
I feel like this isn't really a uniquely female problem--there are plenty of obnoxious, self-absorbed, horrible male leads too. If anything, the problem is that society is more accepting of this kind of behavior in men than in women, so these male leads get a pass. – Debs2 weeks ago
And that in itself could warrant an entire, separate article. – Stephanie M.2 weeks ago