Jingyi

Contributing writer for The Artifice.

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    Modern Girls in Ozu's and Mizoguchi's Films

    Both Ozu and Mizoguchi were excellent film directors in Japanese cinema history. In their films, they pictured various kinds of people and their lives. Through the cinema, we could see the living situation of people in that period. I would like to see an analysis of how the two directors pictured the personalities, lives, and/or struggles of modern girls. Are there any similar traits of their films? What are the differences considering the cinematographic techniques and styles they used? The examples can be narrowed down to two films.

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      Latest Comments

      I’m always a sub-person. As a non-native English speaker, I sometimes notice the fact mentioned in the article that some of the dialogues cannot be directly translated. It helps me learn different cultures through languages. That is a fun experience.

      Are you a Sub or a Dub?

      Mr. Isao Takahata was not only a great director but also a gentleman who discovered many talented people.

      An Isao Takahata Retrospective

      Mr. Lee is one of my favorite Asian directors because he conveys deep and thick emotions and cultures through films. He never stops seeking opportunities to portray different kinds of people and stories. Through the experiences, he speaks for those characters.

      Eat Drink Man Woman vs. Sense and Sensibility: A Feminist Observation