Contributing writer for The Artifice.
Junior Contributor I
Page to stage: adapting works for live performanceConsider examples of literature or film that have had theatre adaptations (e.g. Dorian Gray, Sydney Theatre Company; Cyrano, Melbourne Theatre Company, and analyse how these works have been shifted and/or restructured for a live performance context.
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Writing in Isolation during a global pandemic | |
A really interesting read – thanks for this. Loved the use of Muñoz. | Utopian Relations: Intersectionality in 'Orange is the New Black' and 'Black Mirror' |
Having played Mass Effect with a few different Shepards, I think it’s really interesting dramaturgically, in terms of storytelling: a balance between guiding a player through a predetermined story and, as you say, giving them enough choices to feel as if they are influencing it. You encounter the game very differently depending on the choices you make, even if [SPOILER] they don’t have as much impact on the ending, as some people have noted. It does feel personal. | The Role of Choice in the Mass Effect Universe |
As a theatre-maker, it was interesting talking to a lot of playwrights during the pandemic, about how it impacted them: so many of them rely on the liveness of feedback from actors in spaces. A tricky time.