Contributing writer for The Artifice.
Junior Contributor I
The explosive imperialism of Nathan DrakeWhile playing Uncharted 4, a big concern I've had is how the treasure hunter trope affects the places he visits. At one point in the game, Nate practically demolishes a cathedral and centuries-old architecture to get to a clue – not the full treasure, just a clue. He exits to see hundreds of locals going about their business, unaware that their local monument was just destroyed by a greedy visitor. What does the genre say about cultural imperialism? What do we do about the first-world explorer venturing to exotic locales to plunder, leaving nothing but rubble in his wake?
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Overweight Superheroes and Supervillains | |
To me, Kamala feels so groundbreaking because she’s a teenager written like an actual teenager. As much as I loved Bendis “Ultimate Spider-Man,” Peter occasionally felt like more of a 40-something sass monster in a teen’s body. Kamala is her plucky self trying her best, and that’s what’s so refreshing. | Kamala Khan: The new Ms. Marvel |
I’m not sure if lack of research is what makes a biopic sink or swim. I loved Straight Outta Compton, but I went to the Wikipedia page afterward and saw, save a few beats, a blow-by-blow outline of the film. I think it has more to do with how the director/writer presents that material. That, and F. Gary Gray only really focused on three of the five members, which made it feel much tighter than it could have been. | The New Wave of Biopics |
I love the idea of more body-positive heroes in comics. I just hope they lean more toward Faith and less toward Blob/Pink Pearl, and that their size is just part of their character, not the entire crux. Then it starts getting problematic.