Nori

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Modern Horror movies are running out of ideas??

Freddy, Jason, Micheal, Pinhead, Chucky… all original horror characters (some with funny jokes) but today the Horror movie genre seems dead (no pun intended). The only thing still keeping the genre is alive is turning old books into films, or films attempting to copy the mastermind, Wes Craven.

There is a rise in the number of horror short films and many are quite good. Perhaps these will replace full-length feature movies in the genre. – Jeffery Moser 9 years ago
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Short horror stories, especially the best of Creepy Pastas available out there, would only last about a half hour at most in a visual format. But these are the stories that have managed to scare me and affect me the most, except for maybe "Hellraiser" 1 and 2. These stories, written by everyday teens and young adults, are clever, innovative, original, and surprising. Something that modern horror cinema has failed time and time again to do. Modern horror films, for the most part, do not understand what is truly scary. They do not try to be terrifying. Rather they go for the quick and simple thrills and jump scares, and disturbing imagery. But the funny thing is, even the imagery isn't as freaky or disturbing as it could be. Because something as innocent as a doll facing just the right way in the middle of an empty old room with one eye missing can be scarier than a dead person's body cut open on a table or something. It's more about subtlety, misdirection, showing people one thing, but then revealing it to be more than what it appeared at first. "Sinister" managed to do some of this at first, but then went so far beyond itself that it became laughable by the end. It tried to be creative and original, and really mysterious, but then it broke that barrier between scary and stupid, and it just lost its grip. If horror wants to get better, then it needs to look into Creepy Pastas for inspiration, and not just to fit them into the tried-and-true molds that already exist, but to present them as they were intended, where they can actually elicit a palpable and lasting reaction. – Jonathan Leiter 9 years ago
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I would give reasons why the genre "seems dead" to you. What did past horror characters have that may be lacking today? What makes Wes Craven "the mastermind"? – StephenMatthias 9 years ago
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Was Wes a "Mastermind?" I mean, he had like two big films that are respected to this day, and then a bunch of sequels that slowly got less and less innovative. The other things he did I couldn't even name for you. Whereas someone like John Carpenter created "Halloween," "The Thing," "The Fog," and "In the Mouth of Madness." Even his first feature, "Dark Star," went on to inspire Ridley Scott's "Alien," because both films had a similar plot-line, the same writer, and the same VFX supervisor. I get that Craven has always been a big deal, I just don't quite get why compared to other horror directors. I mean, heck, what about Tobe Hooper? – Jonathan Leiter 9 years ago
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One area of focus could be the numerous sequels to certain horror movie franchises. – JDJankowski 9 years ago
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Latest Comments

Nov 18, 2015 Nori i haven’t watched Boomerang in awhile. Do they have Kids Next Door, Cow and Chicken, Power Puff Girls, Totally Spies, Sheep in the big city, Grim Adventure, Dexters Lab, Johnny Bravo, Ed Edd n Eddy, or Courage the Cowardly Dog? cause if so that’d be swell	Nickelodeon’s The Splat: Bringing Back Classic Content for Millennials
Nov 17, 2015 Nori Harley is great. She earned getting her own comic series.	Why We Love Harley Quinn: Dissecting the Nature of DC’s Most Complicated Woman
Nov 17, 2015 Nori I wish I had this kind of information when I did my report on him. Miyazaki is great.	Hayao Miyazaki: The Art of Repetition
Nov 17, 2015 Nori I wish this could happen for old Cartoon Network	Nickelodeon’s The Splat: Bringing Back Classic Content for Millennials