Evolution and Regression in Special Effects

As technology marches on, special effects in movies have gone from being practical to doing everything on a computer. Now as far as convenience goes, going digital is for the better. However, some will argue that digital effects will never compare to something that’s in front of the camera. So is it necessary to keep marching onward and keep improving digital effects or should we take a step back and try to make practical effects an honored practice again? We would need to realize the advantages and disadvantages for both of these special effects if we are to bring out their full potential.

  • There's a lot that can be explored here. One thing I have noticed is a movement toward using technology to achieve a pre-technology effect in cinema and animation. I think this largely stems from nostalgia, or a population that mourns the loss of traditional effects. One startling example is the Disney Lion Guard series - the creators have actually engineered the animation to look hand-drawn, with digitally enhanced "pencil" strokes similar to its film forefather, The Lion King, years before Pixar. Some would argue that this is a regression, but maybe this is how we attempt to move forward digitally while still paying tribute to practical effects. This brings up more questions like, is artistry completely lost in the digital landscape? Will digital become the only artistic platform left for effects? Is nostalgia the only reason to cling to practical effects, or are we also missing essential artistic elements by going with cost and convenience? – wtardieu 7 years ago
  • Very important movie is Mad Max: Fury Road, whose practical special effects are almost good enough without CGI enhancement - however some CGI added to make it perfect. – Kevin 7 years ago

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