Miscegenation in the United States is a social taboo stretching back to early colonial North America. At first, Puritan theology condemned its practice. With the institutionalizing of slavery, the racial-caste system crystalized such divisions segregating specifically black-white sexual union. Subsequently from the religious to pseudo-scientific racism, eugenics further legislated such prohibitions. By the twentieth century, the effects of Jim Crow laws restricted the spirit of artistic license by suppressing interracial imageries. With the arrival of motion pictures, the Hays Code firmly enforced anti-miscegenation guidelines in popular Hollywood film. While a knee-jerk assumption is to summon pervasive binary between black and white miscegenation, the article proposes examples of all diverse mixing of racial and ethnic categories. Meanwhile, it explores a variety of interrelated questions. How are interracial romances treated in recent popular culture across the varying artistic mediums? What elements of interracial relationships are censured? What does such specific excising say about our society? In contemporary United States, what are considered the more acceptable pairing[s] of interracial couples and why?
A few grammatical errors here, but not a cause for rejection. – m-cubed1 year ago
Sounds interesting. There has been a shift in inter-racial portrayals. Good topic. – Munjeera1 year ago
I love this topic. I do agree with you and understand why this is a topic of interest. – daefray241 year ago
I definitely want to read this! Even as recently as this year, the backlash towards film and television that shows interracial relationships proves there is still work to be done. Might be good for someone to hone in on one type of media, whether it be comic book films, music videos, dystopian literature etc. Your discussion points are really interesting and complex, I hope there are some takers. – Zujaja1 year ago