Randy Haycock and Princess Kida: Breaking the Disney Princess Mold
Disney princesses have long been a cornerstone of animated storytelling, often embodying traditional ideals of beauty, romance, and femininity. However, as societal norms evolved, so did Disney’s approach to its heroines. Randy Haycock, a renowned Disney animator, played a pivotal role in reshaping the archetype with the creation of Princess Kidagakash “Kida” Nedakh in Atlantis: The Lost Empire (2001). Kida broke away from the conventional Disney princess mold, offering audiences a complex and dynamic character who represented strength, wisdom, and cultural authenticity.
Introducing Princess Kida
Kida is introduced as the daughter of Kashekim Nedakh – the aging king of Atlantis. Unlike many Disney princesses, Kida is neither a damsel in distress nor a sheltered royal unaware of her people’s struggles. Instead, she is a warrior, who is fiercely protective of her civilization and deeply connected to its history and future. Kida’s character is a fusion of strength, wisdom, and vulnerability, embodying a leader who has witnessed the decline of her once-great city.
The story of Atlantis is one of tragedy. Thousands of years before the events of the film, the city was a thriving hub of advanced technology and culture. However, a catastrophic misuse of their powerful crystal led to devastation, plunging the city underwater and cutting it off from the rest of the world. Kida, a child during this disaster, witnessed her mother’s ascension into the crystal to save the city, an event that profoundly shaped her worldview.
Kida, now an adult, is dealing with the consequences of her people’s seclusion and loss of cultural identity. The way the Atlanteans’ are ignorant about their own history and not knowledgeable about the enigmatic power of the crystal that keeps them alive ends up frustrating Kida. This internal tension lays the foundation for her collaboration with Milo Thatch, the protagonist who arrives with a group of explorers who are searching for Atlantis.
Kida’s character arc revolves around her love with Milo. As a historian and linguist, Milo has the expertise to decipher the old Atlantean writings that the Atlanteans have long since forgotten. Kida and Milo work together because of her curiosity and tenacity, developing a relationship based on respect and common objectives. Kida starts to rediscover her roots through Milo. Together, they discover the crystal’s mysteries, including how it may sustain life and how it can be a source of great power. This uncovering of Atlantis’ past serves as a metaphor for the value of cultural preservation and knowing one’s origins in addition to being a plot device.
Kida’s defining moment occurs when she fuses with the crystal to save her people from catastrophe. This deed echoes her mother’s sacrifice and demonstrates her development as a leader who prioritizes her people over herself.
When Kida does that she exemplifies selflessness and courage, demonstrating her status as Atlantis’ rightful queen. The finale of her narrative is about more than just protecting Atlantis from external threats – it is also about restoring its grandeur. Kida’s decision to become queen with Milo as her partner heralds a new age for Atlantis – one in which its people reclaim their identity and learn from their mistakes.
Princess Kida’s Legacy
The Unconventional Disney Princess Archetype
Before Kida, many Disney princesses followed a specific formula – they were often young, passive, and defined by their pursuit of love. Characters such as Aurora, Cinderella, and Snow White were primarily reactive and their stories were shaped by external forces. Even later princesses such as Jasmine, Belle, and Ariel, while more proactive still adhered to certain tropes such as their romantic subplots that drove the storyline.
In contrast, Kida is neither defined by romance nor reliant on others to shape her destiny. She is a warrior and the rightful heir to Atlantis, embodying leadership and responsibility. Her primary goal was not personal fulfillment but the survival and restoration of her people. This narrative’s focus marked a departure from the traditional princess story and established Kida as a symbol of empowerment and agency.
A New Cultural and Visual Identity
Randy Haycock’s animation of Kida was groundbreaking. Through the inspiration of various indigenous cultures Haycock created a character that celebrated diversity and authenticity. Kida’s appearance, marked by her striking white hair, tribal tattoos, and ceremonial attire stood out from the typical Disney princess aesthetic.
Kida was animated to pay homage to the rich traditions of the fictional Atlantean culture, blending elements of African, Southeast Asian, and Mesoamerican influences. Kida’s peculiar features that are culturally rich resonated with audiences who sought diversity and representation in mainstream media.
Kida as a Scholar and Warrior
Another aspect that set Kida apart was her dual role as a scholar and warrior.
While most Disney princesses relied on their male counterparts for guidance and rescue, Kida protected her people and possessed extensive knowledge about Atlantean history and the way of life.
She actively participates in the film’s central conflict, guiding the protagonists and ultimately sacrificing herself to save Atlantis. At that time, such levels of heroism and autonomy were rare among Disney princesses. Even though Atlantis: The Lost Empire did not achieve the commercial success of other Disney films, Kida’s character left a lasting impact. She paved the way for future Disney heroines who would similarly break traditional molds, such as Tiana from The Princess and the Frog (2009) and Moana from Moana (2016). These characters, just like Kida, emphasize leadership, cultural pride, and independence.
Randy Haycock was innovative when it came to creating Princess Kida. He took a bold step and revolutionized Disney storytelling. By crafting a character who prioritized her people’s needs over personal desires and celebrated cultural diversity, Haycock challenged the norms of the Disney princess archetype. While Kida may not have achieved the iconic status of some of her predecessors, her legacy is undeniable. She represents a shift towards more inclusive and empowering narratives, inspiring both animators and audiences to embrace the new way of telling stories.
What do you think? Leave a comment.
I have LOVED this movie since i first saw it when I was like 6. This movie and milo’s qirks got me interested in archeology
This movie is definitely a criminally overlooked movie. It was probably very much ahead of its time. If the ENTIRE storyline of Avatar was basically ripped from it. Having a somewhat geeky hero was quite refreshing, and they did the whole ethnically diverse crew of main characters LONG before Hollywood embraced this topic. The villain is pretty generic, but boy he was pure evil. And so effective he became the exact inspiration for the villain of the most popular film of all time (Avatar). Let’s be honest, Stephen Lang got the part because he looks like the cartoon character.
Glad I wasn’t old enough to read reviews and be swayed when I saw this as a kid, it was simply a brilliant EXPERIENCE.
As a child I love the Kida character so much! I love the utopian scenery in Atlantis. I love the Atlantis vibrant colors and their history…. It felt like I was in a dream.
Atlantis and Treasure Planet were the best Disney movies. Also, Milo is basically Daniel Jackson from Stargate. They have to have taken inspiration from Stargate.
What I really like about the movie is how they portrayed Sweet. Nowadays black characters are all super-puper geniuses and good people just because they’re black (compare Black Panther 2 and Iron Heart). On the other hand, Sweet studied medicine in a college and then served as a doctor on the war front. So we see a specialist who went a hard way of studying and working, which for me is really cool and it also gives motivation.
Disney should make an extended cut/animated rewrite of the movie that has the same look as the original, but with the 155 page (2.5 hours) long runtime from the first draft during production, that fixes the problems with the original (such as by adding more character development and other stuff) instead of doing a live-action remake. It could probably be a success for older audiences if Disney markets it for teens, and the (animated) theatrical sequel idea from before Atlantis bombed at the box office would probably be revived.
I loved this movie as a kid and i still like it.
Basically everything Disney made back when it didn’t perform it’s best are now considered classics and under appreciated like iron giant, treasure planet and Atlantis.
My only gripe with this movie is that is feels WAY too short. To bad Disney be making that doodoo now.
The idea of an entire civilization collapsing over a very powerful technology in today’s context it’s chilling. Makes me be more sacred of AI than before.
It’s got a bit of a cult following now.
My favourite movie of all time.
So flawed film yet so loved.
Am I the only one that had the biggest crush on Milo 😅
The worldbuilding of Atlantis is super brilliant…imagine building a whole new civilization based on an excerpt from a famous philospher and instead of designing it based from its source material’s culture but through an amalgamation of other cultures that are deemed too alien for western historians at that time when the movie takes place is such brilliant…like SUPER BRILLIANT.
I would support a live action re-make of this film if they don’t cut anything… They are allowed to add more story telling, just not cut out anything.
My favourite movie in childhood. I wish they could have added more lore about the cristal and Atlantis in general. That scene of the underwater mosaic is absolutely beautiful, we needed more.
This movie was an astounding timeless success in retrospect.
I am a professional geologist, and I can assure you Mole is the most accurate portrayal of a geologist in cinema.
Among all superb Atlantis voice actors, I’m a proud Canadian🇨🇦 for Michael J. Fox’s exemplary Milo AND I honour eternal nice-guy James Garner for his terrific best-of-breed twist villain!
This was my childhood. It was my favorite movie for a long time and remains my favorite Disney movie to this day, I adore the characters and the flow of the film and just its so much fun. I have watched this movie and then immediately started it over to watch again multiple times.
I find the notion – that the author raises here – of people demanding more diversity in the stories they are told and the movies they watch heartening. I think it’s only through audiences demanding ‘better’ (for want of a better word) that we will break away from stale tropes into fresher and more relevant stories – ones that are more reflective of us as a society. I have never watched this movie because … well Disney… but now I wouldn’t mind :).
I love Atlantis!
Kida man, late 1990s early 2000s animated women were built different, they always had something in store for the adults tolerating the movie with their kids.
I love Michael J. Fox as Milo and freaking Leonard Nimoy as the king. Then of course Cree Summer as Kida is amazing in everything she’s in.
I actually love the character of Kida. The main criticism I’ve come across is that she is passive and doesn’t have agency. To me that’s a traditionally Western narrative, that a princess needs to be a “girl boss”, to find her voice and stand up for herself. Kida is a princess of a lost ancient kingdom, which means she’s closer to being a deity than a human. We’re not supposed to understand her, she’s mystical, just like Atlantis is. Milo is the one who is supposed to find his voice, Kida has always had it, it’s her people who have been silenced.
Other than that, my main problem with the movie is the white savior trope.
My only criticism of this movie is Audrey’s character design. She’s the only one without nasal ala and the only one with the weird line on the tip of her nose. So out of place. Dr Sweet is also black but he didn’t have that problem.
This film failed, but I really liked it as a kid. Then Treasure planet came out then, and I liked that one but it failed. Why do people hate animated adventure movies so much?