The climax of Jaws focuses on the endeavor of three men to save the town. Each comes from a different economic background: Hooper (wealthy), Brody (middle class), and Quint (working class). Quint’s ultimate demise and the use of his gun to destroy the shark could certainly be read as the working class man sacrificing himself for the security of the upper classes. I am curious if someone better versed in Marxism could dig deeper into Jaws as Marxist tale, or more generally as a tale of class and consumerism.
Fidel Castro used to argue that “Jaws” was a Marxist tale. Slavoj Žižek summarized this in his documentary “The Pervert’s Guide to Ideology,” where he also gives his own reading of the story. As a matter of fact, “Jaws” has been interpreted in so many ways, such as being about patriarchy, immigration or fascism. This is a nice topic that could become a great article, as long as it acknowledges all the discussions and interpretations that the Spielberg’s film provoked in the last forty years (not an easy task), offering a new and original angle of analysis. – T. Palomino1 week ago