For many of us, our first exposure to nonsense literature in general came in the form of nonsense poetry. Authors such as Edward Lear, Lewis Carroll, Dr. Seuss and Spike Milligan used non-sensical verse to subvert the power of language to label and own the world. Oxford scholars now suggest the origins of nonsense literature may be found in the 11th century, although there is circumstantial evidence to suggest an even older origin, possibly as far back as Aristophanes.
Nonsense poetry (and, by extension, nonsense literature in general) is now an officially recognised subset of the international language of literature, and elements have even crept into everyday usage. For instance, few people know that the oft-used word ‘nerd’ was invented by Dr. Suess.
In addition to the names listed above, Ivor Cutler, James Joyce, Rudyard Kipling, Jorge Luis Borges, Samuel Beckett, Eugène Ionesco, François Rabelais, Flann O’Brien, Velimir Khlebnikov and Sukumar Ray (to name but a few) have all used either nonsense or nonsensical structure in their works, as have Bob Dylan, David Byrne (Talking Heads) and Syd Barret (Co-founder of Pink Floyd).
Discuss how the anarchic power of nonsense writing can be liberating, both to the author/writer and to the reader/audience. Choose whatever examples you wish and show how, by breaking the established rules of grammar, punctuation and capitalisation, nonsense can also sometimes even act as a remedy for a mad, mad world.
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