Contributing writer for The Artifice.
Junior Contributor I
Diversity? in ComicsThor is a woman, Spider-man is black, and the Hulk is Korean-American. These popular characters were once all white males, but Marvel Comics has undergone some re-branding and decided to branch out with character diversity. Are these changes to be praised and the new line-up celebrated? Can this truly be called diversity when these female and minority characters are launched from the platform of popular, established, white male characters? This article will argue whether or not this kind of "diversity" is valid.
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The Formidable Fairy Tale: A Writer's Guide | |
Very thought provoking! I like the mentioning of “transactional” vs. actively cognitive language. Many critics of texts and tweets miss the point when they argue that brevity is the soul of our problem. Intent, development, and execution in language — as with anything — create deeper value. | From Noun to Verb: The Consequences of our New Idea of “Text” |
Another factor to consider is the cognitive effort put into any form of writing. Can a tweet or text help develop literacy and critical thinking? I don’t think so, but some may suggest that because a person is writing more, they’re therefore improving their language skills. Something more involved like a full letter or email may then have more cognitive value. | The Modern Translation of Writing |
“A tableau of unrelated tidbits” might be my new favorite phrase. I personally find the cinematic bastardization of fairy tales revolting, but I wonder if that bastardization is even relevant to the conversation. Any Hollywood director can wave the flag of “based on” and say theirs is a new art form paying homage to a classic. What is the argument for a true adaptation when titillation = success?