social commentator / deconstructing popular culture and theology / gender and race topics are my life blood / feedback encouraged and welcomed
Junior Contributor II
Questioning the validity of Lena Dunham's opinion through 'Girls'Following a Nietzschean line of philosophy: one must be deeply engaged in the world on an experiential level to obtain a respected opinion. Struggle is imperative in this process as it develops our own inner identity; through battling against a thing that we hate we become more akin to the things we love. Here I pose the question: is Girls a TV series we should take seriously on issues like gender oppression, sexual assault and racial division? Has the creator Lena Dunham been through enough social struggle to speak for groups that experience daily marginalisation, when she herself may not typically be considered marginalised?
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Teen Films as Sexual educationThis article could asses the ways teen films inform, it's primarly teenage audience, about the social and emotional ways of dealing with sex. Given this is never addressed in the clinical and scientific approach schools take towards sexual education, its reasonable to assume that most people would understand the other elements of sexual education through alternative mediums. Teen films are a great example as they often focus around the sex quest for boys i.e. Superbad, the Inbetweeners movie, Sex Drive, American Pie etc. Its could be said these films often create a gender disparity in dealing with sex as there is barely any female representation aside from the, older and sexually intimidating character
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Political power in GOT and House of CardsI would like to see an article written about the different ways that political power is wielded. Foucault understands all citizens as complicity in state power (in a democracy), since one individual has a sovereign rule over us and governs our liberty, however en mass the public hold tremendous amounts of power during elections. Recent political history in Australia shows the power of public opinion polls, as leaders there have been usurped by party members due to their failing public credibility. But power also requires tenacious maintenance in a political scope Francis Underwood from House of cards illustrates the amount of time and effort he has to appease and blackmail other members of congress to retain his position. This involves calling the bluff of many different international and domestic threats to his reign. Lord Baelish from game of thrones also shows how a character with little credentials can hold great amounts of power by dancing between leaders of different kingdoms. There could also be a discussion about the gender intersection of power in both these shows as Claire Underwood and Cersei Lannister are both excellent case studies.
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Miscegenation On Screen, Why So Disparate? | |
thank you a lot 🙂 | Miscegenation On Screen, Why So Disparate? |
Excellent analysis of the film, i’d never thought of it as a ‘social horror’ film, usually the genre sticks to supernatural beasts terrorising humans | Miscegenation On Screen, Why So Disparate? |
I agree it is a very, very difficult balance to achieve | Miscegenation On Screen, Why So Disparate? |
yes, its an absolute must! | Miscegenation On Screen, Why So Disparate? |
Absolutely, so long as those representations don’t perpetuate stereotypes | Miscegenation On Screen, Why So Disparate? |
yes, I wanted to go into other racial stereotypes projected through miscegenation including Asians and Hispanics (as they have quite a prominent representation in cinema) but was afraid the article would be endless. Perhaps someone can continue this line of though *wink, wink, nudge, nudge* | Miscegenation On Screen, Why So Disparate? |
Ahh, hopefully Hollwood will begin to reflect this sentiment!! | Miscegenation On Screen, Why So Disparate? |
why thank you