Kayley

I am deeply fascinated by the things we can learn from literature, and a few of my favorite areas of interest are the gothic, the weird tale and 19th Century fiction.

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    The Third Person Narrator in Ottessa Moshfegh's Lapvona

    In multiple interviews Moshfegh notes how she explored third person narration as a technique in her novel Lapvona. Compared to her other works that focused primarily on the internal experiences of a single character how did this change in narrative style affect the overall tone of the work and how does the narrative voice develop into a character itself. One could explore how the work contrasts the individual against the collective, moving from the experince of a single character to the experience of Lapvona as a whole not only for the characters but for the reader as well. There is also a tension with the narrative voice’s interpretations and the characters subjective experiences. This can particularly be seen in the moments of miscommunication, where the absence of understanding contrasts with the third person expanded view. This can perhaps be seen as contributing to the dark humor of the story. Moments of humor arise in part by the expanded view of the reader due to the narrative voice where the absurdity of some events becomes clear. Overall the third person narration comes across as a subtle but powerful and permeating influence and an exploration into the direction of this influence can be fruitful for a deeper understanding of the work as a whole.

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      Latest Comments

      I think it is an important debate, I think it is interesting that books are often removed or limited at a more local level so that differences in what ideas are deemed inappropriate can differ regionally. There also appears to be on the surface at least a correlation between a books popularity and the spread and pervasiveness of the ban. Personally I think a book banned in an university setting is a more egregious wrong then a book banned at lower education level.

      Why Books Shouldn't Be Banned

      Love the article! I really enjoyed The Secret History, I think part of that appeal personally was from growing up reading books filled with adventures and drama and meeting fabulous people who are otherworldly and desiring to have my own experince like that. The Secret History is in some ways a fulfillment of that desire in a matured version. It takes the mundane and romanticizes it, takes the typical drudgery of school and turns it mysterious with enigmatic peers and dramatic secrets. Compared to the reality of the university experience this is exciting. While I can see the novel as taking the pretentious tone a little too far that for me was part of the resonance of the text.

      The Secret History: A Novel with Staying Power

      I think I agree that the way in which the Crew of Light fights back against Dracula is noteworthy. Specifically, the use of psychology which was a fledging field of study at the time is interesting. However alongside all of the modernity that the characters embody there is an interweaving of the folkloric and the religious that I found interesting. Stoker, on one hand seems to be depicting modernity as an equal and greater match to the regressive past that Dracula represents but at the same time hints that modernity alone is not enough.

      Gothic Fiction and the 'Regressive Evolution' Anxiety