Luke R. McLaughlin

A hugely underrated film, soundtrack included. It’s unfortunate it came out the same year as Inception. I prefer Shutter Island, but I am clearly in the minority. The story and score are far superior to Leo’s “other” role. Oh well, glad someone else appreciated it.

Aaron,

You mention Four Rooms. Did you make it through the first three vignettes to get to Tarantino’s? I though the film in general was a major misfire, even Tarantino’s section seemed a bit phoned in to me.

Imagine if another, less known director had directed Jackie Brown? It would recognized far more. I love Robert De Niro in Jackie Brown. Some of his best work in my opinion.

I’d consider his writing his strongest attribute. He understands and lives in his own text and that transfers to the screen. I agree with Aaron that his films are refreshing, original, and completely his own.

I’m always interested to hear viewers thoughts on Tarantino’s violence. I personally have no problem with it, but I also understand at times it can be gratuitous. I’d much prefer to watch his masterful hand in Kill Bill 1&2 than any of the current slasher franchises. His use of blood is so, dare I say it, beautiful.

You are voicing an opinion that I have held close to my heart for many years. I fully, and truly, believe critics are necessary in every form of art, not just filmmaking. Critics drive filmmakers to be better, from producers all the way down to gaffers. Without critics there is no one to push the line. We are constantly advancing technologies and techniques. Hollywood may push back against the critic, but in the end they know the importance of good reviews. How many more Terminators will they make before they realize advancing story and plot is essential?