Contributing writer for The Artifice.
Junior Contributor I
Sequels: Where Do We Draw the Line?Analyze the media's excessive purging of sequels to the public. Are sequels more or less becoming strictly a financial gain, as opposed to continuing a beloved story to audiences that is worth value? Why is it that sequels are generally deemed disappointing?
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The 21st Century Films Prepared For Classic Status | |
Breaking Bad is one of the only shows I’ve seen that I can affirmatively say felt like WATCHING literature. The symbolism, minimalism, profoundness of its characters, and heartbreaking realism makes you want to scream for joy- yes, there are shows out there that deserve it’s acclaim. This is what it’s like to watch quality. | Objects in Breaking Bad: If Things Could Talk |
This thought can apply to almost any art form- not just writing. You can advance upon your skills as a writer at school, but if there are no creative juices indigenous to your mind in the first place, can you truly be a great writer? It is the natural talent, the eye for detail, the introspect of mankind that allows you to write detailed stories; Anyone can write, but this is what separates the good writers from the great. | Can you Teach Someone how to Become a Writer? |
Agreed with breadeater above. I loved the movie Boyhood. However, thinking more deeply about it, my love for the film was dominantly held in its striking and unheard of direction. In fact, the main reason I even watched the film in the first place was to take part in watching actors grow up before my eyes. Regardless of the quality, THAT, in and of itself, is worth watching for. However, a great movie cannot just rely on new techniques to spark an audience’s attention. There needs to be more underneath the surface.