Just an artist and writer interested in better understanding the world.
I Am the Pretty Thing That Lives in the House: A Refreshing Change
Write an article about "I Am the Pretty Thing That Lives in the House," a Netflix original. It’s format and creative choices in story telling, narration, and cinematics, leaves viewers surprised. It isn’t what most expect to find, as many have become accustomed to jump-scare and gore films when it comes to entering a movie with the mentality "this will be scary."
Someone please write an article that not only examine the director’s choices and how it differs from other modern films (more resembling the re-telling of an old abstract horror short story) but an article that will also contextualize it. Does it have literary ties to another work or was it made simply to resemble such? How and which literary elements did it adopt and to what effectiveness?
Why Minions Went Viral
I’ve been asking myself for a long time what made minions from the movie series Despicable Me get so out of hand in merchandise and web presence. With the third movie soon coming out this topic could get a lot of attention. People tend to be in one of two categories: they love minions or they hate them. But, why Minions? There are plenty of slapstick sidekicks in cartoons but none have blown up to quite such proportions. There’s a lot of them, they aren’t identified as individuals, and they don’t talk, but until they became mass-produced cringe inspiring merchandise, they contributed a heartfelt dynamic to the family image in Despicable Me and that’s now been forgotten. Did they catch fame so quickly because of their central role in the movie or was it just their slapstick humor that caught people’s attention… or was it something more subtle? From memes to merchandise Minions are presented as androgynous. Is this what made them so marketable? A non-gender creature appealing to anyone? In a world with so much gender controversy, maybe Minions were the solution to a time full of uncertainty and a need for PC? Study the marketing strategies presented for Minions, and perhaps on a anthropological level, explain their success.
ME!ME!ME!'s Imagery as a Warning
ME!ME!ME! is not a new video but I recently stumbled across it and was taken away by it’s imagery and symbolism. Normally watching such blatantly sexual animation is deterring, but it’s underlying message shone through. Other critiques have been made on the video but I feel the Artifice’s community especially would appreciate another thorough analysis. Pick apart ME!ME!ME! as a warning for the destructive powers of the protagonist’s lifestyle (becoming overly obsessed with anime characters). You can find a light analysis on youtube by Gaijin Goombah, but he also makes it quite personal in the end. Write a more professional and organized article on the theory, hopefully starting with something close to his main thesis, followed by specific imagery in the video to solidify the stance. Perhaps address various case studies on the reality of being addicted to such fantasies; statistically how many lives are ruined by this fascination and is there such thing as rehab?
Where Did All the Editors Go
Where do you go for your news? Somewhere renown for legitimacy like The Huffington Post and The New Yorker, or perhaps somewhere mainstream like Buzzfeed? No matter the reputation of the site I’ve noticed one recurring thing: errors. Grammar errors, spelling errors, syntax errors. These are all extremely popular media sites, used by millions of people every day, and yet there seems to be no one taking the time to proofread or edit their articles. Where did all the editors go? Are media sites cutting editorial costs or is the flow of content too great for them to handle? Do popular sites even have editors?
How Do Public Beta Environments (for ongoing MOBAs) Benefit Gamers?
There was a massive overhaul to League of Legends’ "Rift" after Riot’s mid-season patch. Every new patch usually comes with some controversy but this one takes the cake. Players are complaining about "RNG" being added to the game with new random elemental spawning dragons. People feel that changes to the Rift Herald which now gives a twenty minute long buff (which in some cases is essentially the entire game) to one player that cannot be lost during death is unfair. And of course, there’s the running saying that any newly released champion is overpowered (which marketing-wise is probably intentional, it gives people incentive to buy the character right away since it will be nerfed later).
Many players have access to the PBE and some youtubers make a living off of releasing the newest PBE content before it hits the game. With so much potential feedback it leaves me wondering how some obviously un-liked and controversial updates come to fruition. Though it need not focus on Riot I think it would be great to see an article focusing on the process of decision making that happens behind the scenes. What is the company structure? I’m sure gamers would like to know how much of their input goes into certain gaming companies’ decisions. Perhaps it could even serve to relieve some tension from between the two parties. Are more direct and preemptive quality feedback strategies necessary for any variety of gaming companies; are PBEs enough?
Esports and Player Transfers
I am no sports expert, but it seems to me that esports suffer a greater frequency of cross-continental player transfers than "real" sports. It could make an interesting article to examine why this happens, is it just because there are less restrictions? Unable to speak for other esports like StarCraft etc., it’s apparent in League of Legends that a great deal of players on NA teams did not originate in North America and transferred over from a European or Korean (etc.) team. Last season I believe is was OMG, a Chinese team, that transferred over to NA entirely and played for a split before returning back. How are teams’ regional identities so flexible? Also seen often is a player from another region which transfers to NA but is unable to play due to "credit card complications." Why does this happen so often, and ultimately is it worth the risk? I’ve seen far too many times during LCS that teams lose because they don’t get enough practice with their core lineup because of complications and an inability to play since there was a transfer issue.
Is Undertale Overrated?
The game Undertale is quickly rising in popularity in the gaming community. It’s been promoted by many well known youtube game play content creators such as Sky William, Videogamedunkey and GameGrumps. It has been acclaimed as hilarious, cute, emotionally moving and beautifully designed. How does Undertale stack up to previous 2-D "RPG"s? What is it that truly sets it apart as unique? Perhaps the buzz around it’s release isn’t because it’s the best of it’s genre, but that Undertale just breaks the mold of other video games currently being released? Does Undertale deserve it’s reputation?
gamesWrite this topic
All gamers know what a walkthrough is and many use one from time to time. Whether you’re stuck in a dungeon and can’t find your way out or you don’t know where to find the last item you need to finish an quest/achievement, they can be extremely helpful. But where do we draw the line? People make walkthroughs on youtube for commentary and entertainment and that’s great and all, but gaming companies also publish full books hundreds of pages long with every detail of the game laid out. When do walkthroughs stop being a tool to help and start being a force which dominates your gaming experience? Are you a real gamer if you use these walkthrough guides or are you a poser just trying to get to the end so you can brag about it?
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