Contributing writer for The Artifice.
Junior Contributor II
The Marvel Trajectory: Cinematic Potential or a Downward Spiral?
In light of the relatively recent comments on Marvel films made by the likes of Scorsese and Coppola, does the superhero film have a place as an artistic work? Is it a modern reiteration of older genres of filmmaking (the Western, the gangster film, etc.) replete with popular cultural furnishings? Or, as the New Hollywood filmmakers suggest, does Marvel’s cinematic universe mark a downward spiral in quality for the cinema of America (and likely the world at large)?