Scientist by training, writer by choice. Loves anime, horror, religion, nature, folktales, and all things weird and strange.

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    Latest Articles


    Latest Topics


    Is Harry Potter's Lord Voldemort an obsessed creative?

    There is a very interesting blog entry on the Harry Potter Amino Apps page that compares Lord Voldemort (nee Tom Riddle) from the Harry Potter series to Andrew Nehman, the protagonist of Whiplash. The main thrust of this argument is that both characters come from a long line of mediocrities, and develop an obsession with being the best in their chosen fields in order to counter this, even if it costs them their humanity and personality. They also share at least one other similarity that goes unremarked upon in the blog: namely, that both of their mothers died in childbirth.

    The question is, does Voldemort have any other traits that make him similar to other obsessed creatives (real or fictional) besides just Nehman? What, if any, artistic talents does he possess, and what are some of the lengths he goes to master them? In terms of his characterization, just how essential a role does creativity play in making him who he is? Is there actually anything to the idea that Tom Riddle/Voldemort’s backstory and arc are that of an obsessed artist or creative personality, or does he just happen to have some traits in common with one obsessively artistic character purely by chance?


      The drive to turn children's TV shows into something adult-themed

      Many adults nowadays like watching children’s TV shows. Sometimes this is due to the nostalgia factor associated with a beloved show from childhood, whereas other times, adults will start watching a show in adult age (as happened with both "My Little Pony: Friendship is Magic" and "Bluey," for example). Either way, it’s common for adults watching the show to attempt to put a more adult-themed spin on the plot or characters than was initially intended, by adding more violent, sexual, or all-around disturbing content. On the simplest level, this can take the form of disturbing fan theories or memes about children’s TV (such as the "Rugrats" theory that everyone is dead except for Angelica); but it can also be more extensive. For instance, the "My Little Pony" fanfic known as "Cupcakes" was a well-written story whose entire purpose was to make "My Little Pony" violent. This story was so successful it spawned an entire subgenre of "grimdark" fanfics, in which each of the main characters from "My Little Pony" took turns playing the role of a bloodthirsty villain.

      The question is, why are adults so interested in making adult-themed versions of popular children’s shows, especially when there are so many gritty, adult-oriented TV shows out there? If the adults are watching the children’s shows because they like wholesome entertainment, then why post adult-themed fanfic or memes about them at all? Is there something about the union of children’s shows with dark themes that is exceptionally appealing, and, if so, are there certain characteristics that make particular shows most likely to be used in this way?

      • Similar to this is people claiming this is more realistic or what would actually happen if placed in real world context – BeardedTree 5 days ago

      Main character ensembles

      Although many stories have just one main character, many others have an ensemble of main characters, usually in sets of three to five. Although one character in these ensembles may be presented as more central to the story than the others, technically, all the characters in the ensemble could be considered main characters. For instance, a lot of classic superhero programs, especially on television, feature a team of five superheroes, often with one or two of that number being female. The children’s musical comedy "Fraggle Rock" also has five main characters (three male and two female), while "The Office" and its permutations have four (three male and one female). If there are three main characters, they’re often all of the same gender (e.g., Alvin and the Chipmunks), but an arrangement of two males and one female (as in the "Harry Potter" and "Twilight" series) also seems to be popular. Why are these particular configurations of main characters so common? Are there any stories that invert the usual gendered expectations about the makeup of the groups (two females to one male, for example)? Moreover, why does any story need more than one main character in the first place?


        Obsession with food as a marker of childishness

        It sometimes happens in TV shows, particularly comedies, that a childish character will show an inordinate interest in food. For instance, both Michael Scott from "The Office" and Liz Lemon from "30 Rock" are childish main characters who are obsessed with food, and many compilations of them eating exist on YouTube. Ernie, a character from the German comedy "Stromberg," is also obsessed with food and notably more childish than his English-speaking counterparts Gareth and Dwight (who show less interest in food but are instead obsessed with sex). The fact that childishness and food obsession show up together so often suggests that an interest in eating itself is meant to highlight the character’s childishness in some way. Why do you think this is? What are some other examples of shows that connect childishness with a love of eating?

        • This sounds like a yummy and interesting topic, pun intended. My "Disney and the deadly sins" article has a section on Mikey Blumberg from Recess and gluttony, if you want to read that to get yourself going. – Stephanie M. 1 year ago
        • Idk if I would necessarily link food obsession with childishness. Today's food obsession, whether among celebrities or the general public, is a more complex psychological and sociological phenomenon and childishness feels too negative a term. – Xiao 1 year ago

        What is the legacy of Skins?

        Skins was a British teen soap opera which began in 2008 and ran for about seven seasons. This series was renowned for its controversial subject matter, as many of the characters did things like have sex, experiment with drugs, and struggle with serious mental health concerns. Several of the cast members–including Nicholas Hoult, Dev Patel, and Kaya Scodelario among others–went on to have illustrious film and television careers.

        What if any influence has Skins had on the teen soap opera genre? How many modern teen soaps–which tend to feature fairly dark subject matter–were inspired by Skins, whether directly or indirectly? How do more recent television shows for teens compare to Skins in terms of characterization and structure?

        • I automatically think of Euphoria, but not really any others. What other examples would you use? It might be easier to just compare Skins and Euphoria. – Elisa 2 years ago
        • I agree with Elisa! Euphoria seems a lot like a modern take on Skins. – Anna Samson 2 years ago
        • Skins was beautifully produced and written. The characters are all complicated and loveable through their flaws. Shows like 13 reasons why have gone for the same things but done it in a much more graphic way, romanticizing the bad things meanwhile skins teaches lessons and is meaningful and very diverse. – Ellissa 2 years ago

        Cringe comedies that aren't The Office

        The Office and its many adaptations stand out as pioneers of a genre called cringe comedy. In a cringe comedy, the central characters act like fools, and the audience responds by laughing at them out of nervous surprise and vicarious embarrassment. What are some examples of cringe comedies other than The Office? What, if any, influence do you think The Office has had on them? Is there a way to distinguish "good" cringe comedy from "bad" cringe comedy?

        • Great topic! Some examples include Parks and Rec and Superstore. One could discuss the similarities between The Office and these shows. – Anna Samson 2 years ago
        • Trailer Park Boys would be another great example. Family guy too def cringe for some viewers – abs552 2 years ago

        Glee and cringe comedy

        Although it relies heavily on the tropes of teen soap operas, the musical series Glee is often seen as a comedy. What is interesting about it, though, is that most of the humor appears to be what is often referred to as "cringe" humor. Cringe humor is so-called because it entails a character acting in provocative or foolish ways and causing the audience to laugh at them instead of with them. In the case of Glee, some of the more famous examples of cringe include the teenage characters attempting to perform "sexy" dance numbers, and the one-liners provided by Jane Lynch and Matthew Morrison, who play the most prominent teachers. Some YouTubers have even taken to compiling the most cringey scenes from Glee and giving their videos names like "Glee out of context" or "Glee scenes that give me secondhand embarrassment."

        So, is Glee a cringe comedy? Or is it a soap opera that just happens to have cringey humor in it? Is there something about the premise or cast of Glee that naturally lends itself to cringe humor?

        • As someone who never got into Glee or really saw the appeal this did catch my eye. I'd love an exploration of the genre of cringe comedy and how Glee fits into the greater canon. – Sunni Ago 2 years ago
        • Another example could be Riverdale (tbh Riverdale is an article in of itself). You could argue about the different scales of cringe. In Glee, I find that the comedy is self-aware and knew that it was ridiculous at time. Whereas in Riverdale it crossed the line where you don't know if the writers are serious or satirical. – shaymichel20 2 years ago
        • Glee was also produced by Ryan Murphy (of American Horror Story, Ratched, Hollywood, etc), and upon a recent re-watch my friends and I were wondering if it might be considered a camp satire about heteronormativity. All of the pregnancy plotlines, Sue's obvious lesbian vibes & Shuster's obvious gay vibes serving beard couple realness, all of the revealing of the farces of heterosexual normality -- this show really just magnifies the absurdity of 'straight culture' (hence the cringe). – alex 2 years ago

        Flatterers in fiction

        The ancient philosopher Plutarch wrote a famous essay on how to tell the difference between a friend and a flatterer. In this essay, he lists several qualities associated with a flatterer, including:
        1. being inconsistent and willing to change into whatever seems most attractive to the victim;
        2. appealing to the worst angels of the victim’s nature and copying their vices rather than their virtues;
        3. seeking to please the victim in the moment, even if it will cause the victim greater problems later on;
        4. seeking to separate the victim from their real friends.

        With this definition in mind, what are some examples of flatterers from fiction, particularly modern fiction? What traits, if any, do they and their victims have in common? Are there any stereotypes associated with fictional flatterers, either in terms of physical features or psychological makeup?

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          Latest Comments

          I largely agree with you, and I think that’s why I find Whiplash more unsettling the more I rewatch it. Because, particularly when the metacommentary surrounding the film is taken into account (in the form of interviews with Chazelle and even many of the comments on this very article), it kind of seems like it’s trying to push you into the role of Fletcher. Ordinarily, when a character is abused, it’s meant to make the audience support that character; but instead, Nehman is kind of made out to be an idiot for getting taken in by the whole thing, as if the fact he doesn’t know better means he somehow deserves his suffering (i.e., “He’s so obsessed he can’t keep a girlfriend because he’s too busy practicing! What a fool!” etc). The film also has multiple, lingering scenes of Nehman bleeding and suffering, which are ostensibly designed to show his obsessiveness; but the way the narrative keeps circling back to it on camera makes it seem like Chazelle is enjoying his suffering a little too much. And then, after all that, when Nehman finally pulls off a great drum solo, even that is taken away from him by the capital-D Discourse, which states that it only proves how slavishly devoted to Fletcher he is. It’s enough to make me almost prefer the naysayers who believe Whiplash is a horrible, disgusting film that glorifies abuse, even though I actually like the film.

          The True Meaning of Whiplash

          The thing about the “cozy games” mentioned in the article is that (with the exception of Stardew Valley) they’re relatively old. I remember seeing advertisements for Animal Crossing when I was a preteen, and the article even mentions that Harvest Moon came out in the 1990s. What this suggests to me is that, if indeed the point of cozy games is to serve as a welcome distraction from the harshness of the world, that idea has been around longer than many people give it credit for. Unless, of course, these cozy games were once niche and have only recently exploded in popularity, which is possible too (I don’t really play cozy games, so I don’t know).

          The Rise of Cozy Games

          It’s interesting you mention that because part of me wonders if the real purpose of Whiplash was to be a kind of “sour-grapes” fantasy on Chazelle’s part. Particularly with his repeated insistence in interviews that Andrew never never never becomes great, and is destined to die broke and drunk and full of heroin at the age of 34. I have it on good authority that Chazelle based Fletcher on a drumming instructor he had in high school (and absolutely hated), and that this instructor effectively discouraged him from pursuing a full-time career in music. If all “great” musicians are miserable wretches with no personal life who are destined to die much too young, there’s no need to feel bad that you can’t compare.

          The True Meaning of Whiplash

          I actually think you may be onto something. It certainly doesn’t seem like Fletcher cares about jazz music much per se.

          The True Meaning of Whiplash

          Interestingly, I find that the more I watch different versions of The Office (especially in English), the less funny I find them. I suspect it has something to do with the fact that they showcase such selfish and horrible people. The British version remains at least somewhat funny insofar as the abusive boss is himself the butt of most of the jokes; but by the time we get to the US Office (as well as later Stromberg), it feels more like we’re being asked to laugh with him at the expense of his victims.

          A Detailed Look at the Cast of The Office

          For me personally, Stromberg is more entertaining than the US Office.

          A Detailed Look at the Cast of The Office

          My suspicion, for what it’s worth, is that it’s not so much that Gervais “became” David Brent as that he’s always been that way. Brent was just him taking the mask off.

          A Detailed Look at the Cast of The Office

          I first read 1984 as a high school freshman, and have since read it a number of times in adult age. The more I think about it, the more I think the ending is really not so sad after all. Yes, Winston and Julia end up losing everything and enslaved to Big Brother; but before that happens they essentially get to do everything they’ve always wanted. They meet up, fall in love, start living together, and even get to read a book about the machinery of the Party. The implication is that they were doomed to be arrested as thought criminals either way, because they needed something to do. It wasn’t enough for them to simply live according to the Party’s rules all their lives. So, I feel like there is something to be admired in the fact that they managed to make things happen on their own terms, if only for a little while.

          1984: What Does it Tell us About The Purpose of Life?