Contributing writer for The Artifice.
Junior Contributor I
Published | Is popular "geek culture" infantilising a generation of adults?A generation ago, merchandise for film/TV/anime/literature pitched at children and young adults was also aimed at children and young adults. In 2017, we are seeing a rise in merchandise pitched to adult aficionados – think Pokeball serving bowls and superhero-themed shot glasses. Do these trends mirror an entire generation that is unable to grow up? Is this just about rampant capitalism? Or is this generation of 20 and 30 somethings just passionate, and less ashamed than their Gen X and Baby Boomer family members?
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The anime gold rush in the early 21st century | |
I’m glad you included the part II “why do we care?” section. I have to agree with you that there are loads of possibilities across the Star Wars universe, although I do feel Luke seems to be the (too?) obvious choice here. But I struggle to care, I think because I found Rey so … bland. I can’t have been the only one? | Star Wars: Who is Rey (And Why Do We Care)? |
Great article. I agree with your assertion that the success of Flash and Supergirl – and their largely positive tone – is contributing to DC’s shift towards more hopeful films. | "The Flash" as the Modern Equivalent of 1960's "Batman" |
Thanks for this article – great discussion of some of the big anime of that era (aka my pre-teen and teen years). I used to particularly love Pokemon and Sailor Moon. I like that you pointed to the way the English dub of Sailor Moon (although Pokemon did this too) kind of sanitised anything interesting out of the show. It wasn’t until my partner told me about the Japanese version years later that I realised how the shows had been pitched so differently for different markets.