Contributing writer for The Artifice.
Junior Contributor II
Writing Historical Drama/NovelHow important do you think historical accuracies are in a historical drama/novel? Should you sacrifice accuracy for drama? To what extent should the writer be held accountable for spreading inaccurate info, especially if the subjects of the drama are still alive?
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In Defense of the Conclusion to "The Little Mermaid" | |
Araby is one of favorite short stories! I have read several times over the last years. This is one of Joyce’s more digestible writings. I think the first-person narration of an “innocent” boy lends itself to this unfamiliarly easiness in Joyce’s language | Araby: Intercolonialism In Ireland as Portrayed by James Joyce |
I think it’s interesting how you argue the different influences parents of either gender have on their daughters. I am particularly intrigued by the part in which you asserts that Snow White “doesn’t know she is a woman” and the Eldridges’ quotations. I wonder how this article can be expanded with psychanalysis theories in child development, as well as performance studies. | Missing Moms and the Fairytale Characters Living Without Them |
I have always considered having her turned into sea foam is a forced happy ending to wrap up a “fairytale.” I appreciate how this article points out the religious implication of the ending. But adding “the Daughters of Air” at the last minute still seems forced