What does it mean to consume media rather than to simply view it? Are remakes and sequels that are made 10 years after the original a newly emerging form of art, or are they simply a cheap means to make money? Is there such a thing as artistic integrity?
Hmm, this is a neat idea given how relevant it is nowadays. For me, I see this a lot with the many video game remasters over the past few years. Movies do this a lot as well, and I think it would be interesting to discuss how some movies that were iconic during their time (ex. 80's, 90's) lose their originality and novelty in a modern era. You can also discuss how nostalgia plays a role in defining what made an original movie superior to a remake. As far as money goes, you can also play the nostalgia card here to explore how producers try to cash in on people's memories of the past by bringing back the classics (via reboots, remakes, sequels, etc.). – Filippo5 years ago
How much of this sped-up aspect of entertainment is a Future Shock-esque reflection of technology, advances of which now making themselves almost instantly obsolete? Will what we consume consume us? – Tigey5 years ago
There is such a thing as artistic integrity; it's rare in hollywood. Maybe mention something which could hold the title of having artistic integrity with something that doesn't, like Jurassic World for example. – luminousgloom5 years ago
Not sure what films you have in mind but the 10 year gap shows how much they are clutching at straws. In a world where it's increasingly hard for the studios to make money so the films become safer; utilising familiar characters/place/story. The industry more than ever demands us to consume. Rather than take a critical view we are bombarded with advertising and hints how to keep enjoying the franchise and giving them money (i.e branded merch) even after you've left the cinema. A good comparison may be how The Hobbit was sqeezed for all it's worth into 3 films. In European cinema the trilogy is rare and completely different. It tends to be centred on the directors personal experiences/childhood (Bill Douglas trilogy, Apu trilogy etc) or may be even more tenuously linked through theme like the Three Colours trilogy, not relying on recognisable characters for garaunteeing custom. It is much more interesting deployed as an artistic device, not consumerist strategy. – JamieMadden5 years ago
Interesting...and you make numerous valid points. One thing that baffled me was that Danny Boyle was working on Trainspotting 2, 20 years after it's original release? Yet, once I looked into it, this was his plan from the very first movie--so, an interesting, planned act of creative ingenuity. In his case, this decision was made many years ago and some madness behind that divine brain decided to wait for 20 years to follow-up that insane, disturbing, yet strangely addictive film (pun unintended!). – danielle5775 years ago
Speaking of films made only for making money, product placement is disturbing. – Tigey5 years ago