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New Season: When should it end?

Various TV series are loved and enjoyed for different factors that lead to producers investing more as time passes and ratings rise. It’s good for the show, the production, and the fans as more seasons get made. But when is the limit of stretching a story? Especially when lead actors decide to leave the cast?

Helpful examples are long running shows such as Grey’s Anatomy, Supernatural, the CW Arrowverse, Once Upon A Time, etc., and even more recent hit shows like Stranger Things. Also, a good comparison are with shows that did well with just one season, particularly “limited series”, a current television trend that includes Netflix’s Maniac and HBO’s Sharp Objects.

  • This is a really cool topic, I actually think about this a lot. For example, Dexter is my favourite show, but I do think they should have ended sooner than they did, since the story felt stretched. What do you think is a good gauge for knowing when to end a show? – priyashashri 2 years ago
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  • Any good show should end when they run out of stories to tell or when the narration should obviously conclude. The order should be story>show. With so many shows, it is the other way around- They decide there should be more seasons because ratings are good or whatever and come up with a clearly forced narrative. – abky 2 years ago
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  • I think a really good example is ‘Community.’ In it’s final episode the characters address that it must be the last episode for various reasons, including the fact that many actors had left. They offer suggestions as to what the storyline of the hypothetical ‘next season’ will be, and they conclude that it can’t be. Or there’s a reference in an episode where the earliest seasons are referred to as the best era (that’s paraphrased, I cant remember verbatim). Just a really cool example of a show’s self awareness that it has run its course, and the decision process the show’s creators would have had to go through. – leersens 2 years ago
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  • Every day I pray that they'll stop renewing the Simpsons for another season, if you love something, let them go. – Daniel Duncan 2 months ago
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  • I think the time to write this article would be now. In a sort of 'as the walls fell' perspective. We are seeing now more than ever studios dragging IPs out for the closet and a slew of new content to see what gets traction. It isn't entirely a model of reprint what is proven like it used to be. I think seasons and run times are more defined by data than ever. This should be a focus in the article, how interpretation and use of seasons has changed over time. – MichaelOlive 2 months ago
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Taken by Bookaddict27 (PM) 1 month ago.
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How the Rugrats Reboot Will Influnece Television

On May 27, a Rugrats reboot featuring CGI animation, new character voices, and adventures with a distinct 21st-century flavor will premiere on Paramount Plus. Some fans of the original Rugrats are eager to experience the reboot and compare/contrast, while others are skeptical at best. No matter what side you’re on though, there’s no denying this reboot will influence how people see the Rugrats franchise and perhaps, associated television (e.g., Nickelodeon).

Discuss questions such as how the Rugrats reboot will influence these spheres, as well as the potential positives and negatives of the reboot itself. For example, how will the reboot’s location on a streaming service change the viewing experience and relations to the characters and plots? Do you think kids or adults will be more invested in the reboot, and why? It seems many of the new adventures will take place in the babies’ imaginations; is this a positive or negative move?

  • I like this topic if possible, do you have a more narrowed scope for the article. For instance, in my experience Suzy played side character growing up and I look forward to perhaps seeing her in every episode. Are you looking to compare their general influence then and their possible contributions now? Just looking for clarity – CardinalRayPrints 7 months ago
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  • Influence is a big part of it, yes. I like how you brought up Susie, because in this day and age, she needs to be more of a main character, which will impact the show's influence for the better. On the other hand, there are certain things that may make its influence negative. For instance, I grew up watching the show and having to wait for episodes. The instantaneous nature of a streaming service may mean the new version, all its updates notwithstanding, has less of an impact because the audience can so quickly move on to something else. – Stephanie M. 7 months ago
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  • Ah, I see thanks for providing that revision – CardinalRayPrints 7 months ago
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Does online toxicity in fandom prevent us from enjoying shows we otherwise love?

We often hear "it’s a good show but the fandom is so toxic" in the context of various popular TV shows. Many of us have had personal experiences of "leaving" a fandom due to toxicity, an experience that can unwittingly impact our enjoyment of that show going forward. Discuss this phenomenon with any examples of your choosing. Some suggestions: Voltron: Legendary Defender, Rick and Morty.

  • I think one important factor is what part of the internet you find these toxic fandom members. The closest example I can think of is the subreddit for an anime I watch. I used to feel very alone there because everytime I expressed my opinion I was either mocked or downvoted (or both) which made me not want to offer my opinion at all. Then I discovered, through a poll, that it was because a majority of the active users of the sub were teenage boys ( whose opinions vastly different from mine, a grown woman's.) I've since found myself at home on a different online forum because the people there were closer to me in age, and while the experience did leave a sour taste in my mouth, it didn't make me leave the fandom entirely. My advice to anyone dealing with a toxic fandom would be to try looking for different sites. – brightasgold 6 months ago
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  • I reckon what is more important is ones own opinion about the show and that what anyone else says shouldn't matter. I have been watching anime for a very long time and have been part of such toxic fandoms, but I have never done anything toxic or tried to push my own opinions on to other people because of what they think is wrong. One example I can think of is Attack on Titan. Fans who read the manga think it is funny to spoil anime-watchers only fans and do it all the time without having a care in the world, as well as "fans" who complain about MAPPA's use of CGI and animation in Season 4 (which i didn't really see the problem with) are what make this fandom annoying and toxic but even so, it doesn't affect my love for the anime. I also think another example would be the My Hero Academia fandom where literally half of the fandom ship characters together (mind you, most of the characters are minors or grown ass men and women) while the other half of the fandom argue that My Hero Academia is the greatest anime of all time (*insert eye roll* I mean don't get me wrong, I actually like the anime) but it doesn't overall affect my love for the anime. I can understand why people would want to leave the fandoms but is there really any reason to stop loving the anime? – toria03 6 months ago
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  • Yes. I totally agree with this point of view. Quite recently I watched a Thai drama called 2gether. I loved the plot and the actors but the toxicity of the bl fandom, otherwise known as the boy's love genre, made me weary of engaging with it anymore. The toxic fans watch these dramas solely to fulfill their shipping agendas. They fetishize gay love and ship the actors in the lead roles to such a ludicrous extent that the boundaries between the actors and they characters they play are rendered invisible. The actors are also encouraged to do fan service which is nothing but a marketing of their relationship as will encourage the delusional fans to ship them even more. The Thai bl industry therefore is the main culprit and is responsible for generating these toxic fans. – Madhukari 6 months ago
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The New Agamemnon of Television

Analyze how a significant portion of the audience identifies with, and has a lot of sympathy for, the male lead in modern television shows such as Breaking Bad, The Sopranos, and Mad Men. Contrast this affection with the significant hatred of the wives of these leads. Explore the similarities between this relationship dynamic and the one between Agamemnon and his family, focusing primarily on the Oresteia by Aeschylus. Analyze how various people have developed an Orestes complex while watching these shows. Relate it to contemporary psychology and gender politics.

  • While I agree that all three of these shows seduce the viewer into sympathy with these questionable-moral-having main men via identification with an interesting (a generous way to describe D.D.) albeit flawed protagonist which places their wives at times as less-flushed out antagonists, I think it is an oversimplification and a large assumption to make that the audience ‘hates’ these wives. The gender of the audience member, as well as other factors, would, in my opinion, engender different feelings towards these wives. In the case of Breaking Bad and its protagonist’s steady but dramatic fall from grace, I would also argue that the viewer is encouraged to stop identifying or rooting for W.W. and instead to sympathize with Skyler and Walt Jr. by the show’s finale. – duronen 4 months ago
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Started from the bottom: from Jimmy Brooks to Rap superstardom

This article will be an in-depth look at how Aubrey “Drake” Graham’s hometown of Toronto Ontario has paved the road throughout music career and the inspiration he drew from it plays out in his songs. Mainly from his albums Views From the 6 and Nothing was the Same.

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    The true purpose of the olympics

    Is the Olympic Games an athletic event, a cultural spectacle, or a tourism promotion? Describe how Olympic coverage caused certain trends to explode. (For example, Kpop’s ascent following the PyeongChang 2018 Olympic Games)

    • Useful perspectives include the history of the Olympics (why were they started and do those reasons hold true in modern Games), cultural impact (like the Doctor Who episode(s) featuring the Olympics and other depictions of the Games), and how Olympic athletes react to the spotlight (Simone Biles' mental health story, for example). – noahspud 2 months ago
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    Diversity and representation in the Arrowverse

    Discuss racial and gender representation in the various television series that comprise the CW’s Arrowverse franchise, such as the introduction of television’s first transgender superhero in Supergirl and the normalized same-sex relationships of Legends of Tomorrow. Present examples/details and discuss their relevance to your overall analysis of the show(s).

    • Okay, good idea. You seem to be a little more focused on gender though, so maybe just tackle that for this article? Or, you could talk about race, gender, and some other difference (are there religious representations in the Arrowverse? Representations of national origin, such as a person who is from a "majority" race but not the same country as everyone else)? – Stephanie M. 7 months ago
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    • It's so irritating it gives it a new name, diversity and representation! Give the people that deserve roles and don't question is it because of their race, or choosing. There can't be one day that I don't have to read about 50 topics on it, and we talk about how that is important and so on! Can we have people, all people, just have the audition and I don't need to know if they have been chosen because of anything but their acting. There is literally nothing worse than when you go and I don't know, tell me you will make a Black Superman. Is that something any black man would really want??? I mean it can be seen from space why they do it. Why would any black man want that? Why don't you make a White Black Panther? Is that some white man would want to see? I don't know, but I am sure there are millions of stories and characters from black culture, well I don't expect a lot of white actors to act there once those stories are adapted. I am just wondering, why more of stories like that aren't adapted. That would be something new, something not jet seen. – FictionHorizon 7 months ago
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    The Role of "Celebrity Animals"

    What can "celebrity animals" — like Dolly (the cloned sheep), Tilikum (the killer whale), or even the octopus who gained fame on the Netflix Original, My Octopus Teacher — tell us about "the human socially constructed natural world" as Nick Couldry calls it?

    Animals (especially charismatic species with which we feel we can identify) can certainly ground environmental issues and cause us to at least feel something for environmental crises. However, there is often unequal distribution of attention that leads to inequality: mediagenic coverage that places certain animals in a positive spotlight allows us to care more for a gorilla or elephant than for an insect or fish, for example.

    Media power is prevalent in the operation of animal fame. Given that human animals are the norm in studies of celebrity environmentalism, what difference does it make to consider the role of non-human animals? Consider, with reference to one non-human animal celebrity associated with environmentalism (like Dolly, Tilikum, or others that have come about in mainstream media).

    • I think this topic is great! Other examples that immediately come to mind are Harambe (the gorilla) and Cecil (the lion), both of whom came to be heralded as martyrs in the social media court of public opinion. I also wonder if less personalized/individualized examples might also fit into this paradigm, such as the nameless polar bears precariously photographed on shrinking ice sheets, or the much discussed declining honeybee populations (whose absence has been memorialized on boxes of Honey Nut Cheerios). How do these animals function as metonymical stand-ins for ecological destruction, and does the same logic of celebrity apply without the overtly anthropomorphizing gestures of assigning a proper name. On the subject of anthropomorphism, I wonder if there's also room in article to discuss the celebrity status of fictional animal protagonists, which seems to be most common of dogs (e.g. Call of the Wild, Old Yeller, Air Bud, Marley & Me, The Art of Racing in the Rain, etc.) and horses (e.g. Kholstomer, Black Beauty, and particularly War Horse -- on page, stage, and screen). Lastly, I'd be remiss if I didn't recommend the prospective author to read up on the recently scholarly literature in the booming humanities discipline of "Animal(ity) Studies," whose key contributors have been Carey Wolfe, Peter Singer, Jacques Derrida, Margo DeMello, and particularly the posthumanist theories of Donna Haraway. – ProtoCanon 8 months ago
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    • Verrrry nice! I'm assuming you've seen a lot of animal documentaries, including Blackfish (Netflix). If you can find anything, you might also use the story of Keiko, the orca who played Willy in the Free Willy franchise, as a source. I had some other suggestions, but it kinda looks like you're covered. :) – Stephanie M. 7 months ago
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