Visualizing terror is no easy task for filmmakers and writers, given the sensitive nature of the topic. Several productions have tackled the subject in various ways with shifting point of views and emphasises. Examples include Air Force One (1997), Bloody Sunday (2002), Omagh (2004), Syriana (2005), Munich (2005), World Trade Center (2006), The Baader Meinhof Complex (2008), Olympus Has Fallen (2013). How is terror visualized? What purpose does it serve to portray it? Where does fiction start?
"Extremely Loud and Incredibly Close" just serves as a good title. It might be referenced in the article, though it is a fictional event that focuses not on terror but more on coping with it. It might be a good starting point in the article as well, maybe with a quote or Illustration or something. – L.J.1 week ago
This is an interesting topic that could be filled in with a little more shape if you pinpoint the aspects of film-making or writing the author should/could use. Perhaps a suggestion on not only how terror is visualized but also on the politics of representation and the limits of the visual. – Jonathan Judd6 days ago