Contributing writer for The Artifice.
Fifity Shades of Fan Fiction
Fan fiction has a rather negative image within the literary genres. Works such as Fifty Shades of Grey do not not necessarily help the genre to renegotiate its stand in the literary world. Why is it that fan fiction is oftentimes seen as problematic? What are some positive examples? What might be the future of fan fiction?
Overshooting the Storyline
There have been several productions of the same genre or universe in the past years. Be it superhero movies, the stretched out story of the Hobbit, or the current bombardment of Star Wars films. When does a genre or a story overstep its zenith? How do the financial aspects of the film industry interfere with storytelling (profit vs quality)? What are some of the counterexamples? What makes a franchise become successful in the long run?
The Impact of Product Placement in Hollywood
Be it Coca Cola in Jurassic Park or FedEx in Cast Away, product placement is an important component of the advertisement and film industry. It might be interesting to look at the effects such product placement has on the production of a movie. How are the products placed? Does it change the storyline? Has the production team compromise creativity for the product?
The Legacy of J.R.R. Tolkien
From constructing his own languages to developing the universum of Middle Earth, J. R. R. Tolkien has left its mark on the literary world, as well as the field of linguistics. It might be interesting to look at how much his work has influenced the fantasy genre. How does Lord of the Rings or The Hobbit compare to newer conceptions like e.g. Game of Thrones? What elements of Tolkien’s work carried on to other fantasy narratives?
Visualizing Terror: Extremely Loud and Incredibly Close
Visualizing terror is no easy task for filmmakers and writers, given the sensitive nature of the topic. Several productions have tackled the subject in various ways with shifting point of views and emphasises. Examples include Air Force One (1997), Bloody Sunday (2002), Omagh (2004), Syriana (2005), Munich (2005), World Trade Center (2006), The Baader Meinhof Complex (2008), Olympus Has Fallen (2013). How is terror visualized? What purpose does it serve to portray it? Where does fiction start?
Superheroes and Mental Illness: Possibilities and Responsibilities
Considering the relevance of mental instabilities for a noticeable number of famous superheroes, that are not only loved because of this part of their character, but who also integrate it into their appearance (e.g. Rorschach), it would be interesting to elaborate on the influence and the significance of highlighting such a topic for mainstream audiences. The apparent depression Batman appears to suffer from, as well as childhood trauma from his parents being killed, make for a lot of dramatic effects in the narration. How does this influence awareness of mental illness and how does it highlight this issue for a larger audience? There are several other examples like Captain America’s PTSD, Hulk’s anger management, basically all of the Watchmen’s personality disorders, etc. It would also be interesting to look into movie adaptions, which tend to reach a larger audience and expand on the reception of such characters, as well as discussing the responsibility of the production with clarifying misinformation about mental illness.
|The Art of Trolling: A Philosophical History of Rhetoric|
|Understanding Abstract Art|
|Why Wouldn't Everyone Love Lucy?|
|Relationship Entertainment: Navigating the Struggle between Romance and Friendship on TV|
|Why Reread Books? The Pros and Cons of Rereading|
|The Nightmare Before Christmas: Why Being Unique in Hollywood Still Matters|