Contributing writer for The Artifice.
Junior Contributor I
What is the value of black and white in a color world?In recent years, black and white movies have become largely a thing of the past. Is their death except as art-house fare a death to be lamented? What do black and white movies bring to the experience of movie-going that color films do not? In this sense, is it defensible, for example, to say that LA Confidential is a film noir and not a film couleur?
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The Rise and Fall of M. Night Shyamalan | |
I love the film but feel that Preminger is almost too didactic in what he presents about the justice system. | Anatomy of A Murder: The Art of Observation |
Is there a reason why the research is so thin with this piece? Zipes is good but he’s not the only bloke out there writing about FTs. | Angela Carter's Beauty and the Beast: Building a Feminist Romance |
Is Shyamalan an anagram for Christopher Nolan? So much promise with Nolan and then he creates Interstellar. Granted he had one hand tied behind his back with the choice of the very limited Anne Hathaway. However, Shyamalan, just as with Nolan, doesn’t seem to have had enough time to indulge in a little self-critique.