Contributing writer for The Artifice.
Junior Contributor I
The use of nostalgia in modern-day blockbuster marketingAnalyze and describe the techniques used by major studios (like Disney) with hot-button intellectual property (like Star Wars) in a variety of film marketing, including but not limited to exposés, interviews, behind-the-scenes features, and the hype surrounding trailers and the leakage of any footage/spoilers in general.
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From The Get Down to Moulin Rouge: A Look at Baz Luhrmann's Writer-Heroes | |
Never thought of it like this…but upon reflection, I do think the best horror films are the ones who externalize the terror that goes on within a human’s mind and body, like a crazed man swinging an axe at his sprinting kid. The Shining will always take the cake for me. | Maternal Horror Films: Understanding the 'Dysfunctional' Mother |
Jodorowsky is one of my favorite filmmakers, not just for his breadth of vision, but for his wacky and idiosyncratic way of perceiving the world through the visuals of cinema. I still shudder to think what his Dune may have been like…Great article! | Jodorowsky's Dream |
I never noticed this before in Baz’s films, but the writer as subject is often too tempting a character to leave out. The Seagull by Anton Chekhov, Owen Wilson in Midnight in Paris, etc.