Nostalgia’s been widely regarded as a good thing, but when does it go too far? When does it become unhealthy for us to stick ourselves to the same ideas, the same properties, solely because we associate good things with them and they make us feel safe? It is necessary for us to be challenged, but how can we do that if we’re constantly being given the same thing because that’s what we like and what we’re used to? With all these reboots, when is enough enough?
Interesting topic. Do you have any examples of nostalgia done right versus nostalgia done poorly? – JakeV4 months ago
Nostalgia and reboots can be considered separate entities. – m-cubed4 months ago
Too much is when the story hinges on it. It should be sprinkled throughout the story, and could conceivably work without the nostalgia. – AGMacdonald2 months ago
Already saw a page on face book called Clinton Obama, but running the wives in 2020. maybe American politics should be like a shriners convention, no wives allowed, try and find someone or something new instead of making George Lucas as Gore would say, Your Dante found. – Antonius8651 month ago
Analyse the trends and patterns of selling and marketing ‘nostalgic’ properties to the public. Is it an issue? Is it replacing the creation of new art, or is it simply a matter of adults celebrating the things they loved as children. Consider movie and television reboots and spin-offs.
Definitely a topic that never goes out of style. I saw a news report years ago about the 1950s music and fashion frenzy among teenage Japanese fans. There was a documentary not long after the Communist collapse in Russia where ardent followers of American Rock classics resurfaced onto the public domain after decades of underground existence. Need only point to the Star Trek phenomena that has ballooned into paraphernalia, conferences, movies, books, sequels, so on. There is much you can do with this subject. – lofreire3 months ago
Obsolesce, "slow" movements, craft culture, and many hipster aesthetics and ideologies -- add, and it's an interesting topic. A reaction to contemporary culture. The reboot phenomenon in the movie industry, in particular, seems less complicated and worthwhile. As does a question of "art." – Paul A. Crutcher3 months ago
It would be worthwhile to consider Star Trek, Limitless, Psycho and even, Baywatch. Are we running out of new original content? – Vishnu Unnithan2 months ago
It seems like every new release these days is either a reboot, a revival, or a sequel. That’s all well and good for those of us who grew up with the original media and are now more than happy to see it return, but is this trend perpetrating the longevity of the series we love, or is it robbing the next generation of too many chances to form their own unique experiences with new media?
I think the question is less about the level of goodness for younger (what I assume you mean by "future") generations, and more about how the generation appreciating the original interacts with the new nostalgia. Media is like a time capsule. Social climate, humor trends, and so much more changes over time, so when we reboot media, how do people balance nostalgia/tradition with change and the present?I don't think that younger generations will care as much. Especially if they are unfamiliar with the older versions. – ASeriousLady11 months ago
I love this question. I was just talking about the book The Future of Nostalgia by Svetlana Boym, and I think she's on to something regarding cultural landmarks and landscapes that might be applicable to your developing analysis. Of course, I'm also thinking of the cable show Stranger Things, which was full of 80s references, but didn't advance the plot or make the characters more finely drawn. As a child of the 80s, I thought the references were a nostalgia "straw man" that distracted from problems and gaps in the narrative. – pfurnish11 months ago
We need new media. I want to see what Millennials and their successors can come up with on their own, because we really are the generation of reboots and superheroes. No more "Stranger Things" style homages. At the very least, go the "Rick and Morty" route and bastardize a respected property until you imbue it with a new thematic significance, elevating the work to new levels of art. Anyway, yeah, someone needs to write this topic, if only to speculate what a landscape with more unique properties would even look like coming from our specific concerns and fixations. – demogorgonzola10 months ago
I've always believed old and new things have their place, but that we've lost out on enjoying some older things because pre-nostalgia, our generation was exposed to so many new and trendy things. Example: Sometimes my parents or grandmother (my only living grandparent) will talk to me about the things they watched or read or experienced, and while I can appreciate they loved these things, I can't actually relate. I'd like to see more of a mix of nostalgia and new media, especially since each generation has its own experiences to feel nostalgic about. I mean, one of these days our kids and grandkids are going to be nostalgic about iPhones, Netflix, and online pizza orders. Scary. :) – Stephanie M.7 months ago
In the three days after its Netflix release, "Stranger Things" rocketed to number 26 IMDB’s top 250 shows. Marketed across the internet as a well-casted, spooky, nostalgia-perfect program, the description inspired a cross-internet search for movies, television shows, and assorted media that has been marketed for its "nostalgic" value and their close ties to the 80s and 90s. The majority of the hits were produced in the past 20-30 years (Clueless, Grease), but many instead are recent productions taking place in that time period (It Follows, Stranger Things), falling into decades not old enough to be considered "period pieces" but also clearly not modern age.
Examine this category of film and television, its cultural appeal, its widespread success across the western world, and determine whether or not "nostalgia" is being appropriately applied to these very specific decades, or how media of these categories might be alternatively described.
Excellent topic! You allow for a multitude of avenues to be explored. I also appreciate your own inquiry into the use of the word "nostalgia" when referring to works from these decades, and the categorization of such titles. Who is to say what is and what is not able to conjure up feelings of nostalgia? Great choice...I look forward to reading this, as I believe someone will pick up this topic. – danielle5771 year ago
This is a great topic and I think many readers will be able to relate to it. I myself find that I am a part of the nostalgia generation and I think it's because there are too many sitcoms out there today. Back in the 90s and early 2000s there were only a handful of sitcoms. You watched Friends, Party of 5, 90210, and you felt a connection with the characters. The shows were simple and offered viewers a place to go and just enjoy the story lines. I think this topic can be picked up with ease and I look forward to commenting on it. – iwrite12 months ago
Love this topic as a fan of "Stranger Things" and the 80s iconography it pays tribute to. Part of the appeal of nostalgia stems from those who grew up during those specific periods as well as those who just have a fondness for those eras in general. I do wonder if younger audiences for "Stranger Things" enjoyed it as much as I know older millennials did. If they did, I suppose the appeal for them is that it has elements they can relate to, i.e. the group of kids and their adventures with Eleven. For teenagers, it had the Nancy, Jonathan and Steve storylines; Gen-Xers have Joyce and Hopper.I thought nostalgia was cleverly applied to "Stranger Things," because, while the show is bursting with 80s love, it also flips 80s tropes on their head at the same time, such as the Final Girl trope and the love triangle twist. Thus, it is upgraded to modern times while still remaining nostalgic.I think nostalgia has such crossover appeal because older people may introduce kids to the things popular in their era, and it gets passed on. I think its appeal is also in part due to an ironic yearning for the pre-Internet life. Interesting questions you have; hope your topic gets picked! – cebalo12 months ago
It's interesting as someone born mid-90's to see such a resurgence of classic "80's" nostalgia. I'm faintly aware, as an observer and less as one who's experience ATARI or the other trials of the 80's, and it's interesting to see how the Duffer brothers brought back to life a world so naturally, despite the ever-changing time and our own modern aesthetic of conscious dystopia. I think this is a very keen topic! – bbartonshaw7 months ago
Analyze and describe the techniques used by major studios (like Disney) with hot-button intellectual property (like Star Wars) in a variety of film marketing, including but not limited to exposés, interviews, behind-the-scenes features, and the hype surrounding trailers and the leakage of any footage/spoilers in general.
Look no further than Star Wars: The Force Awakens for the use of nostalgia in marketing. The entire campaign was based on the idea that Star Wars is reintroducing classic characters like Han, Leia, and Luke. The marketing for the film trumpeted the return of classic Star Wars elements like the Millennium Falcon, X-Wings, TIE fighters, stormtroopers and aliens. Disney used all of these elements well to bring fans back in. The trailers all spoke of how each generation has a story and how this was the next chapter in that story. I think they did a very good job of bringing in all of these elements that fans have been asking for for so long, and the crowning moment was in the first full trailer for the film. At the last second, Han Solo and Chewbacca stepped onto the screen for the first time in over 30 years and uttered one simple but effective line. "Chewie, we're home." – Sjdeliman11 months ago
Stranger Things is another example; many viewers from the 80s really like the show because of its nostalgic references. – seouljustice11 months ago
On the surface it would appear that people buy games simply because they are interested, but there are deeper seated reasons why they are willing to buy certain games. Analyze how someone’s expectations, interest, and ultimately choice in games is affected by their loyalty to a series or nostalgia for a previous game. Do people buy games simply because they enjoyed the previous one or because they enjoy a certain series?
I can safely say I have a whole bunch of games that I am generally quite nostalgic toward, and I understand that some of them haven't exactly aged well. When it comes to buying modern games from a classic franchise, or perhaps "HD remasters/remakes," I think it's common for someone to think back to their experiences with a franchise at a young age. I would suggest looking into the idea of "nostalgia blindness" as well, which is when a person ignores or outright denies any flaws in something they have a of nostalgia towards. This could have a profound effect on how they determine which games to buy. – Filippo2 years ago
No matter how corny and outrageous the Resident Evil series gets I still play every game. I also enjoy playing every one (that includes Resident Evil 6 which wasn't well received). So, yeah, I defiantly think loyalty and nostalgia play into choosing games.
I think it would also be interesting to not just look at series of games, but also individual games and see how nostalgia plays into choosing to play a new IP. – Lexzie2 years ago
I actually think that a lot of the nostalgia towards games aren't actually directed towards story or universe, but rather, mechanics. For example, Final Fantasy isn't set in the same universe at all, but each addition to the series includes a variation of the typical turn-based fighting style. Other examples include the Tales of Series, Fire Emblem, and arguably Legend of Zelda. – ChristelleMarie Chua2 years ago
It's certainly something to factor in. One thing to be careful of is letting those things be used against you. It's one thing to try to bring the games you loved as a kid into the present, but it's quite another to take an old and venerated game and use it's rotting corpse to make money. Nostalgia can just as easily get us a Grim Fandango remaster as it can get us Dungeon Keeper Mobile. – Seakibble1 year ago
As Filippo mentioned, nostalgia certainly plays a part in me buying HD Remakes. The original version of FFX on the PS2 came out when I was only 11, and since then it has been one of my favorite games. Naturally, when it was remastered for the PS4, I immediately dished out my $40 for it. Was it stupid to spend that money on a game I already have? Maybe. But I like remastered graphics and I love the game, so it was worth it to me. And when the PS22 comes out and they re-release it for the hundredth time, I'll probably buy it again because it is one of the best games I've ever played. – Christina Legler1 year ago