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    Guilty Pleasures

    What are we saying when we claim the book we are reading is a "guilty pleasure"? Why do we assume we should feel ashamed for our choice of literature? Are we presuming that all literature can be qualitatively measured? Why should we, even with a tongue-in-cheek intent, associate reading with guilt of any kind? It can be argued that when applied to food there can be at least metrics for what define "good" and "bad" (even if it amounts to the same thing: unnecessary and self-inflicted shame). Who are we assuming judges us for books that we think we should not be reading?

    • Actually a really interesting topic that spans literature and psychology. It would be interesting to also look at the division of categories - women vs men, different age groups, cultural divisions (for instance reading 'The Satanic Verses' in India is a very different 'guilty pleasure' to reading a Mills & Boons in America), even looking at the period changes as different popular culture texts have been adopted into mainstream society. – SaraiMW 8 months ago
    • From my experience, a lot of 'guilty pleasures' are books that are marketed towards women, and because of this they're seen as inherently inferior to works that are aimed at a mixed audience. While, generally, these books are no less worthwhile than their counterparts, because of the stigma surrounding them people attempt to justify their enjoyment of them as a 'guilty pleasure' to avoid having to get into a lengthy discussion of why they should be allowed to enjoy them without ridicule. – jessicalea 7 months ago
    • Very interesting idea! You could use works on the production fo taste such as Bourdieu's "Distinction" and consider the role of age, gender, race, sexuality, and other axes in defining what's a "legitimate" pleasure and what's a "guilty" pleasure. Maybe also consider the role of shame in the idea of guilty pleasure – rmostafa 5 months ago
    Taken by SaraiMW (PM) 1 month ago.

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    Latest Comments

    Good article. Would have been even better with more specific examples. Also, you began to touch on it, but it would have been useful to tie in the the historical aspect with the idea of seeing the cliché of how the past is always close to the present. That is, books like 1984 are enduring classics because the themes of totalitarianism, propaganda, media-control, and more, are almost always relevant to the present.

    The Importance of Learning the Classics

    Effective article. Although I wonder if it is counter-productive to discuss the misogyny of wantonly killing female characters to also continually use the phrase “cripple” so frequently. As a term, it is quite outdated and I’m sure many academics would cringe at its deployment.

    Women in Refrigerators: Killing Females in Comics

    I wish there were more concrete examples of the stigma associated with reading comics, or graphic novels. I have never encountered any form of shame or disapproval for reading either. In college, there were even classes that incorporated graphic novels into the curriculum. Yes, there may be some awkward glances if you are reading Sex Criminals while you wait to pick you kid up from day-care, but I find it hard to agree with the scale of stigma that you propose is associated with reading either comics or graphic novels.

    The Social Stigma of Comic Book Reading