Contributing writer for The Artifice.
Junior Contributor I
The End of Peak TVIt is not news to anyone who has been paying attention that the current era of television programming, on the legacy broadcast networks, cable channels and streaming services, is a golden age. But an exploration is warranted of how long this creativity can be sustained. At some point, the bubble has to burst, and a reduction in the number of high quality shows will have to decline as a result. Particularly relevant in a year when numerous critical and audience favourites like House of Cards, Veep and Game of Thrones are all ending.
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Thin Slicing in Jane Austen's "Emma" | |
I am against Netflix in principle; they want to have a monopoly on all of the television and film content we consume. The more people cut the cord the closer they come to achieving a monopoly. It’s insidious, and people don’t seem to appreciate, or care, what the ramifications are if all of the media they consume is produced by one entity. | Netflix and Impact |
The film gets some flak for the casting of James Stewart and John Wayne, both of whom are not too believable as the young versions of themselves. Both men were in their mid-fifties when the film was made, and the look their age. But I don’t mind the casting, because the young Ransom Stoddard is simply how Stoddard remembers himself, not as he actually was. So it fits. As the famous line near the end of the film goes, “When the legend becomes fact, print the legend.” | The Man Who Shot Liberty Valance: Cultural Attitude of the Press |
Hard to understand how any reader would be surprised by the focus of the novel, as it is the only Austen novel to have a character’s name as the title.