Film and Theatre graduate, Jack of all trades (and master of some).
Junior Contributor I
Published | Is the novel dead?In the wake of postmodernism, especially in America, from Don DeLilo to David Foster Wallace to Mark Z. Danielewski, the traditional novel appears to be dying. The question is, has it died? If not, why not, and what makes the novel the novel and what keeps it alive?
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Sexual Assault in HBO's Game of Thrones | |
Nonfictions books on writing are always tough for me to stomach, often because it seems people that write them have rarely written anything else. One thing that might be interesting is a list of fiction books that reflect stages of the writing process. | Essential Books for Writers |
I agree with some of this, and given the abstraction of writer’s block, the actual finding of inspiration is a strange thing to quantify, and the time being now seems difficult given that inspiration is quite fleeting more often than not. More often than not for me it tends to be that I either have the inspiration for the idea, but no motivation to write it, or motivation to write something but no inspiration for any ideas I’m currently working on. Anybody else deal with that sort of strange writing pendulum? | Attention Writers: The Myth of Writer's Block |
The idea of viewers being desensitized to sexual violence is an interesting one, especially with HBO shows that often use violence and sex both for plot and thematic exploration, but even more so with Game of Thrones. To my mind, GoT is a show that relies on shock value, and the structure of its seasons like “episode nine has a major character death” or “episode 10 uses magic” and the problem to my mind seems to be that they’re running out of characters to kill and so sexual violence becomes the way to shock viewers now that they’re running out of potential for character deaths.