Whatever happened to the good ole’ bank job? A small team of dedicated villains who cased the job, drew up meticulous plans and (sometimes) got away with the loot. These days we are used to seeing technological spectaculars with the villains often touting hardware and computer systems equal to, or even superior to, that of the Police. The Bank Heist has been a popular movie theme since the days of silent film making, but times move on and so do the brains and specs behind the operation. ‘Bonny and Clyde’ (1967) showed the simple, violent approach to robbing a bank; ‘The Italian Job’ (1969) had a more lighthearted spin and instantly made the Mini car into an icon. In more recent years we’ve had ‘The Bank Heist’ (2011) a Canadian comedy and the Las Vegas-style showmanship of ‘Now You See Me’ (2013), whilst the British films ‘The Bank Job’ (2008) and ‘The Hatton Garden Job’ (2016) both harked back to old school techniques. Of course the list is endless and these are just a few examples. Explore the evolution of the bank heist and not just in terms of the advance in technology over the years, but also look at the characters involved, what their motivations are and why we, the international viewing public, retain a fascination for such villainy. It’s not always about the money!
A generation ago, merchandise for film/TV/anime/literature pitched at children and young adults was also aimed at children and young adults. In 2017, we are seeing a rise in merchandise pitched to adult aficionados – think Pokeball serving bowls and superhero-themed shot glasses. Do these trends mirror an entire generation that is unable to grow up? Is this just about rampant capitalism? Or is this generation of 20 and 30 somethings just passionate, and less ashamed than their Gen X and Baby Boomer family members?
Yes. But in a way it is nice to see people keeping their inner child alive. Last September I attended a ComicCon and was impressed by the quality of handmade items available by various artists. Also, in talking to some of these adults, I sensed that for them, their work was a real labour of love. It was an eye opener for me.I like your point that these are not shameful pleasures as in the past. I think Cosplay also could be included to support your point. "Embracing the Inner Child" could be a title here. – Munjeera4 months ago
Amazing topic. I've never really grown up, myself (my PopVinyl collection will tell you all you need to know about that😁).
It might also be interesting to delve into the blurring of fact and fiction and how many young people on social media are using fiction to illustrate injustices in the real world. – AGMacdonald4 months ago
I think you'll need to make important distinctions between types of merchandise that have gotten more popular; there have always been statues and t-shirts, for example. But now you see leggings and underwear, pop figures, piggy banks, etc. There are Rick and Morty (and Mr. Meeseeks) plushies! It also, obviously, depends on the show. – IndiLeigh4 months ago
Analyze the use of music in the film. The music Baby listens to becomes a major part of the movie’s score and also serves to punctuate many of the film’s amazing chase sequences; it is often synced perfectly to the action, as Baby is meticulous in timing the music just right. A film’s score is always deliberately attuned to the story’s plot and themes, but do the musical choices, timing, and the fact it is usually coming from a character’s iPod produce a new or different effect upon the viewer?
I have yet to see baby driver but I hugely appreciate a good soundtrack in a movie so this topic would be great to explore the importance of music in film and how it can at times be equally as effective as special effects and dialogue. The Dark Knight trilogy is a great example of this as I believe Hans Zimmer's composure on that made it all the more amazing. – AdilYoosuf6 days ago
It would be helpful to add a track-listing for the Baby Driver soundtrack, and possibly a link to its iTunes page so readers can have a place to sample songs track by track in case they forget a song. – TeriekWilliams19885 days ago
I recently watched a clip from an interview where the actors talked about the fact that music was a big part of this film already in the scripting phase. They even wrote a special program to help readers experience the story and the music together while they were shopping it around. https://youtu.be/RB7E0geIeV8 – derBruderspielt3 days ago
Since the two companies became huge competitors in the comic book industry, DC and Marvel have split fandoms and caused many heated debates among their followings. Why is this? Why do people swear that Zach Snyder films are terrible and say Superman is a boring character, and than praise the Marvel movies? Are there biases involved? Do DC movies simply not put enough jokes in them? Why all the hate? And is there any hope that it will be acceptable to enjoy DC movies as well as marvel movies? I would like the person who picks this topic up to discover first the differences between these two franchises, and then talk about how these differences play out into the Cinematic Universes.
An examination of how color, light, and dark have been used in Tim Burton’s films to reflect the view points of his characters and the observance of the mundane vs the outrageous. Specifically looking at how Miss Peregrine’s Home for Peculiar Children differs from many of of Tim Burton’s other films by providing more "grey" spaces that are neither colorful "dream worlds" nor colorless "realities". It would also be interesting to include an analysis of the film Edward Scissorhands and how the "normal"/suburban world is portrayed as the "dream world" through color reflecting Edwards viewpoint.
May I suggest adding Charlie and the Chocolate Factory to the article? Not only is the film bursting with color, it's simultaneously similar and different in theme to the other two. You could do the same with Alice in Wonderland. – Stephanie M.1 week ago
Most actors play a plethora of roles in film and on television shows. Some actors though, are best remembered for one or two iconic roles, even after the film has been out for years or the show gets cancelled. Examples include Mary Kate and Ashley Olsen, best known for their portrayal of Michelle Tanner, Jaleel White (Steve Urkel), and Daniel Radcliffe (Harry Potter). More examples: Juliette Binoche (Vianne Rochet, Chocolat), Julie Andrews (Maria Rainer, Mary Poppins), and Leonardo DiCaprio (Jack Dawson).
Does being associated with an iconic role help or hurt an actor’s career? Does it make a difference whether the actor was a child or adult at the time of the role (s) in question? Do viewers prefer that actors stay in iconic role "molds," or would they rather actors create new characters/avoid typecasting? Explore these and other questions, as well as any examples you might choose, to determine the positive and negative aspects of associating actors with very specific roles.
The best actors would tend to belittle any type of impact, I would say. Take my childhood idol Clint Eastwood: traded his spurs for a holster, plays good guy or bad guy with equal tact; and still going strong in politics of all things--makes it seem as just matter of dusting off the layers of script material and moving on to the next being thing (nothing to it). Not convinced? Then, there is Arnold Schwarzenegger: Mr. Universe, Mr. Titanium, and Mr. Dream Teacher; still turning heads in politics. Positive and negative in Hollywood, not these guys. – LFreire2 weeks ago
Yet another interesting topic suggestion from Stephanie. I suppose there are examples of iconic roles that have helped an actor's career and others that have hurt a career. Off the top of my head I could mention just how long Sean Connery took to shake off the '007' tag, as some people actually confused the actor with the role, but he has gone on to more interesting roles, even if he did revisit Bond in 'Never Say Never Again' (1983). Conversely there's the controversial 'unsimulated sex act' that Chloë Sevigny performed in 'The Brown Bunny' (2003), which she will no doubt be forever remembered for and appears to have damaged her standing as a serious actress. Remaining in an iconic role certainly helps with the bank balance, but doesn't stretch an actor in any way - the actor Adam Woodyatt, who plays the character, Ian Beale in the long running British soap 'Eastenders', lives a few miles away from me and is often seen around in his Maserati (No, I'm not envious!...Well, maybe a little). The locals all refer to him by his on-screen character name. However, for me, the best example of someone who has never let the grass grow under his feet is Sir Patrick Stewart - perhaps best known for Captain Jean-Luc Picard in 'Star Trek: The Next Generation', who has since returned to his Shakespearean roots with vigour as well as delivering one the best performances as Ebenezer Scrooge in the 1999 version of 'A Christmas Carol'. – Amyus1 week ago
I think being strongly associated with a role is probably harmful for an actor in terms of their future career prospects. It's difficult to be type-cast and if an actor is type-cast than I suspect it would be very displeasing for them to have to struggle to break into new roles and in new genres. That being said socially it's probably neat for them to be strongly associated with a type of character or genre which would be cool if it didn't also impact what casting agents and directors think of them. – LucianoTheWriter7 days ago
This article could asses the ways teen films inform, it’s primarly teenage audience, about the social and emotional ways of dealing with sex. Given this is never addressed in the clinical and scientific approach schools take towards sexual education, its reasonable to assume that most people would understand the other elements of sexual education through alternative mediums. Teen films are a great example as they often focus around the sex quest for boys i.e. Superbad, the Inbetweeners movie, Sex Drive, American Pie etc. Its could be said these films often create a gender disparity in dealing with sex as there is barely any female representation aside from the, older and sexually intimidating character
This is an interesting topic as it would be worth looking at the impact also of the genre of the film on the presentation of sex in such films. For instance the role in comedy is often to amuse and this can be used to soften the awkwardness of such sexual encounters and exploration. However, some of this does also normalise and champion the pursuit of sex as a rite of passage, which can send a negative portrayal of sex. The presence of sex in horror films is perhaps one of the most disturbing as often there are undertones of rape, force and abuse, 'Cherry Falls' is a concerning one. Then the issue of teen romance films can both have a positive and negative portrayal of sexual relations, 'Girl Next Door' and '100 Girls' are two interesting and frank films that deal with unusual portrayals of the emotional connection related to sex. I think this could be an intriguing topic to discuss. – SaraiMW2 weeks ago
I would add that there could also be strong critique involved. The teen dramas also facilitate an idealization of sexual engagement and often promote problematic images of women. – Jonathan Judd2 weeks ago
YES! I'd be interested to know how newer films tackle this idea, too. – Emily Esten2 weeks ago
Mother is a film which has received rather controversial critical reception for its gratuitous brutality and extremely intricate plot line. Perhaps what is overlooked however, is the overall premise of the film being a biblical allusion and social commentary- particularly in an environmental sense. An article going into the depth of this using examples of the film and Aronofskys directing will be quite engaging.
an interesting topic to look into! however, the director and the actors in the film have all come out saying that instead of being a biblical allegory, Mother! is an environmental horror film, with both the female lead and the house itself representing nature and "mother earth" – ees2 weeks ago