Literature

Remarque’s All Quiet on the Western Front is considered the greatest war novel ever written. Why is this book singled out? What makes it so different from other literature about war? This article would examine themes, setting, and characters and look at why the book has remained so timeless. (Comparisons to the movie/s can also be made.)

Look at the portrayal of women in Gothic literature. What tropes do they often fulfil?

There’s the shrieking heroine of The Monk or The Italian (written by Matthew Lewis and Ann Radcliffe respectively). Even modern day Twilight has this.
Bram Stoker’s Dracula shifted things by having Mina as the ‘new’ woman – the only reason she was respected is because she supposedly had the brain of a man. Even then, she was viewed as someone who needed protecting.
Even texts like Jekyll and Hyde make a statement about women’s place in society by simply NOT including women in the narrative.
Modern Gothic texts tend to favour the cool and powerful female protagonist, which in theory seems empowering, but can also be problematic.

What is the effect of each portrayal of women? Are the women in each given text empowered or powerless? Is historical/social context important in how the female characters are portrayed? Do any texts defy their time period? Is there a difference between texts written by men and texts written by women?
An article on this should analyse a wide variation of texts, from different time periods.

Young adult fiction (YA) is immensely popular today, for both teenagers and adults. But the category itself is only very young. S.E. Hinton’s 1967 novel, The Outsiders, is popularly considered the first ever work of YA fiction.

So, what precedent did this novel set for the rest of this category of fiction? What aspects of Hinton’s novel are now staples in YA?

An example is the discussion of weighted and important topics in a manner that is consumable by teenagers (The Outsiders discusses the harsh realities of every day class divisions). Or, like many YA books nowadays, Hinton’s protagonist is characterised as an outcast, or ‘special’ (he even has an unusual name, Ponyboy, something many other YA protagonists have).

Discussing a few YA texts that share similarities with The Outsiders will help to show the aspects of the original text that have become commonplace in the young adult category.

I propose an article that looks at novellas. The article could describe first what they are, explaining the length and conventions, explore how they differ from both a novel and a short story.

It could be worth looking into the history of this medium, when were they most popular and why? What were the first texts classified as novellas and what purposes did they serve? Perhaps offer suggestion as to why they are not big in the literary scene today.
Then, the article could offer analysis of some famous novellas, The Metamorphosis, Heart of Darkness, Jekyll and Hyde, Of Mice and Men, just to name a few.
Offer suggestion as to why these in particular were popular, was it their content? Context? Were their authors already published writers so fans would read anything of theirs?

If so desired, contrast the good by offering examples of novellas that are perceived as not good and offer reasons as to why. Are they not given the space to be fully developed? Does its brevity mean it is missing something?

Use this analysis to draw conclusions regarding the novella’s place in literature including, if possible, whether this medium is likely to regain popularity or merely survive as a medium at all.

To a certain extent, genre fiction like fantasy, science fiction and romance are disparaged as being "lesser" than literary fiction. Like Margaret Atwood’s "The Handmaid’s Tale" however, the line between genre and literary fiction can often be blurred.

It begs the question: what is literary merit, exactly?

Is literary merit purely contingent on thematic complexity? Is it the author’s mastery of prose? Can purely "feel-good" works be considered as literarily meritious?

I recently read Things We Didn’t Say, a World War II epistolary novel by Amy Lynn Green, and enjoyed it immensely. However, it reminded me I had not encountered a good epistolary novel in several years. This led me to ask some questions about this sub-genre. Namely, what are some of the best epistolary novels? Are they classics or contemporary novels, and what are some differences between those two? Are there some things epistolary authors do that make their works less than enjoyable, and what are some of the "worst" or lowly-regarded epistolary novels? Discuss.

The problem of representation has persisted since antiquity. Literature had long opposed the writer’s ability to tell a story on one side, and to represent reality accurately on the other. The twentieth century has shown that both are concurrently achievable and modern literature, in particular the novel, is the product of the confluence of these two ideas.

An essay that explored how narrative has developed the capacity overcome this binary and to both tell a story and represent our experiences of reality would be a poignant contribution.

This is particularly pertinent in a cultural climate that continues to move away from homogenous conceptualisations of existence. In a cultural climate where language continues to lose authority it would be interesting to explore how language can adapt (as it always has) to overcome the severe destabilisation of what is (I use the term hesitantly) a Post-Truth world.

From the use of mythical stories to drive groupthink regarding the leveraging of forbidden knowledge, to the characters’ struggle with suppressing their innate desire for progress of any kind, Riddley Walker minced no words when it came to exposing humankind’s willingness to live in ignorance of their past and inner selves, with the lead character exploring and trying to make sense of a post-apocalyptic England instead of staying put in his settlement and abiding by orthodoxy.

An article on Riddley Walker would break down the through-line that guides the book. That through-line being how humankind can falsely equate knowledge (i.e. the insight one possesses) with wisdom (i.e. how one uses the insight they possess in their interest and that of society), and how the devastating consequences of such an equation can drive folks to fence themselves in instead of trying to discover and use knowledge more carefully. The article could also take a look at one of the novel’s foremost inspirations—St. Eustace and the Legend that epitomizes the Christian martyr—and detail the ways in which said inspiration contextualizes the novel’s backstory.

The main line of inquiry to be pursued could be as follows: How should one keep up with the inner drive to seek and implement knowledge without getting ahead of themselves? Should one fully trust fate to guide them on the path to knowledge, even if taking said path can potentially mean running afoul of one’s community and repeating the mistakes of the past?