A deeper analysis of the comprehensive mythology that underscores Stephen King's works. What does King have to say (implicitly or otherwise) about good/evil, God, the nature of the universe, etc
This sounds really interesting. Are there specific example that can be given? – LaRose9 years ago
Pet Cemetery, Carrie, The Langoliers all deal with good/evil and humanity interacting with uncertainties of the universe. PC and Carrie have more divine implications, while The Langoliers deals with the science fiction side of the idea. I am missing a few which could be argued with both sides, but those are some ideas. – C N Williamson9 years ago
The Gunslinger, the first book in the dark tower series, definitely deals with these themes as well, and King considers these books his best work – Thomas Sutton9 years ago
In the 400th anniversary of his death, how has Shakespeare's works influenced literature and why is it still held in high regard today.
This is a very broad topic. I would recommend you slave off adaptations, even loose, in order to see purer influences. Are you looking more at themes (e.g. star-crossed, separated lovers) or traditions (e.g. cross-dressing confusion)? – IndiLeigh9 years ago
I agree with IndiLeigh. I'd narrow it down or you'll be writing for another 400 years! – J.P. Shiel9 years ago
Unoriginal and predictive. – T. Palomino2 years ago
There are a lot of books that focus on India that are written by english speaking writers, why is this and what are some of the best examples of novels that truly portray this country?
For possible examples, Tagore is a great place to start. His novel The Home and the World goes into not only the effects of British imperialism, but the thoughts on trying to keep the peace and the rise of Indian nationalism. (Tagore was extremely critical of both British colonialism and Indian nationalism.) While he wrote in Bengali, he also translated his own works into English. Rudyard Kipling is also intriguing (though at times unsettling) as someone born in Bombay but educated in England. – Emily Deibler9 years ago
Many of the famous stories are also rooted in religions: Buddhism and Hinduism. Sikhs also have amazing stories. Some stories have been appropriated by the West though. Slumdog Millionaire is one example. The book represents India better since the writer is Indian but the screen play is written by a someone from England. Poetry is very important in Indian culture. Urdu is like the Italian of Sanskrit languages. Also there are links to Persian culture in terms of some of the more famous stories. Tagore was Bengali and they are known to be gifted in the arts as well. India is a very complex country with over 10 official languages and many regional differences. One of my favorite sayings in Indian culture is "Always remember you are the heroine of your own story.". A suitable quote for any drama queen. A good way to write this article may be to focus on one region or a few of the most famous authors, especially ones who have won Nobel prizes for literature. – Munjeera9 years ago
Another couple of examples are Salman Rushdie's Midnights Children, and Arundhati Roy's The God of Small Things. Both of which have massive critical acclaim and popularity, and are written with a history of indian colonialism in mind. – Thomas Sutton9 years ago
Rohinton Misty is another writer who depicts India with beautiful perfection. Such A Long Journey is an old novel made into a movie (1990s). Old but good. To expand Michael Ondaatje, Sri Lankan, with English Patient novel to movie. Also old but good. – Munjeera9 years ago
Another interesting example is Gregory David Robert's Shantaram based on his own life story. He's an Australian who escapes from prison, ends up in India and becomes immersed in the culture there. He doesn't dismiss its imperfections or see it as simply exotic. India becomes his home, his family. – SarahPhilip7 years ago
Huge topic. Not specific. Unware of E. Said's contributions to the discussion. – T. Palomino2 years ago
Lady Chatterley's Lover has had a reputation for being perverse in its sexual subject matter and use of descriptive language. However, does there need to be an understanding of the full narrative in order to contextualise what D.H. Lawrence's ideas of characterisation were.
I'm not sure I follow. I certainly like your topic, but is there any way you could be either clearer or more focused within your initial topic? You topic title, to me, is not in accordance with your short description. – Alstroemeria9 years ago
It could do the article some good to also examine the various adaptations of the eponymous story like ‘Sharapancharam’ and ‘Edakkalu Guddada Mele’ to see how well have the themes in the original novel percolated through various cultures. – Dr. Vishnu Unnithan4 years ago
These sound like rhetoric questions. – T. Palomino2 years ago
A lot of people are vampire'd out these days. That's because they have been so popular that we haven't been able to escape these stories. Vampire stories aren't new though, we have ton that existed prior to the 2000's. Why weren't we sick of them before? I'd like to see a compare contrast of older vampire stories compared to new ones. Were they better before? Or just less popular? Are the target audiences different? Were the stories more meaningful or easier to relate to? Scarier? What makes people so sick of vampire stories now, but not sick of them before even though tons of stories still existed?
Ideas for older examples: Dracula – book and various movies. Anne Rice – So many books Buffy – comics and tv show
New Twilight Vampire Diaries Vampire Academy Trueblood
You can draw the line between new and old whenever you want and obviously there are a lot more examples.
It could be interesting to take the inundation of content relating to 'The Zombie' and compare it to that of 'The Vampire' - why have we replaced, in the last 20 years or so, one with the other (if we have!), and what does this say about us culturally? What do zombies do for us now that vampires can't? Or perhaps they accomplish the same goal? – ageofmythology9 years ago
I like your take on the topic a lot! I think you should just submit Zombies vs Vampires and our fears/what it says about it yourself. I think it could be different enough from this topic to qualify as its own. – Tatijana9 years ago
I think that's fair! But I also think the story of our modern fascination with the vampire, particularly it's end, definitely ties into our obsession with zombies. Maybe the popularization of zombies influenced our perception of vampires and contributed to our ever changing understanding and fascination with this age old creature. Also for older examples you could go really and old start with Polidori's "The Vampyre," and you could even compare Dracula to and with its adaptions (Nosferatu and Bram Stoker's Dracula). – ageofmythology9 years ago
You can even include 2 legal documentations of vampires in Serbia. Yes... they actually have 2 documentations of vampires by gov't officials haha. Also, creepy.
I think there is also a vampire like creature in Japanese folklore too, but I forget it's name. – Tatijana9 years ago
This is a really interesting topic! I'd be interested in seeing where you draw the line between "old" and "new." (Millennial vampirism?) Also, I'd definitely suggest The Vampyre, Varney the Vampire, and Carmilla as possible older works to observe as well; they predate Dracula, though Dracula is certainly a highly influential cornerstone (the second most-appearing Western film character!). Also, since a lot of older vampires focus on xenophobic aristocracy or actual upper class killers (Elizabeth Bathory; Vlad Tepes), the origins and symbolism between old and new vampires certainly differ. – emilydeibler9 years ago
Rather than do an old vs new it would probably be better to follow the evolution of the vampire and study how the vampires change reflects the fears of society at the time of their writing. The original Dracula was a reflection of debotchery however he was also sophisticated which created a feeling of unease because at the time higher class people would never do anything against the social norm. To do so was something monsterous and Draculas womanizing and relatively open sexuality challenged those ideals, makng him a monster hiding in the venear of the elite. Nowadays thats not the case so Dracula as he was then is somewhat irrelevant so he (and vampires in general) have changed to reflect the fears of the time period – Cojo9 years ago
Additionally, there is a more recent web series titled Carmilla that would be a good source to pull from. It was conceptualized based on the Gothic novella with the same title written by Sheridan Le Fanu, published in 1871, a year, you may notice, that predates the publication of Dracula! – Adelyn9 years ago
Also curious where the line between "old" and "new" is being drawn - also, I think the differences in genre conventions between TV series, movies, and novels deserve some attention - but I've heard the argument that a lot of these new "vampire" series are merely using the vampire aesthetic to add an element of dark allure to what really is an otherwise quotidian drama/romance (rather than exploring the "true" nature of the traditional vampire). I can kind of see it, but I've never read/watched any of the new series other than Twilight (at least in full) so I have no right to make a judgment call. If we consider this argument for a second, this zombie comparison that we're discussing brings up a neat point: vampires are sexy, zombies are ugly; humans in Twilight and Vampire Diaries are romantically involved with vampires, humans in The Walking Dead run the heck away from zombies; the nature of vampires (i.e. eternal life, adverse reaction to light, etc.) in some modern series (e.g. Twilight) is used as a relationship obstacle in what becomes a drama, the nature of zombies (i.e. I'LLEATYOU) in all modern series I've encountered remains a crucial plot point that keeps the plot alive and explores what it means to be human - or not be human anymore. So, I'm wondering if it's not so much a disdain for vampires as much as a disdain for using something historically awesome as a prop in a (dare I say it?) chick flick. – countessaart9 years ago
I think this topic is pretty interesting but you need to have boundaries for research purposes, like have a definition of old and new? Because as far as I know, Dracula (1890) is more than a century precedent to Anne Rice's (1980) vampires... I don't think they should be grouped together so haphazardly... as well as Buffy (1990's). The person writing this could follow the evolution of vampires in the popular discourse say: how differently they are treated... I actually see Dracula vs Edward Cullen in this... because you know, they both argue chastity in a way which kind of curious. – Jill9 years ago
Examine the social issues Flannery O’Connor explores in her short stories, as well as any potential historical contexts. O’Connor’s short stories primarily take place in the Deep South (O’Connor was Georgian) and create a Southern Gothic atmosphere. They also depict life during the Jim Crow era. Issues to explore could be religion (O’Connor was a staunch Catholic in the heavily Protestant South), Old versus New (post-Civil War, post-Reconstruction) South, race, and class.
Examples:
“A Good Man is Hard to Find”: This short story deals with the conflict between the Old South and the newer generation. The grandmother of the family reminisces on how the Old South was better than modern times and how children now have no appreciation or respect for their own state. Also, when the grandmother encounters a serial killer, she tries to argue about morality and religion to spare her own life.
“The Artificial N*****”: This story, with a racial epithet in its title, deals with a poor white man (Mr. Head) and his grandson going to Atlanta, which contains more black people than the rural area. Class and race intersect as Mr. Head grooms his grandson to have a prejudice against black people, and the grandfather expresses resentment and insecurity at seeing a wealthy black man, as well as when he believes he will not be able to “teach” his grandson racism. The title refers to Jim Crow-era statues that depicted extremely grotesque and demeaning caricatures of black people, which also connects to minstrel shows (performances that depict white people in blackface).
Other potential short stories and issues to explore are 1) xenophobia and the Holocaust in “The Displaced Person” and 2) disability in “The Life You Save May Be Your Own.” (O’Connor suffered from lupus, an autoimmune disease that made her body deteriorate until her death.)
Anne Rice's The Lives of the Mayfair Witches (1990-1994) is a Gothic horror trilogy that involves the history of a family of witches. Starting with The Witching Hour, the prose goes to great lengths to describe both antebellum and contemporary New Orleans. There are florid descriptions of the heat, the cracked streets, the rotting architecture, and the sprawling flora overtaking the Mayfair manor.
Points of analysis: What impact does the vivid imagery have on establishing the atmosphere and the history of the location? How does this incredibly detailed, setting-focused technique connect to other works of Southern Gothic literature, such as Harper Lee's To Kill a Mockingbird or Flannery O'Connor's short stories? How do the elaborate descriptions affect the more fantastical or surreal aspects of Gothic horror?
Emily, I was just thinking about Anne Rice and how I would love to read an article here about her. I appreciate Southern Gothic as well. I can only add my anticipation to such an article!!! – Venus Echos9 years ago
Harper Lee's To Kill A Mockingbird is a widely known book in the United States, that also talks about several issues in our society. It has become a staple in American literature, often found on high school book reading lists. Most students only know about this book because they had read or discussed it in class. The perspectives of teachers, thus, are what students are exposed to as teachers guide students in reading this book. It would be interesting to read an article that talks about this book without any influence from the culture of school, and the differences this might have in what someone learns after reading this book for leisure.
Great topic, although it might be hard to find sources that talk about the book without an educational context. I'd certainly be interested to hear the differences in reading for class vs. reading for leisure. Actually, you could do this with any book teachers tend to assign (The Great Gatsby, The Scarlet Letter, etc.) – Stephanie M.8 years ago