The Magnificent Seven Review: A Clash with Kurosawa’s Classic


When judging films, I do my best to maintain an objective stance, but this isn’t always possible. The Magnificent Seven is a film were no matter how hard I try, my personal bias will come true strong. The film is a remake of Akira Kurosawa’s legendary Seven SamuraiSeven Samurai is widely considered one of the greatest films of all time and it’s also a personal favourite. This means that I couldn’t help but go into The Magnificent Seven with a high degree of skepticism and in all honesty, my expectations were fairly low. I always knew The Magnificent Seven would have to fit an uphill battle to really impress me and while I can say the film certainly has merit, I can’t say it’s in the same league as Seven Samurai.

The story starts with a village being terrorized by a group of bandits led by Calvera (Eli Wallach). The group have been extracting food and resources from the village for a long time. Fed up with their situation, the villagers decide to seek out protection by hiring a group of gunslingers to defend their humble town. They quickly find Chris and Vin (Yul Brenner and Steve McQueen), who decide they will take up arms and defend their village as well as leading others in the struggle. Chris and Vin recruit five others to the villager’s cause; Irish-Mexican Bernado (Charles Bronson), knife expert Britt (James Coburn), the inexperienced Chico (Horst Buchholz), an on-the-run killer Lee (Robert Vaughn), and Chris’ old friend Harry (Brad Dexter). The seven come to the village with the hopes of training the villagers and standing against the bandits.

Remakes usually follow one of two patterns; they either take the original source material and apply new ideas to it, or they are the same as the original in content with the attempt of just doing it better. The Magnificent Seven takes the latter approach, which is the film’s biggest misstep. The film brings very little to the table as far as original concepts go, and instead follows exactly what Seven Samurai does almost to a tee. What’s more, The Magnificent Seven is over an hour shorter than Seven Samurai and thus needs to condense the story, themes, and characters considerably and it shows. The themes from the original feel unnecessarily shoe-horned in and the characters don’t have enough time to develop unique personalities.

I wish The Magnificent Seven had taken the idea of seven individuals defending a village and done its own thing instead of being a complete re-enactment of Seven Samurai set in the West. Entire scenes are lifted from Kurosawa’s film and placed here. Details my be changed, but the overall intended effect is the same. All seven gunslingers are directly inspired by their samurai counter-parts. Why couldn’t the writers come up with seven unique gunslingers instead? To be fair, the character translations didn’t bother me too much with the exception of Chico (played by Horst Buchholz). Chico is a cross between two of the samurai from the Japanese classic. His age and relationship with a village girl is taken from Katsushiro (played by Isao Kimura), and his personality and backstory are taken from Kikuchiyo (played by Toshiro Mifune). For me, mixing these characters was a huge mistake. First of all, Kikuchiyo’s arrogant and boastful personality doesn’t work when applied to the young kid character because it makes the kid come off as unlikable. More importantly, the reasons Kikuchiyo work at all is because of the depth of character, which isn’t present in The Magnificent Seven, and the phenomenal performance from the great Toshrio Mifune, which Buchholz doesn’t come close to rivaling. 

The film strays the most from the original in its third act, which is undeniably where the film is most successful. Because of the difference in weaponry between samurai and cowboys, the final battle plays out differently. There’s some interesting twists, and the final shootout is really exciting. There’s also some nice little character moments sprinkled throughout. While I’m on the topic of the film’s positive elements, kudos to Yul Brenner and Steve McQueen who bring a lot of charisma and are wholly believable as the leaders of the group. Charles Bronson also does some solid work his small part, and I loved Eli Wallach’s performance as Calvera. Elmer Bernstein’s score is very exciting and the iconic theme lives up to its reputation.

One might say my review compares The Magnificent Seven to it’s Eastern counter-part too much and that I didn’t judge the Western on it’s own merits. Maybe so, but with The Magnificent Seven being a remake, I feel comparisons to the original are not only valid, but required. At the end of the day, The Magnificent Seven features some good scenes, an exciting climax, solid performances, and a great score, too many things for me to completely dismiss the film. I am giving The Magnificent Seven a moderately decent score, but I must insist that it adds little if anything to the original. To put it bluntly, why watch The Magnificent Seven when you can watch Seven Samurai?


What do you think? Leave a comment.

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  1. Pernilla

    Enjoyed reading this as Seven Samurai is in my personal toplist!

  2. good review daniel!

  3. Mike G

    Kurosawa is one of my idols! I plan to do an article on him for the site. Nice to see some fans here.

  4. Cashy057

    Listen, we all know the source material of M7, and personally Sturges should have billed Kurosawa with marquee letters as large as his, but everyone involved in this production had brimming egos from writers to producers to stars. All of the Hollywood machinations and pretensions aside, M7 is the rarest of creations in Hollywood…a great adaption of a foreign masterpiece that actually stands on its own as a great movie that is more appreciated as time goes on than it was in its original release. I know it made Kurosawa happy and it was a full circle in the Oriental principle of realization of his original concept to make a Japanese version of a John Ford western. Of course, he surpassed his orginal inspiration and produced a truly lyrical, graphic and visually striking ode to the vagabond soldier of fortune reduced making his meager existence through his ability to fight and kill; and the comraderie experienced by by these otherwise disparite individuals.
    But I think the American version was a homage to his genius and embraced by all involved in its production to where you can see their love of this story come through. No wooden performances here. Although some characters have been condensed and for the sake of its audience, dimensionalized to a certain extent these roles have been nourished and embellished with great characterizations. For instance, the original Japanese classic has no developed villian and Eli Wallach steals the show in a way no other Western heavy has ever done! I dare say many of the actors in M7 never did any finer work than they did in this film. And although I often thought it gets too “talky” at times (far worse in the sequels), there are great moments of minimalist communication as well! I felt it could have been better without all the proselytsing. But that being said I left me with images that stayed with me for years after seeing it and indeed all my life. Bernardo’s death scene was poignatly portrayed by Bronson with acting finese I seldom saw him use subsequently, Brynner developed his strong silent persona via this movie, Scene-stealing Steve was just blossoming into the star he would become and his hungry one-upmanship was just so evident in scene after scene. Whereas Mifune had most of the meat in the original epic, everyone is chewing up the scenery in our south-of-the-border conflict. Even Brad Dexter’s shallow outlaw is not a throw-away character. As a young man I was deeply impressed by this story and facinated thereafter by the American translation of its Japanses progenitor. I my estimate there are only two great American westerns in the classic Japanese tradition of storytelling: Magnificent Seven and Shane!
    Thank you for the opportunity to expound upon my feelings for this film.

  5. I think you are wrong. The Japanese original is long, boring and outdated, while the western is a piece of cinematic magic with a few of the best actors in history, thrilling music and a great plot. The western also has more depth, as the Calvera character is portrayed roundly with a fantastic actor (Eli Wallach). The scenes with Bernardo (Charles Bronson) and thee kids, and the last scene with Chico returning to his girl, are full of emotion. For me at least..

  6. Agree with you O.P., but why does everyone forget that the real (original) title of “Seven Samurai” is actually “The Magnificant Seven” ? When they decided to do an American remake, they changed the name of the Japanese version outside Japan to “Seven Samurai”, and it’s even listed that way in Rotten Tomatoes. They should just call them both by the original name because Kurosawa never made any movie called “Seven Samurai”, they’re both called “The Magnificent Seven”, just in Japanese and English.

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