Has completed a degree in Media & Communications (Screen Production and Design), and is currently studying Entertainment Law at The University of Notre Dame Australia.
Junior Contributor III
This is a follow up to my article: “Censorship”, which I knew would receive bad comments. It was the nature of the article.
With views like, “Don’t turn this into pity the poor men” which prompted me to write the article in the first place and the whole concept behind social media in partnership with our society and Hollywood. It’s a connecting tool, and should be used for communication.
Instead, defending a man’s experiences with sexual assault and harassment meant I inherently believed women are unintelligent. I’m a survivor of such acts, and men have told me stories of theirs after the article was published. Stories of rape in gay culture – loosely tying in with the acts of pedophilia conducted in Hollywood and the disgusting antics of Weinstein.
I know it’s unfavourable to defend men who undergo assault and harassment because “women have had to deal with it for ages”. But the truth is, assault and harassment on any spectrum should be defended and a voice given to those who are too frightened to speak up – regardless of gender.
Gender is a social construct, so why isn’t compassion?
Please note that although this topic was brought on by one persons comment, the ratio has been outweighed by encouragement and compassion. It is difficult to advocate the dissolution of hyper-masculinity, when speaking out is met with exclamations of “that’s meninist!” My views, morals, and compunction to speak for the voiceless has come from the many strong, opinionated, and vivacious women who have been in my life. It is also from them that I’ve learned to be compassionate, retrospective, and open-minded.
Something Hollywood, and the world, needs to recognise.
Is Gay Literature still in the closet?
Compared to gay and lesbian teen fiction, sales of gay-themed books for younger children remain “very dicey and very different”. It has been proven that the majority of the LGBTQI people who have come out across social media have had an incline since their younger years. This topic is in no way advocating for strong gay-themes, but in line with the short film “In a Heartbeat”, themes of love and social acceptance should be made available to anyone who is questioning, without fear of prosecution.
That isn’t to say that there is no gay-themed literature circulating. A quick google search, across all ages, will list must-reads.
But there still persists a closeted mentality in revealing characters to be gay. It wasn’t until after the series had finished, that J.K. Rowling announced that Dumbledore was homosexual. Outside of mainstream literature, the only medium I have ever witnessed open homosexuality has been within comic books. Furthermore, many mythologies exhibit homosexual themes, and even consist of deities who were openly gay, or bisexual in nature. The very philosophers who have contributed to societies mainstream thinking, and understanding, partook in homosexual acts and love; Socrates, and Plato to name a few — and even wrote about gay love.
There are many factors that can answer why gay literature is still only mentioned quietly, even in today’s age many countries are still very conservative. But with the rise of opinionated millennial’s, who for our very credit ask why we must be a certain way, this stodgy mindset could change – in no small part to social media, and online influencers.
It’s time we brought more focus to these types of literature, and have them available for those in the community, or who may be questioning. But where do we start?
We start by writing some great fiction, and getting it self-published. If you know of any writers, or stories, message them below so that someone questioning or who is actively seeking gay-themed content, can connect with a character not usually seen in mainstream media. It’s time this genre came out of the closet.
The Rise of the Strong Female Lead in Modern Cinema
In the last few years, we’re seeing a rise of strong female characters in lead roles – especially in Action Films (the most prominent being Rey, in Star Wars). These strong characters are everywhere in literature, but tend to be overshadowed by the sequel or the reboot – and if they are picked up, tend to be altered in some way to make the film more marketable: for example, making that female character more masculine (atypically stoic, cold natured, oblivious, and otherwise displaying a shallow level of emotional value – "beefing up" the character, whilst almost ignoring the duality of a strong female character, and their ability to rise to the occasion with a strength of mind and heart; Rose Dawson from Titanic, or countless literary figures from the age of Jane Austen). Are we stepping in the right direction, or is this another false Hollywood campaign?