Contributing writer for The Artifice.
Junior Contributor I
Why study creative writing?Many great writers never studied the craft. Today, more and more students are enrolling in creative writing degrees. Edward Delaney has written in The Atlantic, on 'Where great writers are made', about America's top graduate writing programs – emphasising the importance of time (money) and something to react against. Is that it? Lynn Davidson writes movingly in her article 'A roof over my head' for Text journal about structure, and being part of an ongoing conversation. How has the current long apprenticeship evolved; in what ways does it tap into a tradition of writing mentorships and creative communities and what aspects might be evidence that we are seeing a different model emerging?
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Oryx and Crake: Why Atwood Matters | |
The wonderful David Jauss has a great chapter on contradiction as the lever of transcendence, where he pinpoints the way great writing or characters contains contradictory aspects … and transcend our immediate, short-focus either/or thinking. | Working with The Shadow: A Writer's Guide |
A bit tangential, but isn’t it kind of interesting that Brian Aldiss once conceived of SF as the natural inheritor of the gothic, saying in Brilliant Year Spree that science-fiction was ‘the search for a definition of man and his status in the universe which will stand in our advanced but confused state of knowledge (science) and is characteristically cast in the Gothic or post-Gothic mode.’ Sublime spec fic! | The Sublime's Effects in Gothic Fiction |
‘Margaret Atwood doesn’t want any of her books to be called science fiction’ as Ursula Le Guin pointed out in The Guardian 2009, saying Atwood’s ‘arbitrarily restrictive definition [of not science-fiction] seems designed to protect her novels from being relegated to a genre still shunned by hidebound readers, reviewers and prize-awarders. She doesn’t want the literary bigots to shove her into the literary ghetto.’ Could the genre be coming out of the ghetto? | Oryx and Crake: Why Atwood Matters |
After commenting above, I remembered the article M Atwood wrote for the New York Times on what The Handmaid’s Tale means in the time of Trump – clearly coming down on the spec fic side … just as we’re all starting to agree it’s really no fiction at all!