Contributing writer for The Artifice.
Junior Contributor I
Why study creative writing?
Many great writers never studied the craft. Today, more and more students are enrolling in creative writing degrees. Edward Delaney has written in The Atlantic, on ‘Where great writers are made’, about America’s top graduate writing programs – emphasising the importance of time (money) and something to react against. Is that it? Lynn Davidson writes movingly in her article ‘A roof over my head’ for Text journal about structure, and being part of an ongoing conversation. How has the current long apprenticeship evolved; in what ways does it tap into a tradition of writing mentorships and creative communities and what aspects might be evidence that we are seeing a different model emerging?