The title is a simplification, but one of the things that defines sci-fi is gaving science as a frame for the possibilities of the world. There are many classical sci-fi topics such as space exploration and time travel, for instance. I am interested in thinking about sci-fi on a very small scale. I can’t really think of many examples from the top of my head. "Melancholia" and "The Piano Tuner of Earthquakes" would be examples where the sci-fi elements dwell in the background. Any thoughts?
Could you kindly correct the typo "gaving?"
– Munjeera2 months ago
Interesting. You might delve into the original Twilight Zone series (you can find it on Netflix) for examples. Several episodes deal with spaceships, aliens, and/or space exploration, but just as many do not. Personally, the ones that do not are some of my favorites, partly because the "usual" sci-fi elements aren't used. – Stephanie M.2 months ago
H.G. Wells’s literature could prove useful here for some ideas. – J.D. Jankowski3 weeks ago
From Star Wars and Star Trek to movies like Dune, there has always been either establishment affirming or anti-establishment views within these films. It would be interesting to compare and contrast science fiction films throughout the ages and how they take a look at the societies we grew up in within a detached viewpoint and how it has affected our own view on politics and ourselves.
Another film to look at would be Blade Runner. There are issues about free will, power and slavery. It is also interesting because Deckard is part of the political machine, enforcing the status-quo about how Replicants should be act and what the consequences are. – Sean Gadus10 months ago
I know, although a web search would be needed, that both actors and directors have talked about political issues they could address in science fiction movies, that were acceptable to be addressed, but they could not do, or were reluctant to address in a movie about life on earth. – Joseph Cernik10 months ago
Define ‘hard’ and ‘soft’ sci-fi. [See for distinction: (link) Why are they distinct? Where are each found (types of books, age/gender-demographics, or region)? Where does ‘soft sci-fi’ end and fantasy begin? Are they distinguished by authorial background? What trends have been seen in both over time (what are the trends right now?). Most importantly, what are their different narrative functions/potentials (are hard meant for commentary on humanity while soft are just set dressing? Vice versa?)? And why does the distinction matter?
Some examples of ‘hard sci-fi’: works of Isaac Asimov/H.G. Wells, The Martian, The Diamond Age, Interstellar (arguably)
Some Examples of ‘soft sci-fi’: Dune, Star Trek, Ender’s Game, Slaughterhouse-Five, most dystopians
Adding to the list above, I think Ted Chiang is an author who writes wonderfully in both soft and hard science fiction. Even his hard science fiction works still reveal a theme about humanity.I think these two distinctions are based on the social sciences vs. stem (chemistry, engineering, physics, etc.) but I think both groups are important. Soft is just as important as hard; the one biggest thing that truly differentiates them is the subject matter, but both types of fiction still tell a story. – seouljustice4 years ago