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For the Love of Inhumanity

We've seen them in movies, comics, shows, and in most fantasy/sci-fi outcast stories. The non-human character. The robot, the alien, the animal, the personifications. Once they are established to have human emotions, the audience always falls in love with them, faster than they would a human character. Why is this? Why are we more attracted to the inhuman than the human?

  • Non-Human characters are often visually pleasing, such as human and animal hybrids, humanoid or even non-humanoid robots, actual animals with the poser of speech. There's often an attraction to the elegance, the cuteness, or other aesthetics of these characters that draws us to them more quickly and strongly than the regular human ones. It also could be (in part) that non-Human characters do not necessarily fall to the same sinful or selfish desires that regular humans do. Alien species may not have the same moral dilemmas or vices purveying their culture, thus it is easier to like them because they do not have the same capacity to do wrong. Animals and robots also often don't have those same issues either, either because they are devoid of certain human abilities, or they are without conscious autonomous thought. This is why we often fear for the life of pets a little more so than humans in certain instances, especially film. We worry about the cute innocent creatures meeting their deaths more than any human characters. – Jonathan Leiter 9 years ago
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  • With the extremely detailed sci-fi horror game SOMA, there was a lot that dealt with the meaning of humanity and sentient life. It really made me appreciate sci-fi that tackles this topic well. I'd be intrigued by an exploration of this appeal toward the inhuman. – emilydeibler 9 years ago
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  • One way to write about this topic would be to look at the evolution of sci-fi movies and books in the last decades. It maybe interesting to find in what ways they have effected our emotions and understanding of non humans in comparison to when the genre of comics and sci fi first emerged. Has the popularity of such genre changed our perception of non-humans and how we related to them? – aferozan 9 years ago
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  • Maybe mention a few examples specifically like the new droid in Star Wars, or the operating system in Her. – luminousgloom 9 years ago
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  • I think that perhaps we fall in love with them because in a way we pity them whether they have gone through something to get to the stage of not being able to be loved or show emotions and that after all the hardship they are. Or perhaps we're interested in the idea that they can show feelings.. – Wanderlust 9 years ago
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  • I'm glad you brought up SOMA, Emily. I also thought of the droids in Star Wars, as well as the robots in the video game series Portal and WALL-E and EVE from the Pixar movie. For the purposes of keeping the article focused, the author may want to focus solely on one type of non-human (robot, alien, or animal) because there are so many great examples for each category (ET for the alien and Remy from Pixar's Ratatouille for the animal, for instance). – KennethC 8 years ago
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  • Because animals, robots, and aliens have never hurt me as much as humans have. – Tigey 8 years ago
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The shelf life of young adult novels

Young adult novels are a definite force to be reckoned with. Some books are completely timeless, such as The Giver, anything Judy Blume, Series of Unfortunate Events, and soon to be (if not already) anything apart of The Hunger Games and Divergent series. These books are made into movies and fall into the hands of generations following their primary release. Some are even then instilled as required reading. How do young adult novels withstand the demands of time and generations? What keeps them so relevant and readable? What books can you think of that have done this well? Explore that.

  • Let's not forget the first teen novel, The Outsiders. For a teenager by a teenager. Classics like Catcher in the Rye have inspired King Dork by Frank Portman. These two YA novels are related in a clever way. The YA genre is all about the angst. Going through it, you want to read about it because it validates your teen feelings of alienation. Growing up is like dying to your childhood. I think the relevance comes from this experience as every teen goes through it. Even as people get older the happiest adults seem to have never fully given up their inner child. Very smart topic. – Munjeera 8 years ago
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  • I have to say though that I do know a bunch of moms who were perplexed by the Judy Blume books not resonating with their "tween age," or teenage daughters. With that being said, I do agree that the majority of YA novels do have a much longer shelf life than adult novels. This is a very interesting topic, and one that I am quite happy to see on this site. – danielle577 8 years ago
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10

Poetry: Intention and Interpretation

With all of the metaphorical language in poetical writings, is there a line to be drawn when it comes to interpreting said writings? English classes go into great detail about a Freudian style psychoanalysis of a single word in a passage or verse, often extracting a five-page essay's worth of details from the arrangement of fewer than ten letters – is this extreme?

  • I love this topic!! I am a huge fan of poetry, and my favourite part of English classes was always annotating poems. In my opinion, the beauty of poetry is that it can be taken in so many directions. There's always more depth to them, and you can always go further. It's like a very complex puzzle. Interestingly, though, I've found that nine times out of ten, a group of people analyzing a single poem get exactly the same themes/meaning out of it when analyzing the poem individually, despite their highly varied individual experiences and values. In that case, I think there's an argument that a poet puts each word into a poem to have these deeper meanings, even if it's subconsciously. In that case, a Freudian style in-depth analysis is completely justified, and the depth each poem has is what makes it such great art. – Laura Jones 9 years ago
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  • I think we have to look at the age or period in which the poetry is written, and then its meter and form, and then, its relation to 20th century criticism. However, Freud has been applied to the analysis of literature and drama before and after his time. – Jeffery Moser 9 years ago
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  • I believe there are two levels of intention and interpretation for both the author and the reader of a work. First, we have the level of clear intention. This is shown by such examples as T.S. Eliot's use of the phrases, "Hollowmen," and, "Wasteland," in the respective poems. These monickers are used clearly and repeatedly, and in this, it seems intentionally, to represent the overarching motifs in the works. This is perceptible to any reader examining the texts in any sort of in-depth fashion. Secondly, we have the level of extrapolated interpretation, which will be defined as the reference to an outside body of work, or a seemingly unnoticed characteristic of a poem or work that embodies its sustained thematics. In, "The Wasteland," Eliot describes April as the cruelest month, which could be altogether negligible to the laymen or on its own could carry the meaning intended, but the extrapolated interpretation would be to recognize the allusion to Geoffrey Chaucer's Canterbury Tales. Another example of this, although from a work of prose, would be to note that the themes of, "Hills like White Elephants" can be supported by even the rudimentary units of grammar in the conversations between the girl and the man. So, in summary, I believe there are farragos of possible interpretations to any given poem or other work, and that with enough digging, these various interpretations often, in some fashion, all end up pointing in the same thematic direction due to the overarching intentions an author has in writing a given piece. That said, I also believe that not all of these possible interpretations are result of authorial intent but rather subjective extrapolation of the text by the reader. Each of these are valid methods, and coexist to cause close-readers everywhere to see all of the parts of a given piece: those that were intended, and those that happened by accident, alike. – mrichardson35 9 years ago
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  • NO. Nothing in art is unintentional, depending on the artist. Assuming its a true artist, especially when making a didactic work, it should never be asserted that their work is a culmination of random things put together with no thought. – luminousgloom 9 years ago
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  • Luminousgloom, I was more wondering if it's possible that an absurd number of *extra* concepts are often being interpreted from an artist's work, ones which are extraneous and unintentional, which brings into the question of how much they can be given credit or held accountable for said interpretations. Certainly artists create their pieces with amazing care, and have many layers of thought which go into their work - I don't doubt that. Thank you for that opportunity to clarify this topic idea! – EulalieS 9 years ago
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  • There is no line to be drawn. Freud, like any other theorist, offers a complex theoretical perspective and its relationship to any text must be explained in-depth. I think this is why the analyses get so long sometimes. Freud himself talked about an inevitable over-determination where we inject new values into interpretation; it’s unavoidable, but it’s also part of the interpretive process. – greyject 8 years ago
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  • I, personally love applying a critical lens to all forms of literary writing, especially poetry. With that being said, certain works require different lenses: historical and cultural studies, psychoanalytical, post colonial and race studies, Queer studies, deconstructionist, Feminism, Marxism, and reader response. There are numerous literary lenses to explore, all of which have their strengths and their weaknesses. – danielle577 8 years ago
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  • Kerouac wrote on endless sheets of paper while doing speed, while Hemingway tortured himself for months over paragraphs. For me, the questions are: Did Kerouac accidentally leave more of himself on paper or did Hemingway? And - especially if the latter is the greater unconscious revealer of self - is there no way to block unconscious intent regardless of process? – Tigey 8 years ago
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Blogging: Help or Hinderance in Building a Writing Career?

Many writing help sites suggest that starting a blog can launch your writing career. Others suggest that spending too much time tending a blog can stunt your literary growth in terms of productivity. So where do you draw the line? Is there a way to manage both or should a fledgling writer focus solely on writing the stories they want to write?

  • A big part of the question might come down to a matter of "why buy the cow when you get the milk for free?" For those who attempt to make their living as a writer, is it in their best interest to put time and effort into writing free online content with the hopes that it may prompt readers to buy their professionally published works? In the past, if professional [let's say, fiction] writers wanted to supplement their bodies of work with additional nonfiction, polemical, or personal writings, their only outlets to share them with the world were the same kinds of standard publishing channels - such as newspapers, magazines, periodicals, or to compile essays and articles into whole new books - to which they were still promised monetary compensation. Nowadays, with the internet acting as a Wild West of free content bombarding us from all directions, blogging has become a way for authors to share their nonfiction/polemical/personal content without any expectation of payment (at least when starting out). The consequences to this are two-fold: 1) the writer is no longer able to sustain herself financially from the total sum of her literary output, and 2) the free work produced may be somewhat de-legitimized in contrast to that which has entered the book market, possibly taking the author's good name down with it. At the end of the day, I think it's beneficial for writers to work on their craft beyond the occasional book she is able to produce, but incentivizing this work financially should be a priority if we wish to cultivate a future in which writers can devote themselves fully to their art without fearing that they may not be able to pay this month's rent. – ProtoCanon 8 years ago
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  • Everything is helpful... until it's not. There are myriad number of reasons for writing and the choices of mediums ever expanding. Digital literacies have brought about their own challenges. Let the suit be cut according to the cloth, as my dad always said. – Munjeera 8 years ago
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  • I agree with ProtoCanon that the internet has a Wild West atmosphere for fledgling writers and authors. There is potential for writers to share their work and connect with like-minded individuals. It might have the potential for fame like all the people who have found fame through YouTube and social media. At the same time, traditional means of publication through journals, online and print, shouldn't be discounted. You can build up a resume of sorts through these publications if you're ever looking for an agent. The internet is definitely changing the way things are done, so it'll be interesting to see what happens. – S.A. Takacs 8 years ago
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  • An interesting topic, yet one that needs to be considered on an individual basis. There are those who blog to get "discovered." Some sites encourage you to use their platform as a means to "launch your career as a writer." While others blog because they promised themselves that they would write, for at least a said amount of time, every day. Those looking for success or discovery will likely be disappointed. As for the disciplined writer who seeks to fine tune his or her craft, this act with be a help, not a hindrance to their art of writing. – danielle577 8 years ago
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Published

Where Did All the Editors Go

Where do you go for your news? Somewhere renown for legitimacy like The Huffington Post and The New Yorker, or perhaps somewhere mainstream like Buzzfeed? No matter the reputation of the site I've noticed one recurring thing: errors. Grammar errors, spelling errors, syntax errors. These are all extremely popular media sites, used by millions of people every day, and yet there seems to be no one taking the time to proofread or edit their articles. Where did all the editors go? Are media sites cutting editorial costs or is the flow of content too great for them to handle? Do popular sites even have editors?
Have we reached a point in our society where language standards are lacking to the point where it doesn't matter? Do people even care? As a writer, this is a topic near and dear to me and I'm sure to a great many others on the Artifice because we aspire to self produce worthy content. Give me an article with a definitive answer about the decline in quality writing for various magazines/newspapers and whether it's worth our time to try so hard? Has there been a recoil from dedicated readers over the decade or have such practices actually opened up their client base?

  • I have often been wondering the same questions and thoughts that you bring up myself. – Kevin Mohammed 8 years ago
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  • I wonder if it's related to the amount of students engaged in cyber cheating. – Tigey 8 years ago
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  • My local town newspaper let go of the editorial staff in order to reduce costs. Now the writers have to proofread their own articles, and naturally they miss errors. We tend to miss our own mistakes because we see what we meant to write. It's a shame that rising costs have driven smaller journalism outlets to eliminate staff, but the reasons behind bigger name outlets may be similar. – Lexzie 8 years ago
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  • What a relevant topic!! I cannot believe the amount of typos I find in articles, as well as grammar, spelling, and the lack of concision in these publications. I think this is an excellent topic, and I do hope someone picks it up. I would be curious to see what one does with this particular subject that is especially relevant in this "digital reliance," age. – danielle577 8 years ago
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  • I think it could (like you mentioned) a cost-cutting measure to let writers edit their own work, or maybe many sites want their writers to use as much of their voice as they possibly can without hindrance. To me, it doesn't really matter though, as no written work is as good as it can be without another set of eyes looking at it. I wish there was a more definitive answer out there. – jlcook42 8 years ago
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  • This is a super important topic! As someone that aspires to be an editor, I think it would be really good to know what's leading to the lack of editors and where the problem really lies – LilyaRider 8 years ago
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  • News production has taken on a 24-hour cycle which lasts three days. This time frame is how long the audience is interested in a topic and the follow up. Depending on how much money a cable news network can make and in these times of being cost effective, everything depends on the almighty dollar. Many in the press corps are concerned about their traditional news coverage declining even the Washington Post. On line news is taking over and it is likely that given the speed of technology that news in real time has trumped fidelity to concerns about traditional grammar rules. What is taking over is talking points and sound clips. Remember Marshall McLuhan's "the medium is the message?" That certainly has become true. – Munjeera 8 years ago
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Does the hero's journey ever fully encompass a true human experience?

Since the beginning of language man has entertained himself with storytelling. These anecdotal stories and most popular chronicles at that usually follow the same exact 'hero's journey' formula. But does this form ever truly encompass humanity? We are constantly exposed to the hero's journey and the outcomes of the triumph of one side or another (good or evil, man vs. Nature ect), but does humanity exclude the reality of the accurate human experience for the sake of mass amusement? Analyze why the hero's journey could possibly not truly represent the nature of humanity and why this particular set of storytelling guidelines translates so well to an mass audience who will most likely never amount to heroic status.

  • I think the hero's journey is flexible enough to encompass the human experience because a character doesn't necessarily have to make it full circle. There are many stories where the hero isn't able to overcome the tests he meets in the underworld - and he doesn't come back with a boon to society. A happy ending is not obligatory in the hero's journey - it's just that the hero *might* come back. Yet, at the same time, even with an unhappy ending, the cycle reminds us of what might have been or of what was possible, if that makes sense. – LisaDee 8 years ago
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  • I agree that cliche is such a damning critque. – sktthemes 8 years ago
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Published

The Importance of Being Vague

Discuss how the lack of complete explanations regarding supernatural, science fiction, etc. and how this lack of development on the logic can enhance the telling of a story. It is probably obvious but movies don't always explain the whys and how comes of their story.Being vague is often a necessity because who can fully explain how city-sized spaceships hover over cities, annihilating them soon after (Independence Day)? Leaving the premise open seems like a necessity in film for this reasoning.

Of course, vagueness often comes in different amounts and should be explored. Book based film's like Harry Potter have little vagueness because of spectacular world building outside the films. On the flip side however, films like the recent hit animation Zootopia require the viewer to accept the premise and move into the story.

So what is the importance of leaving the unexplained just that, and what is its value to storytelling?

  • Admittedly, I don't consider vagueness to be an integral component of "reading" popular films. Traditional texts I might be convinced otherwise, of course. Vagueness as a concept is important because fine details will only be understood by those actively searching for it. Consider this: as an English student, my habit in many films I watch, such as Zootopia, is the point where the narrative converges on a common trope: be it the inevitable backstory scene which reveals past traumas justifying current personality, or foreshadowing a plot twist too emphasized by the creators (an unabashedly tragic character with infinite patience and no assertiveness, for example). In contrast, my sister in Computer Sciences makes note of animation techniques and feats in the film I take for granted because they're so natural. A scene lasting less than 10s where each individual fur on a lemming has been animated to a degree surpassing Elsa's hair. Water dripping from a leaf recently soaked by an artificial sprinkler in a series of frames within a larger, arguably more grand shot of Zootopia's terraformed districts. This is fascinating to me, yes. But not to the extent of someone who can fully appreciate it. The explanation of vagueness evokes little more than a wondrous clarity which, of course, dissipates quickly. As an added, vagueness is also a tool of clarity employed to convey the gravity of a situation. I'm sure there's a scene in most popular films where information is condensed or convoluted to impress the "average" viewer. – JMIWrites 8 years ago
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Published

The Neediness of a Writer

As we all know, when you write something, you put yourself "out there." You put your work up for criticism. We all dream of everyone loving our writing, and be respected, or loved, or both. A simple "good work" can make your day. However, your writing is not that special. People will disagree. Some will not like it. Others will hate. How do you deal with that? Answering this question would be the thesis for whoever wants to pick this topic.

  • The beauty of creative expression, including writing, art and film, is that it does provoke some kind of feeling. A good example is Van Gogh. Even if people hate the work, feedback is useful but your creation is still your baby. Perfect in your own eyes. – Munjeera 8 years ago
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  • There's an awkward balance between the "good works" and criticism for people who create art. You want people to think your art is good, but you also want them to provide their thoughts and feelings so that you can make it better. The fact of the matter is no matter what you write and how much time you spend on it, someone in the world will have issue with it. And then there will be people who don't provide any assistance and just say it's "really good." Finding the right balance between the two is the eternal struggle for artists and writers. – Nayr1230 8 years ago
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  • Right, and then you can have a hundred good impressions, but if only one person doesn't like it, it will bug you. I tend to focus on that one person who didn't like it even though the overwhelming majority thought it was good. I don't like to do that, but it is just my unconscious reaction. I also always suspect whether those people who say that is good are telling the truth. – ismael676 8 years ago
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  • Having people disagree does not necessarily mean that the writing is bad or not special. It just provokes further argument or creates the need for more writing. Look at academic writing. Every article posted is well thought out and edited. However, I have written plenty of essays that are grounded on refuting one of those said articles. Negative criticism is a way of life, but as long as you continuously look at it as criticism that you can build off of and not as just someone telling you "you're terrible," then I think you will survive as a writer. – cletkiewicz 8 years ago
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