How has the Comics Code Authority impacted the development of American comics? Despite the fact that this is no longer a concern in the industry, does the history of having that organization and the way it affected the medium still show in comics published today? Maybe a comparison with European comics would be helpful here.
It'd be great to see examples of current comics that would never fly under the rule of the Comic Code Authority. I'm sure there are ridiculous examples, just like how TV shows had many rules in the '50s like "No man and woman can be shown in the same bed." So they'd show the wife in bed under the covers and the man sitting on the side of the bed with both feet on the ground. It certainly impacts the storytelling, and the "work arounds" are quite fun to learn about also. – Nate Océan3 months ago
For years, both Marvel and DC Comics have been publishing annual comic book event series that promise big stakes in order to generate revenue. However, this trend is becoming too common and these events can be hits or misses. This article would examine the pros and cons of comic book event series and detail examples that have been praised or reviled by readers.
For the past few years, the popularity of comics have surged. Statistically, in 2015 comics and graphic novels sales topped $1 billion, including print and digital. Why is this? The rise of cinematic universes such as the MCU and DCU is one obvious answer however, looking deeper, there are other reasons. First off, has accessibility contributed? With different apps providing libraries of comics for a subscription-like price becoming increasingly popular, is print dying down? Then there is services like Netflix showcasing original series like all the marvel ones or Riverdale, each having comics as source material. Will these new forms of accessing comics hold the popularity rate? Or will it die down again only to be re-birthed in many years?
Superheroes resurge in popularity during rough times. http://edition.cnn.com/2009/SHOWBIZ/books/03/18/superhero.history/index.html?iref=24hoursJust like musicals. In the times we live in right now, I guess we could all use a little song and dance as well as faith that somehow we will get through. – Munjeera1 month ago
Recently, X-Men Gold #1 was criticized for how it had hidden religious, political meanings in the art. The artist responsible was fired because of it. This article would examine other comic book artists who faced a similar situation and the consequences of their actions.
With the Wonder Woman live action film on its way, many people might be excited to see one of the west’s greatest superheroines come to life…but let’s take a second to compare and contrast Diana Prince to another superhero from the east: Usagi Tsukino.
It would also be important to look into the importance of the age on the differences and similarities between them – marvellaforever5 months ago
I would also add how different the worlds both characters come from are. – BMartin432 months ago
An analysis of Marjorie Liu and Sana Takeda’s Monstress (or the first handful of issues at least) and how they build a world that seems to be very female-dominated, and what that means for gender relations within the comic. Are strong female characters in a world that is predominantly made up of women still good role models, or are they less effective without the men to act as a contrast? Is Maika a good feminist role model, or at least a good realistic female character?
The world is changing so much that women are dominating most important post in various establishments, they still need men though. My point is women are not ranked low now like years back. – asdfg463 months ago
I would also examine other comic book series where this is the case and see how they compare to Monstress. – BMartin432 months ago
It would be enticing to examine graphic novels that explore very powerful themes. "V for Vendetta" is a story that explores totalitarianism. These books could have important meanings that could potentially apply to the real world. These powerful themes can be based of off real-world problems such as government corruption. Whoever writes this can choose any graphic novel or comic book series they feel is relevant to today’s world.
There are so many graphic novels you could talk about, I'd recommend bringing some more focus to your topic. – SeanGadus4 months ago
I'm interested in writing on this, but I do agree with the revision note. Are you wanting the author to bring in works of their own choosing? Are you wanting a specific theme about power? – Matt Sautman4 months ago
Can you explain what you mean by "powerful themes?" – Stephanie M.4 months ago
I agree with the revision notes posted so far. While I definitely approve of this topic, I think elucidating a few more details would be helpful for prospective writers. Please expand. – Vishnu Unnithan4 months ago
This would be such a cool topic, but it's more of a massive concept than a single topic that a single piece can be written on. Even within some single graphic novels, there is tons of material to explore. What exactly do you mean by "powerful themes"? Things that are more political, moral questions, a discussion of sequential art as literature, ways in which the novels have affected the genre? – sk8knight4 months ago
Whoever does end up writing on this, could you create a top ten list? It would be nice to get an overview of what is out there. – Munjeera4 months ago
Analyze the juxtaposition of nature, magic, and technology in Tom Siddell’s long-running (12 years so far) webcomic, Gunnerkrigg Court. How does Siddell allow these three to coexist, and how does he allow them to clash? Does Siddell favor any of the three? How are these elements connected to the two main characters/settings (Antimony and Kat, The Court and the Forest) and their respective flaws? (link)
I love this idea, just as I love the webcomic. A close look on the contrast between Kat and Annie and their respective strengths and friendship could be really interesting in this topic! – RachelSinclair4 months ago