Comics

I want to focus on the Fight Club 2 series of comics, and how they continue the story from the novel by Chuck Palahniuk, who also writes the comic as well (I believe). There is about 8 issues as of right now of Fight Club 2 and you can focus on two aspects (three possibly).

Fight Club 2 as a comic series and how it stands on the basis of being a comic series, the ability that Dark Horse gives Fight Club 2 to do what it wants to do to continue the novel and series. Plus the character development and how the characters are written as continued from the novel, if you'd like.

Then you can focus on the novel itself and how that differs or not from the comics — thinking, character wise and plot wise as well. Since Fight Club 2 is a continuation about 10 years later from the novel.

The third aspect of this could be (if you wanted) tying the two together, just as a whole — do you think or does the comic book audience think that there is potential for a part three or four after this one ends, each spanning in 10 years after the last one? Or does it have potential to do that much with the comic series. I would also love to see the art-work being talked about because Cameron Stewart and Dave Stewart do an amazing job with the art alone! That's something that I, as a reader, become amazed with just looking at it each time a new issues comes out.

Here's a quote as well that explains about Fight Club 2, if you haven't read the comic series, or want to know: "At the 2013 San Diego Comic-Con International, Palahniuk announced that a sequel to Fight Club is in the works and will take the form of a serialized graphic novel. According to Palahniuk, “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden. Nowadays, Tyler is telling the story, lurking inside Jack, and ready to launch a come-back. Jack is oblivious. Marla is bored. Their marriage has run aground on the rocky coastline of middle-aged suburban boredom. It’s only when their little boy disappears, kidnapped by Tyler, that Jack is dragged back into the world of Mayhem.”[33] Dark Horse Comics is publishing this new story in a 10-issue maxi series, written by Palahniuk and illustrated by Cameron Stewart, starting in 2015.[34] Artist David W. Mack, who is friends with Palahniuk, will be illustrating the covers for the series and has said of the material, "The twists and turns are just primo artifacts of Chuck Palahniuk’s brain material.

Marvel and DC have been in the comic scene for decades, they have made huge impacts on comic readers everywhere. Not only with their ability to draw in the reader, but to make characters that stick with them forever throughout their lifetime. That being said, what does that do to the other comic book publishers such as; Image Comics/Vertigo Comics/Wildstorm Comics/Dark Horse Comics/Boom! Comics etc. Most of these comic publishing companies don't make superhero comics, they make other genres of comics books. I know some comic book buddies that don't even know half of that list exists.

Knowing that, what do you think this does for them? The love for superheroes will never cease, but with the approaching years to come do you think that readers are going to switch to other genres and give up on the cliche superhero plots? There are some really good comics out there in the wavelengths, Paper Girls being one of them.

Do you think readers are going to make the adjustment and start giving these comic publishing companies the credit they deserve?

Or keep on going with superheroes?

If you agree, do you think these publishing companies will get movie rights and start making even more comic films that don't have to deal with superheroes?

And even so, do you think they would make any money if they did start to make other genres of comic films?

There are many heroes that adhere to a strict "no-killing" rule and there are several heroes that absolutely don't. For instance, Batman and The Midnighter. Analyse which approach makes more sense from an idealistic standpoint as well as a pragmatic standpoint.

The comparison between Avengers Assemble and Avenger's films.

Avengers Assemble is a cartoon television show aired on Disney XD. It started in 2013 and was created by Stan Lee himself. Look at the comparison between the two and how the personalities are either constructed better in the cartoon series, or they lack abilities that you see in the films.

You can also get down and dirty to a depth-by-depth analysis of each character and how they are similar or different between the two the show and the film. You can also think about how Avengers Assemble can show a lot more analysis of personality traits because it is a TV show, that has at least 26 episodes. There is two seasons currently and it is available on Netflix.

Analyze the connections that can be made between many of Marvel's films and topics present in High School Social Studies.

Batman has been such a big staple in comics and has remained that way for decades, why is there such a resonance with audiences? Also, the audience for comics has largely changed, as well as what people expect from their comics. What has Batman done to remain captivating for people and fresh after so long?

With Ms. Marvel and Batgirl of Burnside as just two examples, how are Marvel and D.C. writing young women as heroes? What sort of plot devices do they use to make them relatable? In what areas do they succeed or fail? Furthermore, analyze whether or not these characters have been successful in reaching a wider demographic for the comic industry.

Comic fans love their heroes, and their tested and true stories that have been rewritten and reimagined for well over half a century. Recently, however, there's been talk of creating new heroes, new teams, and new identities that better represent our modern ideologies and culture. What really makes a new hero worth publishing? What sort of criteria should be followed to give a character the longevity of the greats? What aspects of our society can we fuse into new heroes to further the ongoing mythology of the superhuman? Analyze whether it is about diversity, history, relatability, or something else entirely.