Suzanne Collins’ newest book, The Ballad of Songbirds and Snakes, a prequel to The Hunger Games trilogy, is set to release May 19th, 2020. This prompts the question: What benefits do prequels provide for a story? The Ballad of Songbirds and Snakes supposedly takes place in Panem 64 years before the original trilogy. By backtracking, not only do audiences lose favorite and well known characters, but any world-building that existed needs to be restructured and changed. On the other hand, it does provide significant details to the history, as well as the opportunity to flesh out backstories. Collins isn’t the only author to do this; J. K. Rowling wrote the Harry Potter series, and then Fantastic Beasts and Where to Find Them, going back 70 years in her timeline. So, analyze the potential benefits and possible drawbacks to prequels for beloved novel series.
I think this is a great topic for modern books and films, which have seemed to embrace the prequel. – Sean Gadus1 year ago
Good topic! I'm very into well-drawn characters, so I'd say it depends on how strong your characters are and how relatable their journeys are. I haven't read The Hunger Games yet, but for an example, I can tell you Newt Scamander is a great protagonist. Also, he's one of those rare characters who manages to be a cinnamon roll without being insufferable. – Stephanie M.1 year ago
Just read the Ballad of the Snake and The Songbird and I absolutely loved it. Tracing the history of the hunger games was intriguing and it was great delving into the experience of being part of the Capitol during and after the war! – Sean Gadus1 year ago
Does reading classical literature (written predominantly by white male writers) still have a place among young people today? A lot of high school students lose their interest in reading when they are instructed to read books that don’t seem to fit in the society that we live in today. It may not even be that they hate reading all together, but that they hate reading books they find boring. For example, when the Hunger Games came out, every kid had their hands on a Hunger Games novel, even people that said they detest reading. The Hunger Games is much more action packed and fast moving compared to many older books, and it still deals with really important themes and issues that you can find in classic books as well. Not only that, but a lot of classics are casually racist or sexist. Is it right to keep teaching books that preach hateful ideas, just because they are "classics?" Will changing the curriculum to books that relate to high school students more, encourage more young people to read? Does learning English Literature lose its meaning if the classics are not taught? What is more beneficial in the long run?
I feel like this ties into a common misconception of what English class is for. The point of English class, as I understand it, is not just or even primarily to encourage a love of reading. The point is to teach a very specific set of skills pertaining to how to read something, as well as to understand where all of the literary references we see in our everyday lives came from. The works that are read in English class are picked, by and large, because they accomplish those aims, and any attempts to replace them would need to be able to function similarly. There is an argument to be made that required reading should be more diverse than what we've currently got, of course; but just because a book is enjoyable or has some "important" message (whatever that means) doesn't mean it's suitable to be taught in an English class. People can always read whatever they want on their own time. – Debs2 years ago
Hunger Games is unsophisticated pulp and does not require anything from the reader. Classical literature tells a story using metaphor, which must be uncovered through higher level thinking. This is why classical literature is taught in schools regardless of the race of the author. Using race as an argument is not constructive in this case, and is quite frankly, just racist. – kim2 years ago
I'd just like to clarify, that I did not mean classic literature should be completely eradicated from the system. Many classics do teach great skills on how to read and these classics are taught because they were one of the first to introduce the ideas they present and they impacted english literature greatly. I was just wondering if anyone else felt that some of the ideas presented in these books could be outdated. In the english classes I've taken, we often discussed how these books impacted society at the time, such as To Kill a Mockingbird, or Jane Eyre. I used the Hunger Games as an example only because it discusses issues pertaining to war and government which can be applied to real life as well. Just because a novel is a classic, does not mean it can only be understood through a "higher level of thinking". I think race and gender of an author is important because often times, authors include racism or misogyny in their work, and students are forced to ignore it, even if this kind of violence is directed at them. For example, 1984 had misogynistic undertones, just like many other books, and it loses its value to me because of that. I'm not sure if this counts as a classic, but I was reading the second Narnia book recently and was appalled at the amount of racism that existed in a series that is praised and cherished by so many people. My point, is that many students don't see the value of classical literature because it's becoming more difficult to understand WHY it is so important, therefore they seem to lose interest in reading itself. Shouldn't we be more critical of the classics taught in school, instead of just giving it so much value just because it's a classic? Shouldn't a variety of books be taught, old and new, to get a full understanding of reading and language itself? Why do we need to praise books that are racist or misogynistic, but give it a pass just because it was written in a different time period? – IElias2 years ago
I agree with your argument for a critical reading of Classic (and Classical!) texts. As a teacher, I can also vouch for the enjoyment my students experience when reading novels such as 'Pride and Prejudice' and 'Jane Eyre' etc - they can enjoy, yet also apply a critical lens to their reading. Rigorous textual analysis doesn't ask students to 'ignore' those themes and ideas which challenge their own cultural context - far from it. And texts which appear to privilege views at variance with our own make for important examination. I support your varied text selections. I also agree that many contemporary texts are as complex and worthy of study as the dear old 'classics'. 'The Hunger Games' is richly allegorical and figurative. Like any text, its value may be determined by the interplay between text and reader, its intertextuality, its cultural 'constructedness' and the extent to which it prompts question and debate. – garjo2 years ago
I think it's important for anyone of any age to be exposed to literature widely regarded as having much literary weight. Having said that, it seems that it's always the same authors and books taught. While Shakespeare's texts are timeless, something along the lines of Marlowe or Jonson would certainly make things more interesting. In terms of novels, it's vital to be able to debate whether something is truly 'Classic' in order to progress with English. I agree that we need more diversity, but some books are 'Classic' for a reason. – Thomas19272 years ago
I think we need to be rid of the idea that reading old texts is inherently joyless, or that texts that are the product of their time aren't read in context. A text written during a period of history where racism, for instance, was entirely normalised isn't inherently promoting it by its inclusion. Some things age better than others, and not everything is everyone's cup of tea, but if the students can't find any joy in any classics they probably won't in contemporary popular literature either. There are plenty of classics that were neither by white male authors and plenty that were ardently against the prejudices of their times. Likewise, the phrase "classics," paints with a broad brush. The late Toni Morrison's Beloved is indisputably considered a contemporary classic and it's certainly not casually racist or sexist material authored by white male authors. Going back a little further, Virginia Woolf likewise has assumed classic status that has not been questioned, and her writing as a whole could be considered antithetical to the stereotype of the hateful old white man cantankerously writing boring books. Often, particularly since the turn of the last century, what has defined a classic has been not only its merits as an artistic work but the ways in which it has succeeded in going against the grain and in anticipating social change. I'd like to know what works you're referring to that are classics that preach hateful ideas, given that classics have an overall proclivity for being forward-thinking, within reason for the periods in which they were written. – benjamindmuir2 years ago
Analyse whether or not dystopian young adult novels have become essential reading or a completely redundant genre. Make sure to include examples like The Hunger Games and Divergent and discuss how they have increased the popularity of dystopian fiction for younger readers. Also evaluate newer titles and their impact on the publishing industry (whether or not they serve a purpose, are simply a cash grab, etc.).
The popularity of dystopian fiction among YA readers is often explained by it being a theme with which they can personally relate. The world is in shambles and it's up to the young protagonist (representing the future generation) to attempt to fix it. If the state of the world continues on its current trajectory - as the current presidential candidates give us much reason to suspect - the looming threats that can be seen in the novels become all too real. Though this theme feels incredibly relevant at this current historical moment, the mass sensationalism of the genre since 2008 (particularly with the publishing, film, and merchandising industries doing whatever they could to strike while the iron was hot), has very rapidly exhausted its narrative potential - evidenced by how similar the plots of Hunger Games and Divergent are, indicating a lack of original content to fill the demand. Like all fads, it isn't long until people lose interest and move on to the next one. – ProtoCanon5 years ago
Historically speaking, I think the rise and ultimately extreme popularity of dystopian YA novels is significant. I think it certainly says a lot about our culture. Does this automatically mean it is good literature? For most of it, probably not. Rereading the Hunger Games series will show that the quality of writing is very poor, and the characters are not compelling. I think that we tend to get sucked into these kinds of stories because of how horrifying the dystopian thing is, while we live comfortably with the knowledge that it is a highly exaggerated, excessively violent version of some of the real "dystopian" structures in our society (there are things about our world that are truly dystopian, but I don't necessarily think these are the themes and structures explored in YA novels). It doesn't matter if the book is good or not, we become fascinated because it's so sickening and yet usually unrealistic enough that we don't feel compelled to try and fix things. Years down the road, my guess is scholars will examine the eventual impact of this kind of literature, and it will be studied - but more for its value through the socio-cultural perspective than the literary one. – darapoizner5 years ago
It may be helpful to consider the dystopian young adult novel from this perspective: imagine an alternate reality of Harry Potter where Voldemort won and people held to a 'resistance'. We see a glimpse of this reality preceding the battle at Hogwarts, and afterwards when Voldemort appears to have defeated Harry. From this perspective the dystopian young adult novel represents the version of our realities as youth where we are not imbued with a bildungsroman-style ascension to adulthood. In other words, this genre is an inevitable continuation of children's literature. The difference between film adaptations and the novels themselves -- especially for The Hunger Games -- will likely be of more interest to future scholars (i.e. do the books matter anymore once the film adaptation has entered the collective consciousness). As for whether this means that the value is more socio-cultural than literary is an interesting predicament given that the separation of the two could likewise be up for debate. – Kira Metcalfe5 years ago